Schubert: String Quartets Nos. 12 & 15 Doric String Quartet
- Franz Schubert (1797 - 1828):
- 1String Quartet No. 12 in C Minor, D. 703 "Quartettsatz"09:05
- 2String Quartet No. 15 in G Major, Op. 161, D. 887: I. Allegro molto moderato22:12
- 3String Quartet No. 15 in G Major, Op. 161, D. 887: II. Andante un poco mosso11:43
- 4String Quartet No. 15 in G Major, Op. 161, D. 887: III. Scherzo. Allegro vivace - Trio. Allegretto07:17
- 5String Quartet No. 15 in G Major, Op. 161, D. 887: IV. Allegro assai11:02
Info zu Schubert: String Quartets Nos. 12 & 15
Alongside its highly praised Haydn series, the Doric String Quartet continues its Schubert journey with this second volume of quartets, which precipitates us into the fraught world of late Schubert. Both composers will be central in the Quartet’s recitals next year, to take place in the highest-profile international venues, from New York’s Carnegie Hall to Berlin’s Konzerthaus, Amsterdam’s Concertgebouw, and London’s Wigmore Hall.
Franz Schubert returned to composing string quartets in the 1820s, after four years of focusing on songs which were beginning to gain him wider recognition.
His late chamber compositions reveal probably his most characteristic music, full of deep intimacy and profound ambivalence. The ‘Quartettsatz’ (Quartet Movement) presents a turbulent, norm-breaking first movement. Only a fragment survives of a serene Andante in A flat, and nothing for any scherzo or finale. If the 'Rosamunde' and 'Death and the Maiden' (CHAN10737) are the most frequently heard of the quartets of Schubert, his last completed one – in G major – certainly remains his most uncompromising in its vastness, and perhaps his most prophetic of the musical future.
"Even in a work as well known as the Quartettsatz they lend character through elasticity of phrasing, which nicely counterbalances the piece’s inherent energy. But the main event is the G major Quartet...And very impressive it is too, spacious without ever sounding ponderous." (Gramophone)
"Dramatic readings of these masterpieces from this brilliant young British quartet." (MusicWeb International)
"If this exciting performance has a fault, it’s to exaggerate the pianissimos. Otherwise, nothing but praise for their incisive, imaginative account." (Sunday Times)
Doric String Quartet
The Doric String Quartet is now firmly established as one of the outstanding quartets of their generation. In 2008 they won 1st prize in the Osaka International Chamber Music Competition in Japan, 2nd prize at the Premio Paolo Borciani International String Quartet Competition in Italy, where they also received a special mention for their performance of Haydn, and the Ensemble Prize at the Festspiele Mecklenburg-Vorpommern in Germany.
Now in its 12th season highlights over the last year have included a critically acclaimed Haydn evening at Wigmore Hall broadcast by BBC Radio 3, debut recitals in Paris (Auditorium du Louvre), Milan and Frankfurt, and visits to the Schwetzinger, Florestan, Isle of Man and East Neuk Festivals. Further afield the Quartet toured throughout Japan and returned to Israel and South East Asia. They have collaborated with Mark Padmore, Chen Halevi, Julius Drake, Piers Lane, Melvyn Tan, the Leopold String Trio and Florestan Trio.
During 2009/10 the Quartet return to Wigmore Hall four times, as Quartet and in recitals with Philip Langridge, Andrew Kennedy (for a world premiere) and Alasdair Beatson. Future engagements include recitals at the Konzerthaus in Berlin and in Lucerne, Brussels and Hamburg, return visits to Israel and Italy, and debut concerts in Australia, New Zealand, Spain, and the USA.
In November the Doric’s first commercial CD is released on the Wigmore Hall Live label of their Haydn concert at Wigmore Hall on 15 January 2009 and in 2010 they record their first CD for Chandos as part of a long-term collaboration.
Formed in 1998 at Pro Corda, The National School for Young Chamber Music Players, in Suffolk, from 2002 the Doric String Quartet studied on the Paris-based ProQuartet Professional Training Program, where they worked with members of the Alban Berg, Artemis, Hagen and LaSalle Quartets and with Gyorgy Kurtag. The Quartet continue to work with Rainer Schmidt (Hagen Quartet) at the Music Academy in Basel.
In 2000 the Doric String Quartet won the inaugural Bristol Millennium Chamber Music Competition which led to a seven year residency at the Wiltshire Music Centre combining a concerts series with education work across the region. They continue this relationship as ‘Artists in Association’. The Quartet went on to give recitals at the Purcell Room and Wigmore Hall under the auspices of the Park Lane Group, appeared at the ORF (Austrian Radio) Funkhaus in Vienna in 2003 and made their Edinburgh Festival debut in 2006.
Alex Redington and Jonathan Stone completed their postgraduate studies at the Royal Academy of Music in 2005 where they studied with Howard Davis. Simon Tandree studied in Saarbrücken and Detmold with Dietmut Poppen. John Myerscough graduated from Selwyn College, Cambridge in 2003 and is now a Fellow of the Guildhall School of Music and Drama where he studies with Louise Hopkins.
The Doric String Quartet acknowledges the generous support of an Anonymous Foundation.