The Smiths (Remastered) The Smiths

Album info

Album-Release:
1984

HRA-Release:
11.07.2013

Label: Warner Music Group

Genre: Rock

Subgenre: Britpop

Artist: The Smiths

Album including Album cover

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  • 1Reel Around The Fountain05:58
  • 2You've Got Everything Now03:59
  • 3Miserable Lie04:29
  • 4Pretty Girls Make Graves03:24
  • 5The Hand That Rocks The Cradle04:38
  • 6This Charming Man02:43
  • 7Still Ill03:23
  • 8Hand In Glove03:25
  • 9What Difference Does It Make?03:51
  • 10I Don't Owe You Anything04:05
  • 11Suffer Little Children05:28
  • Total Runtime45:23

Info for The Smiths (Remastered)

The Smiths is the debut album by English alternative rock band The Smiths, released on 20 February 1984. The album reached number two on the UK Albums Chart, staying on the chart for 33 weeks. After the original production by Troy Tate was felt to be inadequate, John Porter rerecorded the album in both London and Manchester during breaks in the band's UK tour during September 1983. The album was well received by the critics as well as the public, and it established The Smiths as a prominent band in the 1980s music scene in the United Kingdom.

'It is difficult to describe just how different The Smiths sounded when it was released in early 1984. In an era of overproduced crash, bang and very often, wallop, this album defined northern British pop in a manner not unlike the Beatles had two decades earlier. Vocalist and lyricist Steven Patrick Morrissey cut a very singular swathe with lyrics that quoted freely from kitchen sink dramas, great literary heritage, and, in doing so, gave awkward youth its new (and enduring) hero.

After the group crashed on to the scene with their debut single, “This Charming Man”, in summer 1983, The Smiths was initially recorded with ex-Teardrop Explodes guitarist Troy Tate as producer, before abandoning it and getting ex-Roxy Music producer and bassist, John Porter, in to re-record. The sound – playing to Johnny Marr’s obsession with 60s guitar supported by Mike Joyce and Andy Rourke’s economical rhythm section – created a music, that like its accompanying lyrics, was completely out of step with the times, yet has come to define them as much as any Frankie Goes To Hollywood track.

Morrissey's utter disdain for playing pop's game, combined with the group's control over their artwork and being part of Rough Trade mapped out a new stage of indie music; blending classic, focussed melodies with this witty intensity, tackling taboo subjects such as child abuse (“Reel Around The Fountain”), the Moors Murders (“Suffer Little Children” with its infamous “Manchester, so much to answer for” line) and sexual politics, dressed in pretty, northern music. Although it’s not their greatest work, The Smiths remains an incredible statement of intent.' (BBC Review, Daryl Easlea)

Morrissey, vocals
Johnny Marr, guitars, harmonica
Andy Rourke, bass guitar
Mike Joyce, drums
Paul Carrack, piano, organ (on tracks 1, 2, 9)
Annalisa Jablonska, vocals ('Pretty Girls Make Graves', 'Suffer Little Children')

Engineered by Phil Bush and Neill King
Produced by John Porter

Digitally remastered


The Smiths
were an English rock band formed in Manchester in 1982. Based on the songwriting partnership of Morrissey (vocals) and Johnny Marr (guitar), the band also included Andy Rourke (bass) and Mike Joyce (drums).

Critics have called them one of the most important alternative rock bands to emerge from the British independent music scene of the 1980s, and the group has had major influence on subsequent artists. Morrissey's lovelorn tales of alienation found an audience amongst youth culture bored by the ubiquitous synthesizer-pop bands of the early 1980s, while Marr's complex melodies helped return guitar-based music to popularity.

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