Honkin' On Bobo Aerosmith
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- 1Road Runner03:44
- 2Shame, Shame, Shame02:15
- 3Eyesight To The Blind03:10
- 4Baby, Please Don't Go03:24
- 5Never Loved A Girl03:12
- 6Back Back Train04:23
- 7You Gotta Move05:31
- 8The Grind03:47
- 9I'm Ready04:13
- 11Stop Messin' Around04:30
- 12Jesus Is On The Main Line02:48
Info for Honkin' On Bobo
With „Honkin' On Bobo“, Aerosmith takes a break from radio-ready fare to record an album that pays tribute to the blues influences that have always been close at hand for the group. Further enhancing the sound of this project is the presence of storied pianist Johnnie Johnson (on two tracks) and Jack Douglas, the producer for many of Aerosmith's classic 1970s albums.
The result is the typical 'Smith sass and shimmy, with a contemporary sensibility applied to nuggets plucked from the songbooks of Willie Dixon (the sleazy strut "I'm Ready"), Sonny Boy Williamson (a rollicking "Eyesight to the Blind"), and Little Walter (the Howlin' Wolf-flavored "Temperature"). Throughout the record, Joe Perry and fellow fret-bender Brad Whitford play with a dirty, fuzz-guitar tone, perfectly complemented by Steven Tyler's equally rough-and-rowdy forays on the harmonica. As a result, these Boston natives do a stellar job with fiery renditions of Big Joe Williams's "Baby, Please Don't Go" and Mississippi Fred McDowell's "You Gotta Move," proving that they can still rock hard while playing the blues.
Steven Tyler, lead vocals, harmonica
Joe Perry, guitar, backing vocals, lead vocals on "Back Back Train" and "Stop Messin' Around"
Brad Whitford, guitar
Tom Hamilton, bass
Joey Kramer, drums
Tracy Bonham, vocals on "Back Back Train" and "Jesus Is on the Main Line"
Johnnie Johnson, piano on "Shame, Shame, Shame" and "Temperature"
The Memphis Horns, brass on "Never Loved a Girl"
Paul Santo, piano, electric piano, organ, engineering
Recorded in 2003 at the Boneyard, the Bryer Patch, Pandora's Box
Engineered by Paul Caruso, Jay Messina
Mixed, engineered, production by Marti Frederiksen
Mastering by Bob Ludwig
Produced by Steven Tyler, Joe Perry, Jack Douglas, Marti Frederiksen
Legends. Icons. Idols. These are the words used to describe those rare bands that have been adored for a lifetime and immortalized as distinct creators of rock and roll. But what these reverent words are missing is the notion of now. How do you reconcile a generation-spanning word like icon with the quick beat of the present? Aerosmith does it. The band members are legends, icons and idols, dynamic in the present; as cool and innovative now as they were thirty years ago. They are a phenomenon, a force of nature, trail-blazing, unstoppable, showing no signs of slowing down.Unique even among the select handful of rock bands who are still active after their Rock and Roll Hall of Fame induction, Aerosmith has sold over 100 million albums.
Think for a second about how big a number that is and how many people have heard their music. Huge! Steven Tyler on vocals, Joe Perry and Brad Whitford on guitars, Tom Hamilton on bass, and Joey Kramer on drums. They’ve outdone the trends and fads of rock and roll to become one of the most powerful and electrifying forces in popular music.
Rewind for a minute to the early ‘70s, when the phrase “sex, drugs and rock & roll” was a rebellious teenager. Enter Aerosmith with a sexy swagger and thrusts ofmetal, glam and boogie woogie. Tyler’s lyrics laced with double entendres and witty humor perfectly complimented by the entire group cool urban charisma. Beyond driving rock and roll tunes, Aerosmith created quintessential power ballads such as Dream On. This dual skill set gave the band a string of gold and platinum albums, including Get Your Wings, Toys in the Attic and Rocks.
The early ‘80s were rockier times, with Perry and Whitford temporarily leaving the Aero fold to pursue solo projects. The guitarists returned in 1984 and soon after, Aerosmith was back in the saddle again. And they have been on top of the charts ever since. Albums like Permanent Vacation, Pump, Get a Grip and Nine Lives, Just Push Play, and their latest release, the blues-inspired 'Honkin' on Bobo', have all been huge successes. And the killer videos – a driving force of the video medium, these Boston rockers led the look, style and attitude of the ‘80s MTV generation. Videos for Dude Looks Like a Lady, Livin’ On the Edge and Crazy (starring Liv) are solid MTV classics. And later, with videos like Pink and Jaded, Aerosmith continued to cut the edge.
Always a step ahead of the pack, Aerosmith’s Just Push Play is the first album to be produced by band members Steven Tyler and Joe Perry (along with Mark Hudson and Marti Frederiksen). The unforgettable pop melodies and bone-shaking rock riffs that are Just Push Play sent Aerosmith even further on their path to musical immortality.
'Honkin' on Bobo' was released in March 2004, and as one Rolling Stone review put it: "Aerosmith don't have much time for pain on Honkin' on Bobo. The songs are mostly about gettin' some, then gettin' outta there -- Dixon's "I'm Ready," Bo Diddley's "Road Runner" -- and the attack is heavy Sixties shindig: snarling guitars, thunderclap drumming, Steven Tyler's 3-D snake hiss and widescreen yowl. Bobo is really a combined tribute: to the originators of the blues' core repertoire and the explosive, electric inventions of 1960s British bands such as the Yardbirds, Mayall's Bluesbreakers and the Peter Green-era Fleetwood Mac." (David Fricke, Rolling Stone)
With such an unstoppable passion for creating great music, a unique creative vision and an unyielding appreciation for their fans, there are no limits to what the future holds for Aerosmith.
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