A Rush Of Blood To The Head (Remastered) Coldplay
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- 2In My Place03:49
- 3God Put a Smile Upon Your Face04:56
- 4The Scientist05:09
- 7Green Eyes03:43
- 8Warning Sign05:31
- 9A Whisper03:58
- 10A Rush of Blood to the Head05:51
Info for A Rush Of Blood To The Head (Remastered)
A Rush Of Blood To The Head is Coldplay’s second studio album and was released on August 26th, 2002. It has been said by critics and fans to be one of Coldplay’s best and most creative albums. The album features more piano and heavy guitar than their previous release and produced a number of popular favorites, including “In My Place”, “Clocks”, “The Scientist” and “God Put A Smile Upon Your Face”.
Like the best rock bands, Coldplay revels in drama. But unlike most platinum-selling acts, their appeal is cerebral rather than visceral -- at times, the band's music seems more suited to cathedrals than rock clubs, thanks in part to Chris Martin's ethereal voice and the sweeping lines that emanate from Jonny Buckland's guitar. Oddly, the portent never seems to weigh down Coldplay's melodies, which sent their hits 'Yellow' and 'Trouble' (from the multi-platinum previous album, Parachutes) soaring. On their follow-up, A Rush of Blood to the Head, the quartet largely pick up where they left off, although the disc does have its share of sonic deviations -- notably the opener, 'Politik,' which seethes more than it soothes, trailing angry guitar wails and palpable anger on Martin's part. 'A Whisper' traverses different terrain -- Floyd-ian space-pop -- at similarly high speed, its beats swirling like comets across a vast dub-wise universe. Fans drawn to the intimate tone of 'Yellow,' however, still have plenty of chances to luxuriate: 'The Scientist,' which is carried by a deceptively simple piano line, beckons ever so softly; the lovelorn 'Warning Sign' has a comparably lilting, heartstring-tugging theme. Coldplay may wear a pretty face, but that does not, thankfully, mask an empty head.
„After touring in support of their debut album, Parachutes, Coldplay was personally and professionally exhausted. Frontman Chris Martin insisted he was dry; by the time they closed their European tour in summer 2001, he hadn't written a song in months. The U.K. music press immediately pounced on the idea of Coldplay calling it quits, but somewhere lurked the beauty of 'In My Place.' The spirit and soul of this ballad allowed Coldplay to pull it together to make a second album. What came from such anguish and inquisition was A Rush of Blood to the Head. Coldplay has surely let it all go on this record. Acoustics are drowned out by Jon Buckland's riveting guitar work, and vocally, Martin has sharpened his falsetto, refining his haunting delivery. It's a strong album; you can feel, hear, and touch the blood, sweat, and tears behind each song, and that's exactly what Coldplay was going for. Co-producer Ken Nelson and mixer Mark Pythain (the team behind the blissful beauty of Parachutes) allowed Coldplay to make an album that's initially inaccessible, but that's what makes it intriguing. Lush melodies and a heartbreak behind the songs are there, but also a newfound confidence. From the delicate, shimmery classic 'In My Place' to the piano surge of 'The Scientist,' Coldplay exudes an honest passion. The disco haze of 'Daylight' and the love-drunk ballad 'Green Eyes' are divine examples of solid lyrical arrangements, but 'Politik' and the stunning guitar-driven 'God Put a Smile Upon Your Face' project a nervy edge to the band. Echoes of early post-punk showcase Coldplay's ballsy musicianship. Don't fret -- it's not exactly rock & roll, but Radiohead, Echo & the Bunnymen, and the Smiths aren't exactly rock & roll either, and they're well loved. 'Yellow' didn't follow the rock formula, but it sold well, and similarly A Rush of Blood to the Head might not instantly grab listeners, but it's not tailored that way. It pushes you to look beyond dreamy vocals for a musical inner core. Regardless of the band still being in their mid-twenties, they've made an amazing record, and if it ends up being their last, A Rush of Blood to the Head didn't sugarcoat anything. It's a bittersweet design no matter what.“ (MacKenzie Wilson, AMG)
Chris Martin, vocals, acoustic guitar, keyboards
Jonny Buckland, guitar, acoustic guitar
Guy Berryman, bass
Will Champion, drums, harmony vocals, percussion
Dan Green , strings
Chris Tombling, strings
Ann Lines, strings
Leo Payne, strings
Peter Lale, strings
Richard George, strings
Susan Dench, strings
Laura Melhewish, strings
Recorded September 2001 – May 2002 at Mayfair Studios, London; AIR Studios, London; Parr Street Studios, Liverpool
Engineered and mixed by Ken Nelson
Produced by Coldplay Ken Nelson
After surfacing in 2000 with the breakthrough single "Yellow," Coldplay quickly became one of the biggest bands of the new millennium, honing a mix of introspective Brit-pop and anthemic rock that landed the British quartet a near-permanent residence on record charts worldwide. The group's emergence was perfectly timed; Radiohead had just released the overly cerebral Kid A, while Oasis had ditched two founding members and embraced psychedelic experimentation on Standing on the Shoulder of Giants. U.K. audiences were hungry for a fresh-faced rock band with big aspirations and an even bigger sound, and Coldplay were more than happy to take the reins. Parachutes went multi-platinum in several countries and earned the band its first Grammy, but Coldplay continued to grow into the 2000s, topping their debut album's success with higher record sales and an increased public profile.
