RENDEZ-VOUS Camille Thomas & Julien Brocal

• Johann Sebastian Bach (1685 - 1750), Charles Gounod (1818 - 1893): Ave Maria, CG 89:
• 1 Bach, Gounod: Ave Maria, CG 89 (Arr. C. Thomas for Cello and Piano) 02:58
• Julien Brocal (b. 1987), Camille Thomas (b. 1988): Reflection No. 1:
• 2 Brocal, Thomas: Reflection No. 1 (Paix - Shanti) 04:24
• Erik Satie (1866 - 1925): 6 Gnossiennes: No. 3, Lent:
• 3 Satie: 6 Gnossiennes: No. 3, Lent (Arr. C. Thomas for Cello and Piano) 02:38
• Julien Brocal, Camille Thomas: Reflection No. 5:
• 4 Brocal, Thomas: Reflection No. 5 (With Surprises) 03:14
• Camille Saint-Saëns (1835 - 1921): Le carnaval des animaux, R. 125:
• 5 Saint-Saëns: Le carnaval des animaux, R. 125: No. 13 The Swan 03:50
• Erik Satie: 3 Gymnopédies: No. 1, Lent et douloureux:
• 6 Satie: 3 Gymnopédies: No. 1, Lent et douloureux (Arr. C. Thomas for Cello and Piano) 04:04
• Julien Brocal, Camille Thomas: Reflection No. 2:
• 7 Brocal, Thomas: Reflection No. 2 02:40
• Erik Satie: 6 Gnossiennes: No. 1, Lent
• 8 Satie: 6 Gnossiennes: No. 1, Lent (Arr. C. Thomas for Cello and Piano) 03:56
• Julien Brocal:Reflection No. 4:
• 9 Brocal: Reflection No. 4 03:27
• Arvo Pärt (b. 1935): Spiegel im Spiegel:
• 10 Pärt: Spiegel im Spiegel (Arr. C.Thomas for Cello and Piano) 10:11
• Julien Brocal: Reflection No. 3:
• 11 Brocal: Reflection No. 3 (En apesanteur) 05:26
• Erik Satie: 3 Gymnopédies: No. 3, Lent et grave:
• 12 Satie: 3 Gymnopédies: No. 3, Lent et grave (Arr. C. Thomas for Cello and Piano) 02:54
• Julien Brocal: Nature Morte:
• 13 Brocal: Nature Morte 04:38
• Total Runtime 54:20

Info for RENDEZ-VOUS

Set on a vast working ranch in the wide-open Montana landscape near Yellowstone, Tippet Rise Art Center occupies a landscape where music, architecture and large-scale sculpture intersect in unusual ways. Spread across thousands of acres at the foot of the Beartooth Mountains, the site places works by artists such as Mark di Suvero and Ai Weiwei directly within the open terrain, so that visitors encounter them as part of a shifting natural environment of light, distance and weather.

Recordings form a central part of Tippet Rise’s activity, with projects made in the Olivier Music Barn and developed further in its purpose-built mastering studio, designed for detailed and immersive listening.

It was during a residency at Tippet Rise that cellist Camille Thomas and pianist Julien Brocal conceived Rendez-vous, a project that pairs familiar repertoire – from Bach and Satie to Saint-Saëns and Pärt – with a series of newly created ‘Reflections’. Recorded in the Olivier Music Barn and later extended through a set of short films placing performance within the surrounding landscape and among the sculptures themselves, the project moves between studio precision and a more expansive visual and spatial context.

"The project was born from an invitation that pianist Julien Brocal and I received to spend a few days in residence at Tippet Rise Art Center in Montana, a truly extraordinary place created by very generous patrons, Peter and Cathy Halstead.

They offered us complete freedom. No constraints, no expectations, not even an obligation to produce a result. I believe this is where true creation begins: in freedom.

The idea of RENDEZ-VOUS came quite naturally. It was first a RENDEZ-VOUS with silence, with nature, with a different rhythm of life, far from airports and concert halls. Then it became a RENDEZ-VOUS with music itself.

I wanted to bring together pieces that are like emotional memories, almost like little Proustian madeleines for the listener – music that lives somewhere inside us, even if we are not familiar with classical repertoire. Works like The Swan, Gymnopédie, or Ave Maria. And from these, to create a second RENDEZ-VOUS, a reflection: something born in the present moment, written during that time in Montana.

