Gade: Erlkönigs Tochter Concerto Copenhagen, Danish National Vocal Ensemble & Lars Ulrik Mortensen
- Niels Wilhelm Gade (1817 - 1890 ): Erlkönigs Tochter, Op. 30 (1864 Version):
- 1Erlkönigs Tochter, Op. 30 (1864 Version): Prologue. Herr Oluf Abends hielt an sein Ross03:12
- 2Erlkönigs Tochter, Op. 30, Pt. 1 (1864 Version): No. 1, In's blaue Meer die Sonne sinkt04:40
- 3Erlkönigs Tochter, Op. 30, Pt. 1 (1864 Version): No. 2, So oft mein Auge die Fluren schaut04:00
- 4Erlkönigs Tochter, Op. 30, Pt. 1 (1864 Version): No. 3, Zäum' auf mein Ross mit gold'ner Kett03:44
- 5Erlkönigs Tochter, Op. 30, Pt. 2 (1864 Version): No. 4, Nacht, o wie stille!04:12
- 6Erlkönigs Tochter, Op. 30, Pt. 2 (1864 Version): No. 5, Leicht nun schwebt der Tanz durch die Haine!02:28
- 7Erlkönigs Tochter, Op. 30, Pt. 2 (1864 Version): No. 6, Willkommen, Herr Oluf05:52
- 8Erlkönigs Tochter, Op. 30, Pt. 3 (1864 Version): No. 7, Morgengesang. Im Osten geht die Sonne auf02:48
- 9Erlkönigs Tochter, Op. 30, Pt. 3 (1864 Version): No. 8, Ich wartet' an des Hauses Thür05:03
- 10Erlkönigs Tochter, Op. 30, Pt. 3 (1864 Version): No. 9, Hör' du, Herr Oluf, sag' an mir gleich!05:19
- 11Erlkönigs Tochter, Op. 30 (1864 Version): Epilogue. Drum rath' ich jedem Jüngling an01:11
Info zu Gade: Erlkönigs Tochter
Elverskud (The Elf-King’s Daughter) is a dramatic cantata from 1854, based on Danish medieval ballads. It became one of Niels W. Gade’s greatest successes, not only in his native Denmark, but throughout Europe, where Elverskud was performed several hundred times, often conducted by Gade himself. The work was written in the most fruitful and happy period of Gade’s life. This is reflected in the consummate work, in which, both textually and musically, Gade has struck a fine balance between national and more universal elements. Gade was especially admired in Germany, and on this album Elverskud is not only played on period instruments for the first time, but is also sung for the first time with the German text that brought the work international fame. Perhaps this Danish national work isn’t so Danish after all?
Sophie Junker, soprano (Erlkönigs Tochter)
Ivonne Fuchs, alto (Die Mutter)
Johannes Weisser, baritone (Herr Oluf)
Danish National Vocal Ensemble Chor, Erlenmädchen
Lars UIrik Mortensen, conductor
The Belgian soprano Sophie Junker studied at the IMEP (Institut Supérieur de Musique et de Pédagogie) in Namur, and at the Guildhall School of Music and Drama in London. She is a Samling Scholar and winner of the 2010 London Handel Competition and the 2012 International Cesti Competition for baroque opera in Innsbruck. As an early music specialist, Sophie has performed with ensembles such as Le Poème Harmonique, Holland Baroque and the Gabrieli Consort. On CD she has recorded with Bach Collegium Japan.
The German-Swedish mezzo-soprano Ivonne Fuchs received her education at Hochschule für Musik in Detmold and finished a master’s degree at Operahögskolan in Stockholm. She is in demand on opera stages around Eu- rope in mainly Mozart and Wagner roles. On CD she has recorded Mahler’s Das Lied von der Erde, and In 2016 she won the ‘Grant Award’ of the Gerda Lissner International Wagner Competition in New York. Ivonne has received several scholarships, among others from the German Wagner Society and the Swedish Birgit Nilsson Scholarship.
The Norwegian baritone Johannes Weisser is one of Scandinavia’s leading classical singers. He has appeared in opera houses and festivals such as the Salzburg Festival, Staatsoper Berlin, Theater an der Wien, Théâtre de Champs-Élysées, Teatro Real Madrid and the Canadian Opera Company. As a concert singer he regularly appears in venues throughout Europe, Asia and North America. His numerous recordings include the title role of Don Giovanni, Achilla in Giulio Cesare, Bach’s Passions, Mozart’s Requiem, Haydn The Creation and many others, as well as a highly acclaimed CD with songs by Grieg.
The Danish National Vocal Ensemble
is an elite chamber choir of 18 singers who perform a cappella music as well as with the Danish National Symphony Orchestra and other orchestras from the Nordic and European countries. The choir’s repertoire ranges from the Renaissance, through Romantic classics, to new works by the composers of our own day. Several Danish and European composers have written works specifically for the ensemble. Among multiple recordings, the choir’s 2015 D ‘The Nightingale’ (OUR Recordings) with music by Messiaen won the prestigious Diapason d’Or de l’Année.
is Scandinavia’s leading early music ensemble. Under artistic director Lars Ulrik Mortensen it has also become one of the world’s most innovative Baroque orchestras, praised for combining well-known European music with less familiar works of Scandinavian origin. CoCo collaborates with Early Music experts such as Jordi Savall and Alfredo Bernardini, the orchestra’s principal guest conductor. The orchestra and Lars Ulrik Mortensen have recorded several CDs and DVDs for CPO, Decca, Harmonia Mundi, Archiv and others. coco.dk
Lars Ulrik Mortensen
Harpsichordist and conductor Lars Ulrik Mortensen has been chief artistic director for Concerto Copenhagen since 2000 and works today exclusively with period instrument ensembles. In addition, he appears as a soloist and chamber musician in Europe and around the world. Lars Ulrik Mortensen has recorded more than 70 albums, among others Bach’s Goldberg Variations and Buxtehude’s complete works for harpsichord. In 2007 he received Denmark’s most prestigious music award, The Léonie Sonning Music Prize, and in 2008 he was made a member of the Royal Swedish Academy of Music