Dvořák: Symphony No. 9 in E Minor "From the New World" & Other Works Concerto Budapest & Andràs Keller

• Antonín Dvořák (1841 - 1904): Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World":
• 1Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": I. Adagio - Allegro molto11:54
• 2Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": II. Largo11:45
• 3Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": III. Molto vivace07:39
• 4Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": IV. Allegro con fuoco11:13
• Antonín Dvořák:
• 5Klid, Op. 68 No. 5 (Version for Cello & Orchestra)06:06
• 6Rondo, Op. 94 (Version for Cello & Orchestra)07:31
• 7Slavonic Dance, Op. 46 No. 503:10
• 8Slavonic Dance, Op. 46 No. 605:51
• 9Slavonic Dance, Op. 46 No. 804:14
• Total Runtime01:09:23

Info zu Dvořák: Symphony No. 9 in E Minor "From the New World" & Other Works

Klar, bei der 9. Sinfonie von Antonín Dvořák geht die Post ab, auch in dieser Aufnahme. Aber das ist ja wohl nicht alles! Die Streicher von András Keller können blühen wie Blumen auf der Wiese. Sie spielen nicht gleichförmig, sondern in einer wie angeborenen Natürlichkeit, als wäre es eine Kleinigkeit, dass 14 erste Geigen so homogen klingen und gleichzeitig so individuell wie eine einzelne. Auch bei den Bläsern zählt nicht die Hochleistung oder der Zeigefinger ("Schaut her, so ist das gemeint"), sondern die Empfindsamkeit und das Strömen der Musik, z. B. im Englischhornsolo des langsamen Satzes. Das Blech: keine Kraftmeierei, sondern satte oder auch zarte, immer einfühlsame Akkorde. - Die Tempi, die Übergänge, alles fließt organisch und lädt zum Mitgehen ein. Das ist die hohe Kunst des Legato, die manchem als altmodisch galt, in Wirklichkeit aber zeitlos schön ist. Eins der Vorbilder von András Keller heißt, wen wunderts, Wilhelm Furtwängler. Genau in dieser Haltung, bar jeglichen Imponiergehabens entführt uns anschließend der von vielen geliebte Cellist Miklós Perényi behutsam in die geheimnisvolle Zauberwelt des Rondo op. 68/5 und der Waldesstille op. 95. Drei slawische Tänze aus op. 46 runden das Programm ab.

Miklos Perenyi, Cello
Concerto Budapest
András Keller, Dirigent

András Keller
has enjoyed a varied career as soloist, concertmaster and chamber musician at the highest international level.

His early studies at the Ferenc Liszt Academy in Budapest led to many collaborations with György Kurtág, whose works he has been premiering and performing worldwide since 1978. He has also enjoyed working intensively with Ferenc Rados and, until his death, Sándor Végh.

András Keller founded the Keller String Quartet in 1987, and has since given master classes and concerts throughout the world. He is regular coach at Aix-en-Provence Festival, returning guest of Norfolk Chamber Music Festival and IMS Prussia Cove. As both chamber musician and soloist, he has appeared in every European country, playing in many prestigious venues and festivals, including Edinburgh, Lucerne, Aldeburgh, Schleswig Holstein and the BBC Proms. Outside Europe, András Keller has been invited to both Carnegie Hall and the Lincoln Center, New York, the Washington Library of Congress and many cities in Japan, China, Korea.

During his career he has worked with world-renowned artists including Mstislav Rostropovich, Natalia Gutman, Boris Pergamenschikow, Tabea Zimmerman, Truls Mørk, Zoltán Kocsis, Miklós Perényi, Gidon Kremer, Kim Kashkashian, Evgeni Koroliov, Boris Berezovsky, Alexander Lubimov, Juliane Banse, Anna Vinnitskaya, Vadim Repin, Isabelle Faust and Steven Kovacevic.

András Keller has won numerous awards including a MIDEM Classical Award, the Deutsche Schallplattenpreis, a Record Academy Award in Japan, the Grand Prix de l’Académie Charles Cros in France, the Caecilia Prize in Belgium, and he received a UK nomination for the Royal Philharmonic Society Award. He also received Edison Award and Premio Abbiati besides Merit Artist of Hungary, Liszt Ferenc Prize and Bartók-Pásztory Prize.

András Keller was the Artistic Director of the Arcus Temporum Festival in Pannonhalma between 2004-2010, and was appointed Artistic Director and Chief Conductor of Concerto Budapest Symphony Orchestra in August 2007. Since then, Concerto Budapest has earned its well-deserved reputation as one of the most respected Hungarian touring orchestra.

He was the founder and the artistic director of International Sándor Végh String Quartet Competition.

Between 2012-2015, András Keller was head of Chamber Music Department in Liszt Academy of Music. From 2016 he is Professor of Violin at the Guildhall School of Music and Drama in London. In 2018 he was appointed there as Béla Bartók International Chair in recognition of his world-class performing career and services to music.

Concerto Budapest
is one of Hungary’s oldest ensembles with more than 100 years of history, its predecessor was founded in 1907. In 2007, on its 100th anniversary, András Keller, world-renowned Hungarian violinist, pedagogue, and the founder of the Keller Quartet, was appointed as Artistic Director and Chief Conductor of the orchestra. Under his leadership, the orchestra underwent a major period of artistic growth and development, as the foremost young chamber musicians have joined him.

András Keller’s innovative concert programs are designed to engage both musicians and audience members alike in a dialogue with the music. To heighten this tension, old masterpieces are often heard alongside contemporary pieces, often illuminating new aspects of both works that are a result of that particular pairing.

Highly acclaimed Hungarian musicians such as Dezső Ránki, Zoltán Kocsis, Dénes Várjon, Barnabás Kelemen, and Miklos Perényi are regular guests of the orchestra, in addition to Concerto Budapest’s returning international guest soloists and collaborators, who include Gidon Kremer, Krzysztof Penderecki, Gennady Rozhdestvensky, Martha Argerich, Radu Lupu, Roberto Abbado, Vadim Repin, Heinz Holliger, Isabelle Faust, Khatia Buniatishvili, Anna Vinnitskaya, Sir James Galway and Evgeni Koroliov.

Concerto Budapest' repertoire ranges from virtuosic, large-scale symphonic works from Mussorgsky, Stravinsky, Tchaikovsky or Shostakovich to classical concertos from Mozart or Beethoven, or contemporary pieces from Thomas Adés, Lera Auerbach, György Kurtág, Krzysztof Penderecki, and László Vidovsky, among others.

Concerto Budapest has become a well-respected player on the international music scene, performing to great acclaim in the major cities of China, France, Germany, Japan, Spain, and the United States.

Booklet für Dvořák: Symphony No. 9 in E Minor "From the New World" & Other Works