4 Cities Fazil Say

Cover 4 Cities

Album info

Album-Release:
2016

HRA-Release:
24.02.2017

Album including Album cover Booklet (PDF)

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  • Fazil Say (b.1970): Cello Sonata, 'Four Cities':
  • 1Say: Cello Sonata, 'Four Cities': I . Sivas05:32
  • 2Say: Cello Sonata, 'Four Cities': II. Hopa04:33
  • 3Say: Cello Sonata, 'Four Cities': III. Ankara10:01
  • 4Say: Cello Sonata, 'Four Cities': IV. Bodrum02:46
  • Claude Debussy (1862 - 1918): Cello Sonata in D Minor, L. 135:
  • 5Debussy: Cello Sonata in D Minor, L. 135: No. 1 Prologue04:00
  • 6Debussy: Cello Sonata in D Minor, L. 135: No. 2 Sérénade03:01
  • 7Debussy: Cello Sonata in D Minor, L. 135: No. 3 Final03:21
  • Leos Jánacek: Pohádka (1854 - 1928): (Fairy Tale; 'The Story of Tsar Berendyey'), JW 7/5:
  • 8Janacek: Pohádka (Fairy Tale; 'The Story of Tsar Berendyey'), JW 7/5: No. 1 Con moto05:15
  • 9Janacek: Pohádka (Fairy Tale; 'The Story of Tsar Berendyey'), JW 7/5: No. 2 Con moto03:41
  • 10Janacek: Pohádka (Fairy Tale; 'The Story of Tsar Berendyey'), JW 7/5: No. 3 Allegro02:38
  • 11Janacek: Presto for cello & piano, JW 7/602:39
  • Dmitri Shostakovich (1906 - 1975): Cello Sonata in D Minor, Op. 40:
  • 12Shostakovich: Cello Sonata in D Minor, Op. 40: No. 1 Allegro non troppo10:38
  • 13Shostakovich: Cello Sonata in D Minor, Op. 40: No. 2 Allegro03:02
  • 14Shostakovich: Cello Sonata in D Minor, Op. 40: No. 3 Largo07:39
  • 15Shostakovich: Cello Sonata in D Minor, Op. 40: No. 4 Allegro03:47
  • Total Runtime01:12:33

Info for 4 Cities



This bracingly eclectic recital opens with Fazıl Say’s Four Cities, a musical celebration of four Turkish locations the composer describes as “full of personal memories”. Originally a BBC commission, it was premiered in June 2012 during the City of London Festival by Nicolas Altstaedt and José Gallardo.

“4 Cities is a dive into the world of poetry, mysticism, into the history, the secrets and passions of the Orient. I have never been more fascinated exploring the miracles and the stories of people’s daily life challenging the limits of my own instrument. The cello is transformed into a flute, a fiddle, a percussion instrument until it becomes the voice of the people inviting us to a world that feels closer to us than ever before having encountered it through its music.” (Nicolas Alstaedt)

Nicolas Altstaedt cello
Fazil Say, piano


Fazil Say
When the German composer Aribert Reimann discovered the 16-year-old Fazıl Say’s fast-developing artistry on a trip to the latter’s hometown of Ankara, Turkey, he exclaimed to the American pianist David Levine: “You absolutely must hear him – this boy plays like a devil.” Say had his first piano lessons from Mithat Fenmen, who had himself studied with Alfred Cortot in Paris. Perhaps sensing how talented his pupil was, Fenmen asked the boy to improvise every day on themes to do with his daily life before going on to complete his essential piano exercises and studies. This contact with free creative processes and forms is seen as the source of the immense improvisatory talent and the aesthetic outlook that have made Fazıl Say the pianist and composer he is today.

From 1987 onwards, Fazıl Say fine-tuned his skills as a classical pianist with David Levine, first at the Musikhochschule Robert Schumann in Düsseldorf and later in Berlin. This formed the aesthetic basis for his Mozart and Schubert interpretations, in particular, leading to victory at the Young Concert Artists International competition in New York in 1994. Since then he has played with all of the renowned American and European orchestras and numerous leading conductors, building up a multifaceted repertoire ranging from Bach, through the Viennese Classics (Haydn, Mozart and Beethoven) and the Romantics, right up to contemporary music, including his own piano compositions.

He has been commissioned to write music for, among others, the Salzburg Festival, the WDR, the Dortmund Konzerthaus and the Schleswig-Holstein and Mecklenburg-Vorpommern festivals. His work includes compositions for solo keyboard and chamber music, as well as solo concertos and large-scale orchestral works, such as the 2011 Clarinet Concerto for Sabine Meyer inspired by the life and work of the Persian poet Omar Khayyam.

Say is a passionate advocate of music as a path to social change, in his native Turkey and beyond. “I strongly believe that art and music will form a bridge between Western and Eastern cultures, blending and transforming these cultures,” he stated in a speech for the 38th Congress of the International Federation of Human Rights in Istanbul, 2013.

Booklet for 4 Cities

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