Tomorrow Held Spafford Campbell, Owen Spafford, Louis Campbell

• 1 Cooper 05:30
• 2 All Your Tiny Bones 04:59
• 3 MacGill 04:55
• 4 Look Up 02:01
• 5 26 06:11
• 6 Tomorrow Held 14:29
• 7 Will 06:04
• 8 Four 01:16
• Total Runtime 45:25

Info for Tomorrow Held

Tomorrow Held is the visionary new album by twenty-something mould-breakers and conservatoire-trained virtuosos, fiddle player Owen Spafford and guitarist Louis Campbell. Eight largely instrumental tracks that hold space, resolve into mystery, that fold in elements of jazz, post-rock and chamber classical music while raiding the folk music toolbox. Call it what you want: post-folk. Trad-noir. Folk nihilism. Then know that Spafford Campbell are blazing a trail that erases genre, finds gold in the embers. Forget about tomorrow, they say. Welcome to the now.

“Our music reflects our backgrounds,” says Campbell, who studied at Manchester’s Royal Northern College of Music and performed as a sideman to Sam Lee, Sam Sweeney and iconic singer-guitarist Martin Simpson. “Owen’s fiddle playing has a wonderfully deep underpinning in tradition, which is sort of ever-present, so if we are trying to craft a sound with its own energy, that trad undertone can’t really ever get completely lost. Despite our differences in musical background we share a common priority, exploring a small, specific idea through a larger lens.”

Owen Spafford, fiddle, vocals (track 7)
Louis Campbell, guitars, vocals (tracks 2, 7), Banjo (track 7)
Sean Rogan, drums (track 7)
Ben Nicholls, double bass, electric bass (tracks 1, 2, 3, 5, 6 ,7)
Alex Lyon, bass clarinet (tracks 1, 2, 5, 7)

Recorded 29/10 to 3/11 and 25-29/11 2024 at Giant Wafer Studios
Engineered by Sean Rogan
Mixed by Katie May at Real World Studios
Mastered by Tim Oliver
Produced by Sean Rogan, Owen Spafford & Louis Campbell

Spafford Campbell
Open your palm, and there it is. The morrow. The next moment. Hold it loose, then leave it be. All that matters is here, now. To listen to London-based duo Spafford Campbell is to dive into the time being, to enter an interior of vast scope and detailed texture, where images linger, lights dim and glow and sounds exchange in ways that command utter presence.

This is Tomorrow Held, the visionary new project by twenty-something mould-breakers and conservatoire-trained virtuosos, fiddle player Owen Spafford and guitarist Louis Campbell. Eight largely instrumental tracks that hold space, resolve into mystery, that fold in elements of jazz, post-rock and chamber classical music while raiding the folk music toolbox.

Call it what you want: post-folk. Trad-noir. Folk nihilism. Then know that Spafford Campbell are blazing a trail that erases genre — and finds gold in the embers.

They garnered five-star reviews for their debut album, 2022's You, Golden, a refreshingly unadorned take on traditional, and traditional-sounding, tunes. In March 2024 came 102 Metres East, an EP digitally released on the Real World X imprint and titled for the recent, scientifically measured shift of the global meridian line from the Royal Observatory in Greenwich through a bin-strewn wasteland. “A nice metaphor for England,” they say.

While redolent of Talk Talk’s moody, experimental 1988 opus Spirit of Eden, and riven with a Bon Iver-ish sense of transcendence, Tomorrow Held is a work of bold singularity. A whole greater than the sum of its parts — parts that include effects pedals, ambient cassette loops, flashes of electric guitar, electronic processing on fiddle and impressionistic accompaniment. (Words by Jane Cornwell)

“This is a beautiful, moody and tasteful recording that defies classification. The arrangements and playing are truly subtle and the sounds are pristine.” - Martin Hayes

“Brave, brilliant, deeply musical and creative. Listen to this....” - Martin Simpson

“Virtuosic, vibrant and very, very progressive. A magnificent take on the trad. tune idiom. Don't let their youth suggest these aren't two very wise old hearted musicians at the start of a very long and glorious career” - Sam Lee

“Whether it’s folk, modern classical, bluegrass or post-rock, it all comes gloriously together on a powerful and honest album from two of contemporary folk’s brightest prospects” - Dave Haslam, Five Stars in RnR Magazine

“..this is a record - and musicianship - that indicates a life given over to music… an accomplished, innovative album.’ - Sophie Parkes, 4 Stars in Songlines Magazine

“They display a mastery and vision that, for a debut, is truly remarkable.” - Folk Radio UK

“Gorgeous music” - Muireann Nic Amblaoibh, RTE 1

“Beautiful, swirling, modern English folk music” - Mark Radcliffe, BBC Radio 2

This album contains no booklet.