Joined At The Hip (2019 Remastered) Bob James & Kirk Whalum
- 1Soweto (2019 Remastered)10:05
- 2Kickin' Back (2019 Remastered)06:01
- 3Out Of The Cold (2019 Remastered)05:19
- 4Deja Blue (2019 Remastered)08:14
- 5Midnight at the Oasis (2019 Remastered)05:47
- 6Tell Me Something Nice (2019 Remastered)07:17
- 7Tour de Fourths (2019 Remastered)06:35
- 8The Ghetto (2019 Remastered)05:15
- 9The Prayer (2019 Remastered)08:32
- 10Out Of The Cold (Original Full Version) (2019 Remastered)07:19
- 11Deja Blue (Original Full Version) (2019 Remastered)12:13
Info zu Joined At The Hip (2019 Remastered)
Acclaimed album "Joined At The Hip" from contemporary jazz icons Bob James & Kirk Whalum newly remastered.
An undisputed doyen of contemporary jazz, piano maestro Bob James has enjoyed a long and storied career that has produced many fine musical moments along the way. Though as a supporting artist he's appeared on significant recordings by some of the greatest musicians in the history of popular music - everyone from Chet Baker and Paul Simon to Aretha Franklin and Roberta Flack - it was his own solo albums from the 1970s onwards that truly brought him fame.
But the records that have taken him to an even wider audience have been his collaborations. He's won Grammy awards for his shared projects with Earl Klugh (One On One) and David Sanborn (Double Vision) and in 1996 was nominated again together with tenor saxophonist Kirk Whalum for their joint album, Joined At The Hip. Though ultimately it didn't triumph at the Grammies, it peaked at No. 10 in Billboard's jazz albums chart and has been a musical touchstone in both musicians' careers. Having said that, it's something of an underappreciated gem in their respective catalogues but now gets a chance to shine again via a new remastered reissue by the evosound label in 24bit FLAC and MQA, coinciding with James and Whalum's upcoming Joined At The Hip tour of Japan.
"Looking back on the highlights of my career, it’s become more and more clear to me how much I love collaborations," says James, now 79, who first came across Whalum 35 years ago in 1984 at a concert in Texas. The pianist was impressed by the then unsigned saxophonist and invited him to play on his album, 12. By the time that they recorded Joined At The Hip together, Whalum had five albums under his belt and was an established saxophone star of the smooth jazz scene.
As Joined At The Hip vividly shows, James and Whalum possess a unique creative chemistry when they play together but they were enhanced by what the saxophonist described as "an incredibly magical cast that Bob had assembled": guitarist Jeff Golub, bassist Chris Walker and drummer Billy Kilson, who, according to James, "weren’t just playing parts, they were creating a vibe by injecting their own personalities into the music." The cohesion and togetherness of the musicians coupled with their flair and tastefulness certainly is part of Joined At The Hip's enduring appeal but the compositions as well as the performances are strong and memorable, too: ranging from Whalum's evocative and deeply moving songs 'Soweto' and 'The Prayer' - "I wrote them just after witnessing a baptism ceremony of a Zulu Christian church on the beach in Durban, South Africa," he says - to lighter, less reflective pieces in the shape of James' 'Kickin' Back' and the playful, bluesy 'Tour De Fourths.'
These original tunes are augmented by two striking covers: Donny Hathaway's 'The Ghetto' (mixed by Bob Power) and Maria Muldaur's 'Midnight At The Oasis,' both hits in the 1970s. "I loved these choices, both of which, in my memory, came from Kirk," reveals James. "We made it a family affair by having his brother Kevin and my daughter Hilary sing the duet on ’Midnight at the Oasis.’ Their blend was so cool!"
23 years on, Joined At The Hip still sounds fresh and relevant, capturing two master musicians at the peak of their powers. "It was an enchanting experience," says Whalum, reflecting back on the session. His sentiments are echoed by Bob James. "I still listen to it often. It’s a big fave in my collection," he says.
Bob James, piano
Kirk Whalum, saxophone
Will Patrick, guitar
Chris Walker, bass
Billy Kilson, drums
Discovered by Quincy Jones at the Notre Dame Jazz Festival in 1963, Bob recorded his first solo album, Bold Conceptions, that year for Mercury Records. 36 more solo albums would follow through four decades; that number is just to date and does not include his GRAMMY Award-winning collaboration projects. Although he was to record another trio album, Explosions, for ESP (1964), it was not until Bob met up with Creed Taylor in New York that his composing, arranging and recording career really took off. After working on albums for CTI artists like Hank Crawford, Grover Washington, Jr. and many others, Bob finally recorded his own album, One. This introduced his music to a bigger audience and launched a lifelong career of recording and performing live. There were to be three more CTI albums before Bob moved to CBS in the 1970's and began his own label, Tappan Zee Records. It was during this time that he recorded his own gold seller, Touchdown, which included his composition, Angela, Theme from 'Taxi.' Bob composed all the original music used in that television series for its entire run. One On One, the first in three collaborations with Earl Klugh, was awarded a GRAMMY in 1980 and has sold over a million copies. A different aspect of the musical talent of Bob James was demonstrated on his three classical albums recorded for the CBS Masterworks division, the first of which was Rameau released in 1984.
