Beethoven: The Last Three Sonatas Sunwook Kim
- Ludwig van Beethoven (1770 - 1827): Piano Sonata No. 30 in E Major, Op. 109:
- 1Beethoven: Piano Sonata No. 30 in E Major, Op. 109: I. Vivace ma non troppo - Adagio espressivo04:05
- 2Beethoven: Piano Sonata No. 30 in E Major, Op. 109: II. Prestissimo02:37
- 3Beethoven: Piano Sonata No. 30 in E Major, Op. 109: III. Gesangvoll, mit innigster Empfindung13:23
- Piano Sonata No. 31 in A-Flat Major, Op. 110:
- 4Beethoven: Piano Sonata No. 31 in A-Flat Major, Op. 110: I. Moderato cantabile, molto espressivo06:48
- 5Beethoven: Piano Sonata No. 31 in A-Flat Major, Op. 110: II. Allegro molto02:15
- 6Beethoven: Piano Sonata No. 31 in A-Flat Major, Op. 110: III. Adagio ma non troppo - Fuga. Allegro ma non troppo11:10
- Piano Sonata No. 32 in C Minor, Op. 111:
- 7Beethoven: Piano Sonata No. 32 in C Minor, Op. 111: I. Maestoso. Allegro con brio ed appassionato09:41
- 8Beethoven: Piano Sonata No. 32 in C Minor, Op. 111: II. Arietta. Adagio molto semplice e cantabile19:24
Info for Beethoven: The Last Three Sonatas
Large industrial complexes, built of solid brick tell the story of industrialization of 19th century Leipzig. Where spinning wheels once rattled, chimneys smoked and thousands of workers carried out their daily work, new life has moved in over the past few years. Today, former factories are home to artists’ studios, galleries and manufactories. The term “industrial culture” is taken literally here. The Kunstkraftwerk Leipzig is one of these buildings that tell the story of time and was now the chosen location for a very special audio and video production: the exceptional Korean pianist Sunwook Kim played Ludwig van Beethoven’s last three Piano Sonatas op. 109-111 in an industrial setting framed by light projections that filled the brick hall. Beethoven’s last three piano sonatas occupy a very special place within his oeuvre. Completely deaf by then, the composer puts three of his most intimate and personal works on paper, which at the same time radiate optimism and point musically into the future like hardly any other works.
Sunwook Kim, piano
London-based Sunwook Kim came to international recognition when he won the prestigious Leeds International Piano Competition in 2006, aged just 18, becoming the competition’s youngest winner for 40 years, as well as its first Asian winner. His performance of Brahms’s Concerto No.1 with the Hallé Orchestra and Sir Mark Elder in the competition’s finals attracted unanimous praise from the press.
Future highlights include recitals at the International Piano Series in London (Queen Elizabeth Hall), at the Roque d’Antheron International Piano Festival, at the Salle Pleyel’s prestigious “Piano 4 Etoiles” series in Paris, in Aix-en-Provence, and at the Seoul Arts Centre. As a concerto soloist, he returns to the Philharmonia Orchestra (Mozart K491 with Edward Gardner), the Hallé Orchestra (Chopin 2, Prokofiev 3 and Brahms 2 with Sir Mark Elder), the Bournemouth Symphony Orchestra (Beethoven Triple and Rachmaninov 3 with Kiril Karabits), the RTSI Orchestra in Lugano (Beethoven 3 with Vladimir Ashkenazy), the Orchestre Philharmonique de Radio-France (Unsuk Chin piano concerto), as well as a debut project with the Deutsche Kammerphilharmonie Bremen on tour in Korea (Schumann with Paavo Järvi) and extensive touring in Europe and the United States with the Seoul Philharmonic and Myung-Whun Chung.
Sunwook Kim’s second recording for Deutsche Grammophon, featuring Unsuk Chin’s Piano Concerto with the Seoul Philharmonic and Myung-Whun Chung, was released in May 2014. In 13/14, Sunwook also gave the world premiere performance of the work at a festival dedicated to Unsuk Chin at the Konserthuset in Stockholm, and the German premiere with the NDR Sinfonieorchester Hamburg.
The past two years were packed with many other exciting developments for Sunwook, including an acclaimed debut at the BBC Proms (Beethoven 3 with Bournemouth Symphony / Kiril Karabits), return projects with the London Symphony Orchestra (Prokofiev 2 with Daniel Harding), Helsinki Radio Symphony (Beethoven 4 with Andrew Manze), Philharmonia Orchestra (Beethoven 4 with Juraj Valcuha) and the Seoul Philharmonic (Beethoven 5 with Myung-Whun Chung), as well as recitals at Salle Pleyel in Paris, to a sold-out house at Teatro Colon Buenos Aires, at the Beethoven-Haus in Bonn and on tour in Japan. He also completed a widely praised complete Beethoven sonata cycle at the LG Arts Centre in Seoul, and his debut recording, featuring Beethoven’s “Emperor” Concerto, was released on Deutsche Grammophon.