The Gasparini Album Roberta Invernizzi

Cover The Gasparini Album

Album info



Label: Glossa

Genre: Classical

Subgenre: Vocal

Album including Album cover Booklet (PDF)


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FLAC 88.2 $ 12.80
  • Francesco Gasparini (1661 - 1727): (Astianatte. Rome, 1719):
  • 1Astianatte: Se la Grecia s'armerà04:58
  • (L’oracolo del F ato. Vienna, 1719):
  • 2L'oracolo del fato: Qui ti scrivo o nome02:03
  • (Il Ciro. Rome, 1716):
  • 3Ciro: Nell'orror della procella05:07
  • (Bajazette.Venice,1723):
  • 4Il Bajazet: Par che mi nasca in seno05:18
  • Sinfonia (Engelberta. Venice, 1708) (instr.):
  • 5Engelberta: I. Allegro01:01
  • 6Engelberta: II. Adagio00:48
  • 7Engelberta: III. Allegro01:15
  • (Il T amerlano. Venice, 1711):
  • 8Tamerlano: Svena uccidi02:35
  • 9Tamerlano: Cor di padre03:19
  • (Santa Eufrosina. Rome, 1717):
  • 10Santa Eufrosina: Qui dal porto d'ocean04:19
  • (Amleto. Venice, 1705):
  • 11Ambleto: D'ire armato01:52
  • (L’oracolo del F ato. Vienna, 1719):
  • 12L'oracolo del fato: Se non canti più03:12
  • Andate o miei sospiri (Cantata. Venice, 1712):
  • 13Cantate da camera a voce sola, Op. 1: I. Andante, o miei sospiri02:06
  • 14Cantate da camera a voce sola, Op. 1: II. Se vedete il cor d'Irene04:20
  • 15Cantate da camera a voce sola, Op. 1: III. Ma, di che mi lusingo00:52
  • 16Cantate da camera a voce sola, Op. 1: IV. Se non v'accoglie in seno02:39
  • Concerto per flauto (before 1713) (instr.):
  • 17Concerto in A Major: I. Allegro01:47
  • 18Concerto in A Major: II. Siciliana02:41
  • 19Concerto in A Major: III. Allegro02:21
  • (Il Roderigo. Livorno, 1686):
  • 20Roderico: Non ha incendio01:27
  • 21Roderico: Non vo lasciarti più02:07
  • (A talia. Rome, 1692):
  • 22Atalia: Ombre care04:58
  • Total Runtime01:01:05

Info for The Gasparini Album

The latest striking release from soprano Roberta Invernizzi acts as a lightning conductor for this new vocal extravaganza from Glossa devoted to the Italian Baroque composer Francesco Gasparini. Invernizzi finds herself very much home both in the music – which was originally first-performed around the turn of the eighteenth century and which provided “influences” for Handel, who was Gasparini’s junior by some 20 years – but also, so noticeably, with the words: librettos from the likes of Zeno, Piovene or Salvi find this singer exercising her customary intelligence.

Carlo Ipata, directing his ensemble Auser Musici, combines his natural and obvious flair for Italian and music of the time – he has also recorded the opera Il Bajazet for Glossa – with the painstaking demands of the research required to identify brilliant arias from slumbering the various shades of neglect. Gasparini wrote some sixty operas, as well as oratorios and many cantatas. For Invernizzi Ipata has crafted a beguiling selection from this abundance of music which proved so successful in both princely soirées in Rome and public theatres in Venice. Arias come from operas such as Il Roderigo and Amleto and oratorios such as L’oracolo del Fato and Atalia. As well as the cantata, Andate o miei sospiri, composed by Gasparini as part of a challenge undertaken jointly with Alessandro Scarlatti, Ipata and Auser Musici have added an attractive flute concerto written during his time as a teacher at Venice’s Ospedale della Pietà.

Roberta Invernizzi, soprano
Auser Musici
Carlo Ipata, conductor

No biography found.

Booklet for The Gasparini Album

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