The Blues Summit Devon Allman

• 1 Runners In The Night 04:25
• 2 Blues Is A Feelin' 03:47
• 3 Peace To The World 03:35
• 4 Real Love 06:09
• 5 After You 04:33
• 6 Gettin' Greasy With It 03:24
• 7 Wang Dang Doodle 04:10
• 8 Hands and Knees 03:22
• 9 Little Wing 06:27
• 10 Midnight Lake Erie 05:32
• Total Runtime 45:24

Info for The Blues Summit

In the first 20 years of his recording career, Devon Allman has made one thing very clear. He doesn’t stand still. As an artist and performer, he is always on the move, eager to stretch his boundaries, forever on the lookout for new sources of inspiration and new musicians to collaborate with. That ethos has driven him to continually create and move on. That’s why his discography to date – though it includes a number of solo albums – also shows releases with Honeytribe (with whom he debuted in 2006) and southern rock supergroup Royal Southern Brotherhood as well as with the Allman Betts Band. The resumé is a work in progress, yet one that is already worthy of the musical legacy handed down to him by his late father Gregg Allman of the legendary Allman Brothers Band.

His new project The Devon Allman Blues Summit, is a powerhouse gathering of blues legends that promises to electrify the stage. Once again, it’s a decidedly collaborative effort that sees Allman’s core band augmented by big-time players like Christone “Kingfish” Ingram, Larry McCray, Sierra Green, Jimmy Hall and Robert Randolph. Yet this time around, Allman displays an uncanny willingness to share the spotlight. He does more than feature his guests on this session. On roughly half of the album’s ten tracks, he lets them take center stage. And since most of his guests are big-time blues players, we wind up with one of the bluesiest albums of Allman’s career. As the title says: it’s a Blues Summit.

One of the stars of this musical gathering is Jimmy Hall, who some may know as lead singer and harmonica player of southern-rock group Wet Willie or for his collaborations with Jeff Beck. Hall puts his stamp on the record almost immediately, singing and blowing up a storm on its de facto theme song, “Blues Is A Feelin’.” The track is a big, brawny, propulsively rhythmic celebration delivered by eight musicians who share an obvious passion for the blues. Hall handles vocal duties again on the gospel-tinged “Peace To The World” (with Robert Randolph adding his trademark pedal steel guitar) and on a loose and spirited, hand-clapping, foot-stomping version of the Willie Dixon classic “Wang Dang Doodle.” On “Hands And Knees,” Arkansas-born Larry McCray takes his turn at the mic and on lead guitar, his chiming licks and smooth tone showing an obvious debt to B.B. King. “Getting’ Greasy With It” is another McCray composition served up well by Allman and his cohorts. The funky quasi-instrumental is smothered in horns and has Memphis written all over it – no surprise since it features the celebrated Memphis Horns, guests on three songs in all. Though The Blues Summit was recorded at the Sawhorse Studio in St. Louis, it often feels like Memphis, with “Real Love” being a further example; this slow and sultry soul ballad written by Allman showcases New Orleans singer Sierra Green on vocals. Other song contributions from Allman include “After You,” album opener “Runners In The Night” (with Christone “Kingfish” Ingram adding lead guitar) and the closing number “Midnight Lake Erie,” a moody instrumental companion piece to “Midnight Lake Michigan” from his 2014 release Ragged & Dirty. Yet more than any other track from The Blues Summit, it’s a cover version that demonstrates how Allman is always looking forward rather than back. By now, Jimi Hendrix’s “Little Wing” has been done to death. However, by taking liberties with the song’s familiar structure and adding thick layers of rhythm guitar where we least expect them (here, a nod must go to guitarist and co-producer Jackson Stokes), Allman breathes new life into the tune and makes it surprisingly his own.

Devon Allman knows his place as the torchbearer for the next generation of Allman music. Anyone who has witnessed him live in recent years will recall that his sets often include Allman Brothers classics. Yet once again, with The Blues Summit, he proves that he is very much his own man, a team player capable of bringing together diverse talents to create a beautiful, bluesy noise.

Devon Allman, guitar
Jimmy Hall, vocals, harmonica
Larry McCray, guitar
Sierra Green, vocals

Devon Allman
is the son of musician Gregg Allman and hails from Corpus Christi, Texas. He is the leader of Devon Allman's Honeytribe, whose first incarnation was born in 1999. Honeytribe's hard-edged and spacious blues-based rock, displayed in powerful live shows, quickly led to them becoming hometown favorites. They won the Riverfront Times Jam Band of the Year award. After recording demos and playing some festivals, Allman disbanded the group in order to spend time at home with his newborn son. He continued to play local and regional solo acoustic shows and write songs. In 2002, he appeared as a guest vocalist on Pinkeye d'Gekko's Rhythm & Westrn. In 2003 he, Randy Cash, Brian Breckle, and Mark Oyarzabal recorded the album Somewhere Between Day and Night as Ocean Six.

Allman re-formed Honeytribe in 2005 with its original cast. They recorded Torch in 2006 and hit the road, playing up to 300 shows a year in 42 states and ten countries, becoming festival favorites all over the world. In 2007 he guested on Paris Luna's City Lights album. He appeared on Love, Union, Peace with bluesman Javier Vargas' Vargas Blues Band (along with Jack Bruce, Reese Wynans, and others) in 2008 as well as the Flamenco Blues Experience album recording by the same outfit. He also made appearances at various festivals and on MTV Europe.

Allman eventually grew restless with the original Honeytribe sound and pared the band down to a power trio in 2008 with bassist George Potsos and new drummer Gabriel Strange. This incarnation of Devon Allman's Honeytribe issued Space Age Blues in the fall of 2010. His next project was a blues rock/jam band supergroup called the Royal Southern Brotherhood, comprised of himself and Mike Zito on guitars, bassist Charlie Wooton from Zydefunk, and ex-Derek Trucks drummer Yonrico Scott. The quintet issued a self-titled set in 2012. Allman, proving ever restless, issued his first proper "solo" songwriter's record in early 2013, entitled Turquoise, backed by Scott and bassist Myles Weeks.

Throughout that year he was kept busy by touring with the Royal Southern Brotherhood, who followed up their debut with the concert audio/video package Songs from the Road: Live in Germany in 2013. They recorded their sophomore studio offering, HeartSoulBlood, in early 2014; Ruf issued it in June.

Allman took whatever time he had off from the Royal Southern Brotherhood to play solo shows. He finally got the time to record a project he'd wanted to undertake for some time. In early 2014, he entered a Chicago studio with a cast of seasoned blues veterans from the bands of Luther Allison, Buddy Guy, Charlie Musselwhite, and others. The end result was Ragged & Dirty, which was released in October and showcased an almost entirely different side of the artist.

Booklet for The Blues Summit