Desperado (Remastered) Eagles
Album info
Album-Release:
1973
HRA-Release:
28.06.2013
Album including Album cover
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- 1 Doolin-Dalton 03:27
- 2 Twenty-One 02:09
- 3 Out Of Control 03:04
- 4 Tequila Sunrise 02:53
- 5 Desperado 03:33
- 6 Certain Kind Of Fool 03:01
- 7 Doolin-Dalton (Instrumental Version) 00:47
- 8 Outlaw Man 03:33
- 9 Saturday Night 03:20
- 10 Bitter Creek 05:01
- 11 Doolin-Dalton / Desperado 04:51
Info for Desperado (Remastered)
The Eagles' excellent debut indicated that they were quickly on their way to becoming one of America's leading country-rock acts. 'Desperado', their second release, ostensibly a concept album about an outlaw figure of the Old West, furthered their claim. Recorded in London under the aegis of Glyn Johns, the set was marked by the quartet's highly measured playing, distinctive, high-flown harmonies, and accessible folk and country-flavored pop-rock.
'Desperado' may not be as cohesive as its predecessor, but the different styles it encompasses mirror the Eagles' many strengths. 'Twenty-one' is Flying Burrito Brothers-style country-rock, 'Out of Control' is amped-up blues-rock, whereas the title track is a plaintive, melancholic piano ballad (abetted by a string section).
Don Henley plays a bigger part on 'Desperado', lending vocals and co-writing much of the material, including the opener 'Doolin Dalton' and the lazy, beautiful 'Tequila Sunrise,' the record's single. The Eagles' sophomore album showed them developing their signature style, and achieving the radio-friendly sheen they would refine over the next two albums, then perfect on 1976's 'Hotel California'.
Although the title track is one of the Eagles' signature songs, it was never released as a single. The song 'Desperado' was ranked #494 on Rolling Stone's 2004 list of 'The 500 Greatest Songs of All Time'. The album did yield two singles, though: 'Tequila Sunrise' and 'Outlaw Man'. Those two singles reached #64 and #59 respectively. The album reached #41 on the charts and sold 2 million copies.
'...a unified set of songs...with their second consecutive job well done, the Eagles are on a winning streak...' (Rolling Stone)
Glenn Frey, guitars, keyboards, piano, harmonica, vocals
Don Henley, drums, percussion, acoustic guitar, vocals
Randy Meisner, bass guitar, acoustic guitar, vocals
Bernie Leadon, guitars, mandolin, banjo, vocals
Produced and engineered by Glyn Johns
Digitally remastered
Eagles
were among the most successful American bands for almost a decade. They rose from obscurity to become the leading band of country-rock (a synthesis of pop/rock and country music, initially aimed at a return to bluegrass) and of "California rock of the 70s" (Rolling Stone). For Musik Express, the band became "synonymous with America." They polished the Western image, writing songs about tequila, outlaws, and James Dean. Behind this project were musicians who skillfully handled elements such as melancholy, dream worlds, and a pioneering spirit.
Don Henley, Glenn Frey, Bernie Leadon, and Randy Meisner first played together in 1971 in the backing band of the well-known singer Linda Ronstadt. The four experienced professional musicians decided to stay together, and the Eagles were born. Glenn Frey had played with Ry Cooder and J.D. Souther, who later wrote several songs with the Eagles. Don Henley debuted in 1970 with the Texas group Shiloh, Bernie Leadon had already played with Doug Dillard and Gene Clark and had been a member of the Flying Burrito Brothers. Randy Meisner had briefly been with Poco and then with Ricky Nelson's band.
In 1971, the band recorded their self-titled debut album in England under the direction of Glyn Johns. It featured the summer hit "Take It Easy" (US #12). The singles "Witchy Woman" (US #9) and "Peaceful Easy Feeling" (US #22) were also successful: The relaxed country/West Coast sound, with its distinctive guitar riffs, catchy rhythms, and clear vocals, resonated with audiences.
The Eagles embarked on their first US tour and, after its completion in 1973, dedicated themselves to the concept album Desperado. This album drew romantic parallels between the Doolin-Dalton Gang, a criminal organization that wreaked havoc in the Kansas area around 1890, and the outlaw existence of a rock rebel. The Eagles depicted the rise, euphoria, hubris, and fall of a superstar in Western mythology, seemingly capturing the American spirit perfectly. Commercially, however, the album wasn't yet a major breakthrough; the singles "Desperado," "Tequila Sunrise," and "Outlaw Man" received little attention.
For the recording of their third album, On the Border, the Eagles added Don Felder, who had previously played with Flow. Bill Szymczyk replaced Glyn Johns as the new producer. These two changes inspired the Eagles to achieve a "fuller, less rough sound and an exciting freshness in the guitar solos" (Melody Maker). "Soft guitar tones and beautiful vocal passages" (Sounds magazine) resulted in the not-so-successful singles "Already Gone" (US charts #32) and "James Dean" (#77), two down-to-earth rock songs. The band supported their record sales with constant touring commitments, so that On the Border eventually surpassed the million-seller mark. The third single from this album brought the Eagles their breakthrough: "The Best of My Love" reached number one on the US charts and was nominated for a Grammy Award.
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