There are many layers of RENDEZ-VOUS in this project: between Julien and me and this extraordinary place; between the audience and music they may recognise almost unconsciously; and between past and present, between these masterpieces and our reflections. And finally, a very contemporary RENDEZ-VOUS, with the audience meeting us each month on streaming platforms, chapter by chapter." Camille Thomas)

"Camille Thomas… has all the requisite technique and produces a sound I can only liken to drinking hot chocolate: delicious, warming, full of flavour.” - Gramophone Magazine

“His playing is quietly riveting, drawing the attention without grand gestures…” - Guardian on Julien Brocal

Camille Thomas, cello
Julien Brocal, piano

Camille Thomas
Optimism, vitality and joyful exuberance are elements of Camille Thomas’s rich and compelling personality. The young Franco-Belgian cellist, who signed an exclusive contract with Deutsche Grammophon in April 2017, understands art’s power to bring people together, to unite individuals from diverse cultures, countries and backgrounds. Her charismatic artistry is driven by a passion for life and a desire to inspire others to open their hearts to the wonder and emotion of classical music. “I strongly believe that music has the power to enlarge the heart, to make you feel everything with more intensity,” she says. “Music gives hope for the beauty and greatness of the human soul.”

Voice of Hope, her second DG album, was set for international release on June 6, 2020. At its heart is the world premiere recording of Fazil Say’s Concerto for Cello and Orchestra ‘Never Give Up’, the composer’s response to terrorist attacks on Paris and Istanbul, written expressly for Thomas, who gave its world premiere performance in Paris in April 2018. It is the first classical album recorded in partnership with UNICEF, reflecting the cellist’s desire to help others through her music.

Camille Thomas was born in 1988 in Paris. She began playing cello at the age of four and made such rapid progress that she was soon taking lessons with Marcel Bardon. She moved to Berlin in 2006 to study with Stephan Forck and Frans Helmerson at the Hanns Eisler Hochschule für Musik, and continued her training in the form of postgraduate lessons with Wolfgang-Emanuel Schmidt at the Franz Liszt Hochschule für Musik in Weimar.

Camille is conquering the world stage at a staggering pace. She has already worked with such conductors as Paavo Järvi, Mikko Franck, Marc Soustrot, Darrell Ang, Kent Nagano, Stéphane Denève and with orchestras such as the Deutsche Kammerphilharmonie Bremen, Academia Santa Cecilia, the Sinfonia Varsovia, Staatsorchester Hamburg in the Elbphilharmonie, the Lucerne Festival Strings in the Herkulessaal in Munich, the Orchestre National de Bordeaux, and Brussels Philharmonic.

Camille Thomas plays the famous ‘Feuermann’ Stradivarius 1730 as a loan from the Nippon Music Foundation.

Julien Brocal
Named BBC Music Magazine's 2018 Revelation of the Year, Julien Brocal began learning the piano at the age of 5 and first performed at the Salle Cortot (Paris) at the age of 7. He was trained by Erik Berchot at the Conservatoire National de Région de Marseille and Rena Shereshevskaya at the École Normale de Musique de Paris Alfred Cortot. He received support from the Zaleski Foundation, the Assophie association and the Safran Foundation during his training.

In January 2013, he was spotted by Maria João Pires during an advanced course at the Cité de la Musique (Paris). She subsequently invited him to take up an artistic residency at the Chapelle Musicale Reine Elisabeth in Belgium.

She will present him in numerous concerts around the world, including at the Warsaw Philharmonic for the prestigious Chopin Festival, the Florence Opera in the Great Artists series, the Sheldonian Theatre (Oxford), the Alfredo Kraus Auditorium (Las Palmas) and the Philharmonie de Paris.

Following this introduction, he also gave numerous recitals around the world, including at Wigmore Hall (London), New York Town Hall, Piano Days de Flagey, Festival Classique au Vert, Piano aux Jacobins, Festival Chopin de Nohant and Tippet Rise Art Center in the USA (Montana), Cambridge Music Festival, Chopin Society (London) and NCPA (Beijing), filling in at short notice for renowned pianists Fazil Say and Nelson Goerner.

Highlights of the 2024-2025 season include the autumn 2024 release of his third solo album, "Here", dedicated to his compositions recorded at the Tippet Rise Art Center before the pandemic, a tour of the United States, and the release of a second album on Deutsche Grammophon with cellist Camille Thomas.

Julien is also a regular chamber music partner of cellists Lidy Blijdorp, Camille Thomas and violinist Rosanne Philippens, co-organizing with pianist Julien Libeer the Spanish chamber music festival "Pause Festival" in La Donaira, Andalusia.

Julien also works to promote music and the arts in unusual places, organizing workshops to introduce people to classical music, and educational projects for children in difficulty. He has contributed to the development of the Equinoxe children's choir, created by Maria João Pires, and is involved as vocal director in the Singing Molenbeek children's choir, which works in the schools of Molenbeek in Brussels.

Music is often identified as entertainment, but it is also a tool that Julien proposes as a vector of care and therapy. Together with Doctor of Emotional Psychology Ilios Kotsou, he is initiating regular Musical Breathing sessions, which will soon be distributed via an open-source mobile app.

His first album released in 2017 is dedicated to the repertoire of Frédéric Chopin with the 24 Preludes Op. 28 and Sonata No. 2 Op.35. The recording was unanimously acclaimed by the international press, with BBC Music Magazine calling it a "bewitching Chopin", awarding it 5 stars and presenting it as its best instrumental album of the month.

This album contains no booklet.