Rosa Passos & Ron Carter
Biographie Rosa Passos & Ron Carter
Rosa Passos
is a contemporary singer in Brazil who is dedicated to a genuine evolution of Brazilian music, devoid of fashionable trends or commercialism. She has established herself firmly in the country's artistic scenery, acknowledged by such artists as João Gilberto, Maria Schneider, Clare Fisher, Paquito d'Rivera, Johnny Alf, Nana Caymmi (who recorded two of her compositions), and even the number one enemy of bossa nova, the music researcher J.
R. Tinhorão.Passos's father was very fond of music and he started all his six children on an instrument. Passos's perfect pitch capabilities led her to begin playing the piano at the age of 3. When she was 11, she heard João Gilberto's Orfeu do Carnaval, which changed her life.
Passos abandoned the study of piano and decided to be a singer. She began listening to Gilberto compulsively, and learned the violão from listening to Gilberto's records. Her other vocal influences were Ella Fitzgerald, Nina Simone, Etta James, Billie Holiday, Dinah Washington, Shirley Horn (who has declared herself to be a fan), Cole Porter, and George Gershwin.
However, Rosa's main influences remain João Gilberto and Dorival Caymmi.In 1968 Passos performed on Salvador-based TV show, Poder Joven. In 1969 she began to participate in music festivals. In 1972, she entered her song "Mutilados" in the Globo Network's Festival Universitário, under a pseudonym and won the first place.
Because she couldn't find any interest in the media for her delicate, swinging, truthful style, she continued to play and compose at home, attending college in the meantime. In 1978, while living in Brasília, she recorded her debut album, Recriação.
The album consisted of compositions that she wrote with the poet Fernando de Oliveira. Eight years later she recorded Amorosa, an explicit tribute to her idol João Gilberto's composition of the same name.
In 1994 she recorded Curare, with hits by Antônio Carlos Jobim ("Fotografia," "Dindi," "A Felicidade," "Só Danço Samba," "O Nosso Amor"), Johnny Alf ("Ilusão à Toa"), Carlos Lyra/Vinicius de Moraes ("Coisa Mais Linda"), Ary Barroso, Djavan, and others.
In 1996 she recorded Pano pra Manga, for Velas, using mostly her own compositions, along with some classic hits by Jobim, Chico Buarque, and Ary Barroso. For label Lumiar, she recorded an album dedicated to Ary Barroso, in the label series Letra e Música.
In the next year, she recorded, again for Lumiar, the album, Rosa Passos Canta Antonio Carlos Jobim: 40 Anos de Bossa Nova with 14 Jobim classics. In 1999 she was accompanied by Paquito d'Rivera on a European jazz tour.
In 2000 she released Morada do Samba (Lumiar), resuming her writing work. The album brought eight of her compositions, together with "Beiral" (Djavan), "Lá Vem a Baiana" (Dorival Caymmi), "Calmaria" (Walmir Palma), "Saudade da Bahia" (Dorival Caymmi), and "Retiro" (Paulinho da Viola).
For the year 2000, she booked a tour through ten European countries, one show in the U.S. and a tour through Japan. Never resting, Passos continues to make records, including 2003's Entre Amigos/Among Friends with bassist Ron Carter, a 2004 re-release of her pivotal Amorosa on Sony Classical, and 2006's Rosa on Telarc.
Ron Carter
is among the most original, prolific, and influential bassists in jazz. He has recorded over 2200 albums, and has a Guinness world record to prove it!
In Jazz: From 1963 to 1968, he was a member of the acclaimed Miles Davis Quintet. Over his 60 year career, he has recorded with so many of the jazz greats greats: Lena Horne, Bill Evans, B.B. King, Dexter Gordon, Wes Montgomery, Bobby Timmons, Eric Dolphy, Cannonball Adderley and Jaki Byard to name a few. He can be heard on many iconic jazz records of the 60's and 70's such as Speak No Evil, Maiden Voyage, Red Clay, Speak Like a Child, Nefertiti and Miles Smiles, to name a few.
In other genres: After leaving the quintet he embarked on a prolific 50-year free lance career that spanned vastly different music genres and continues to this day. He recorded with Roberta Flack, Billy Joel, Paul Simon, Bette Midler and Aretha Franklin, appeared on the seminal hip-hop album Low End Theory with a Tribe Called Quest, wrote and recorded pieces for string quartets and Bach chorales for 2-8 basses and accompanied Danny Simmons on a spoken word album.
As a leader: Carter continues to do worldwide tours with his various groups. The Golden Striker Carter Trio, The Foursight quartet, the Ron Carter Nonet and Ron Carter’s Great Big Band. He has recorded multiple albums with his groups.
As an author: Carter shares his expertise in the series of books he authored, where he explains his creative process and teaches bassists of all levels to improve their skills and develop their own unique sound.
His books share a unique feature he pioneered, that of including QR codes in every book that lead to additional material, enrighing the text and making each book that much more valuable.
He also penned his autobiography “Finding the Right Notes” which is available in print and e-book and also as an audiobook read by the Maestro himself.
As a teacher: Carter has lectured, conducted, and performed at clinics and master classes, instructing jazz ensembles and teaching the business of music at numerous universities. He was Artistic Director of the Thelonious Monk Institute of Jazz Studies while it was located in Boston and, after 18 years on the faculty of the Music Department of The City College of New York, he is now Distinguished Professor Emeritus. He also taught at the Juilliard School and at Manhattan School of Music.
In film scoring: In addition to scoring and arranging music for many films, including some projects for Public Broadcasting System, Carter composed music for A Gathering of Old Men, starring Lou Gosset Jr., The Passion of Beatrice directed by Bertrand Tavernier, and Blind Faith starring Courtney B. Vance.
Film appearances: In 2022 PBS premiered the full-lenth feature film documentary of Carter's Live and Legend "Finding the Right Notes. Many jazz documentaries feature the Maestro because of his indelible contribution to the genre including Ken Burns' Jazz, “Birth of the Cool” about Miles Davis, "It Must be Schwing", the story of the Blue Note and many more. He also appeared as himself in HBO’s hit series “Treme” and was the bassist on soundtracks of Twin Peaks, Bird, and way too many others to mention.
Education: Carter earned a bachelor of music degree from the Eastman School in Rochester and a master's degree in double bass from the Manhattan School of Music in New York City.