Chris Martin (vocals/piano), Jon Buckland (guitar), Will Champion (drums), and Guy Berryman (bass) were all born into musical households. Martin, the eldest of five, began playing the piano as a young child and later took solace in the work of Tom Waits. Buckland, on the other hand, grew up with the heavy guitar sounds of Eric Clapton and Jimi Hendrix. Scotland native Berryman preferred funk to indie rock, thereby leaving him to play bass, while multi-instrumentalist Champion didn't plan to be a drummer until he joined Coldplay's lineup. The bandmates came together in 1996 while attending the University College of London, and the Safety EP was issued shortly after their first gig at a Manchester festival for unsigned bands. The release only saw 500 pressings, as did the subsequent Brothers & Sisters EP. Nevertheless, it was enough to win the band a U.K. deal with Parlophone Records in April 1999, and the five-track Blue Room EP arrived that fall. With nods from the media, Coldplay were hailed as the next Travis, thanks to their simple acoustics and charming personas.
Parlophone ushered Coldplay into Parr St. Studios in Liverpool, where they recorded the bulk of their debut album. Parachutes was released in July 2000 and became a swift hit on the strength of four U.K. singles, several of which enjoyed popularity in America as well. With "Yellow" climbing the charts on both sides of the Atlantic, Parachutes was released in the U.S. in November, where its sales soon rivaled — and eventually surpassed — those in the U.K.
Riding on the strength of their universally popular debut, Coldplay headed back into the studio in fall 2001 to work on a sophomore album. They emerged with A Rush of Blood to the Head, releasing the album worldwide in August 2002 and embarking on a global concert tour soon after. "The Scientist" enjoyed regular radio rotation, while both "Clocks" and "In My Place" won Grammy Awards. The CD/DVD package Live 2003 was issued to highlight the group's popular tour, and Martin specifically earned a higher notch on the celebrity scale by marrying actress Gwyneth Paltrow in December 2003. Paltrow gave birth to the couple's daughter Apple the following April.
Fatherhood didn't stop Martin from working, as Coldplay began recording material for a third album within weeks. Previously recorded material with longtime producer Ken Nelson was scrapped early on, while Danton Supple (Morrissey, the Cure) joined Coldplay to complete the recording of X&Y. "Speed of Sound" marked Coldplay's first single from their long-awaited third effort in spring 2005; the album followed in June, topping charts around the world and selling more than eight million copies during its first year.
Such success put Coldplay on the same commercial level as U2, and Coldplay retreated to the studio in late 2006 to work with famed producer Brian Eno (who had teamed up with U2 several times in the past). Recording sessions with Eno were completed within one year, followed by several months of mixing and growing anticipation from the band's audience. Viva la Vida — also known by its extended name, Viva la Vida or Death and All His Friends — ultimately arrived in June 2008. Worldwide sales for the album had approached six million by November, when Coldplay released several new recordings (including a collaboration with hip-hop mogul Jay-Z) as part of the Prospekt's March EP.
Preceded by first single "Every Teardrop Is a Waterfall," Coldplay's fifth studio album, 2011's Mylo Xyloto, was produced by Markus Dravs, Daniel Green, and Rik Simpson (the official press release adds "with enoxification and additional composition by Brian Eno"). Live 2012, the band's second concert film/recording, followed in 2012 after a hugely successful world tour, which included a special performance at the London Paralympics closing ceremony. Work began on their sixth album in late 2012 at their Bakery and Beehive studios in North London, where longtime producers Paul Epworth, Daniel Green, and Rik Simpson joined them for sessions. As the recording progressed, other producers, including Avicii and Timbaland, were brought in, making the resulting Ghost Stories quite different from its predecessors in that there were many producers instead of a handful.
Coldplay began promoting Ghost Stories in March 2014, two months prior to its May release, playing a showcase concert at the iTunes Music Festival which was held during the 2014 South by Southwest Festival in Austin, Texas. Around the time of the concert, it was revealed that Martin was separating from his wife. This news was counterbalanced by the announcement Martin was going to act as an advisor on the U.S. series of singing competition The Voice. Additional television duties for the band included a concert called Coldplay: Ghost Stories on NBC — the same network that aired The Voice — aired on May 18, the Sunday prior to the release of Ghost Stories.
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