Third Album Jackson 5
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- 1I'll Be There03:59
- 2Ready Or Not (Here I Come)02:36
- 3Oh How Happy02:16
- 4Bridge Over Troubled Water05:53
- 5Can I See You In The Morning03:15
- 6Goin' Back To Indiana03:33
- 7How Funky Is Your Chicken02:43
- 8Mama's Pearl03:14
- 9Reach In03:33
- 10The Love I Saw In You Was Just A Mirage04:23
- 11Darling Dear02:38
Info zu Third Album
„During the fall of 1970, pop music lovers remained in the grip of Jackson 5 fever. The quintet's Third Album (1970) continued the trend with another huge crossover smash. Similarly, it followed its two predecessors into the upper echelons of the pop (number four) and R&B (number one) LP surveys. It further mirrored their first two collections by taking a pair of singles into the Top Five with the best-selling ballad "I'll Be There" (number one) and the loose and funky "Mama's Pearl." The latter was credited to "the Corporation," consisting of Bobby Taylor, instrumentalists Deke Richards (guitar), Freddie Perren (keyboard), Fonce Mizell (keyboards), and Motown founder Berry Gordy. Together, they had tailored the Jackson 5 to reflect the unmistakable Motown sound, expanding just enough to incorporate other significant influences as well. From the Thom Bell/William Hart Philly soul songbook comes the non-Motor City highlight "Ready or Not Here I Come (Can't Hide from Love)" -- a focus track for the Delfonics a year earlier. The update of Smokey Robinson & the Miracles' "The Love I Saw in You Was Just a Mirage" and the midtempo closer, "Darling Dear" (which Robinson and company had concurrently included on their Pocket Full of Miracles LP from 1970), are likewise worthwhile spins. Perhaps not all that coincidentally, both releases also feature tastefully scored arrangements of Paul Simon's "Bridge Over Troubled Water," with the Jacksons' version getting the nod. In addition to being the name of their forthcoming ABC-TV prime time special, "Goin' Back to Indiana" makes its debut appearance here as an upbeat acknowledgment of the Jackson brothers' native stomping grounds.“ (Lindsay Planer, AMG)
Michael Jackson, vocals
Jermaine Jackson, vocals
The Jackson 5, background vocals
Recorded April – July 1970
Produced by The Corporation & Hal Davis
Digitally remastered by Jeff Willens (Universal Mastering Studios-East)
The Jackson 5
were one of the biggest phenomenons in pop music during the early '70s, and the last great group to come out of the Motown hitmaking machine before Marvin Gaye and Stevie Wonder shifted the label's focus to more individual visions. The Jackson 5's infectious brand of funky pop-soul was a definite departure from the typically smooth, elegant Motown sound, as befitting the group's youth and the dawn of a new decade. That youth, coupled with the merchandising juggernaut that sprang up behind them, inevitably got them tagged a bubblegum group. But they were far more talented musically than that label would suggest, especially lead singer Michael, and their material, while sunny and upbeat, didn't pander to its audience. Solo careers and overexposure gradually weakened the Jackson 5, but their best music still holds up surprisingly well as some of the most vibrant mainstream pop/R&B of its era.
Originally, the Jackson 5 were composed of brothers Jackie (born Sigmund Jackson, May 4, 1951), Tito (guitar, born Toriano Jackson, October 15, 1953), Jermaine (bass, lead vocals, born December 11, 1954), Marlon (born March 12, 1957), and Michael (lead vocals, born August 29, 1958). By all accounts, the Jackson family's upbringing in Gary, IN, was strict; their mother Katherine was a devout Jehovah's Witness, and their father Joe was a stern, temperamental disciplinarian. Allowed few outside interests, the boys gravitated to music, which was in their blood -- prior to his job as a crane operator for a steel company, Joe had played guitar in an R&B group called the Falcons (not the same group that launched Wilson Pickett's career). One night, Joe discovered that Jackie, Tito, and Jermaine had been playing his treasured old guitar without permission; though initially furious, he quickly discovered that his sons had genuine talent, and began to conceive of a family singing group that might eventually get them out of their tough working-class life in Gary. The eldest three sons began performing around the area together in 1962, teamed with two cousins (Johnny Jackson and Ronnie Rancifer), who were replaced by Marlon and five-year-old Michael. Supervised by Joe, who became their manager and began working only part-time, the group practiced and rehearsed often, and improved as dancers, singers, and instrumentalists at a rapid rate. In particular, Michael proved himself a dynamic performer, soon replacing Jermaine as the featured lead vocalist, and establishing himself as a nimble dancer able to mimic talents like James Brown. At first, the group was known as Ripples & Waves Plus Michael, then the Jackson Brothers, and finally the Jackson 5.
In 1966, the Jackson 5 won an important local talent competition with a Michael-led rendition of the Temptations' "My Girl." Their father, who had been chauffeuring them to out-of-state performances, also booked their first paid professional gigs that year. In 1967, the group won an amateur talent competition at Harlem's legendary Apollo Theater, where they earned an influential fan in Gladys Knight (probably the first person to recommend the group to Motown). At the end of the year, the Jackson 5 made their first studio recordings for the small Gary-based Steeltown label, and their single "Big Boy" became something of a local hit. Championed again to Motown by Bobby Taylor, a member of the Vancouvers who'd seen the group in Chicago, and Diana Ross, the Jackson 5 finally got a chance to audition for the label in the summer of 1968. Desperately needing new blood, an impressed Berry Gordy signed the group and flew them out to his new headquarters in Los Angeles, where he and his assistants groomed them to be the label's next breakout stars. Having lost his famed Holland-Dozier-Holland songwriting team, Gordy formed a new partnership with Freddie Perren, Fonce Mizell, and Deke Richards dubbed the Corporation, which set about crafting material for the group.
In August 1969, shortly before Michael turned 11, the Jackson 5 opened for Diana Ross at the L.A. Forum, and in December, they issued their debut album, Diana Ross Presents the Jackson 5. On October 7, 1969, the Jackson 5 released their first single, "I Want You Back," a Corporation composition that had originally been intended for Gladys Knight. It was an instant smash, hitting number one on both the pop and R&B charts. So did their next two singles, "ABC" and "The Love You Save" (both from their second album, ABC), which solidified the group's so-called bubblegum-soul sound and certified them as pop sensations. Third Album was released before year's end, spawning the hit ballad "I'll Be There," which not only proved that the group (and lead singer Michael) were more mature and versatile than their bright, bouncy initial singles let on, but also made them the first group in pop history to have their first four singles hit number one. It also became the best-selling single in Motown history, spending a stellar five weeks at number one. And it had still been less than a year since the group's national debut.
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