In 1985 Bob moved to Warner Bros Records and began that association with another million seller and GRAMMY-winner, Double Vision, his collaboration with David Sanborn, produced by Tommy LiPuma. It was in 1990 while recording his Grand Piano Canyon album that Bob reunited with his old friend, drummer Harvey Mason, Jr. and worked for the first time with Lee Ritenour on guitar and Nathan East on bass. The sessions for this project were the genesis of the group, Fourplay. Their first album was recorded and released in 1991. They have gone on to record four more albums, with Larry Carlton taking over on guitar in 1998 in time for album number and title, 4.
A personal and professional highlight was collaboration with his daughter, Hilary, on their Flesh & Blood album. They wrote together for this project and toured 15 U.S. cities in acoustic vocal and piano duet performances, Bob continued to record with Earl Klugh, (Cool) and with Kirk Whalum (Joined At the Hip) both nominated for Grammys. His solo career continued into the 90's with Restless, Playin' Hooky and Joy Ride, another Grammy nominee. Working with producers like Paul Brown, Marcel & Nathan East, Harvey Mason, Jr. and his own longtime producer, Michael Colina, Bob maintained his commitment to sophisticated production and arrangements while stretching out in different and new directions.
Dancing On the Water, released in 2001 was the fulfillment of a longtime dream. This CD includes duet performances by Bob with Keiko Matsui, Joe Sample, Dave Holland and Chuck Loeb. There are also four original solo piano pieces. It is an unusual and exciting project with amazing performances. Bob toured with this project in Japan with Keiko Matsui. Their show was called "Four Hands, One Piano" – an evening of just piano with these two artists playing alone and together. The response was fantastic and a DVD release is planned.
2002 saw the release of Fourplay's first project for BMG, Heartfelt. The group toured for much of the year across the United States and the far east. Also that year, Bob's Morning, Noon & Night was released on Warners. Again, Paul Brown produced several of the tunes. The title track was a number one radio hit. Chuck Loeb and Ken Freeman, Bob's engineer and longtime studio manager, co-produced several of the tracks as well. The title track went to #1 at Contemporary Jazz Radio.
While appearing at New York's Blue Note, in February of 2003, Bob went into Hit Factory with Billy Kilson and James Genus, with Ken Freeman at the board, and recorded a trio album. Bob's idea was a personal project, a tribute to the pianists who inspired him. There are tunes here originally recorded by Ahmad Jamal, Duke Ellington, Bill Evans, Oscar Peterson and others. The trio debuted these tracks to a very enthusiastic and appreciative crowd when they played London's Jazz Café in November 2003. The CD, Take It From the Top, was released in Japan on JVC and in the U.S. and Canada on Koch Records.
A new Fourplay CD, Journey, was released in 2004 and the group toured the U.S. and Japan for much of the year. A long awaited trip to South Africa took the group there in November of 2005 to Johannesburg, CapeTown and Durban. Their final appearance of the year was at Bangkok Jazz Festival in Thailand.
This event featured the world premiere live performance of Bob's latest recording project, 'The Angels of Shanghai.' Bob has spent many months in the Far East producing this new project, a true 'east meets west' project – five students at the Shanghai Conservatory of Music playing ancient Chinese instruments together with James Genus and Nathan East on bass, Harvey Mason on drums and, of course, Bob James on keyboards. This project has been released in both Korea and Japan and the musicians performed the debut live performance at the Bangkok Jazz Festival in December 2005. The group has recently completed a tour of Korea and Japan. A tour in the United States is expected in 2007.
Bob's latest solo project, Urban Flamingo, was released in the U.S. and Canada in February, 2006 again on Koch Records. This features the Detroit based band of Al Turner on bass, Ron Otis on drums, Perry Hughes and Wayne Gerard on guitars and, of course, David McMurray on sax. These guys have had plenty of time to rehearse the music – they've toured the U.S. over the past year playing the east coast, west coast and a couple of places in between!
In the spring of 2006 Bob was awarded the George Benson Lifetime Achievement Award by the Canadian Smooth Jazz Awards. The award and tribute were presented in Toronto to Bob By his longtime friend and musical colleague, Alexander Zonjic.
Summer 2006 will see the release of Fourplay's tenth record, appropriately called "X" – and the group will be literally all over the world playing the music from the CD. Spain, London, Montreux, North Sea, Concord (California), Hollywood (Bowl) plus Hong Kong, Kuala Lumpur, Indonesia and Japan.
Soulful, passionate, stirring...these are the words most often used to describe Kirk’s music. Forged from his Memphis, (TN) gospel roots and his 1980‘s initiation into the thriving Houston, TX nightclub scene, Kirk’s big, rich tenor sound is unmistakably his. The 80’s were highlighted by Kirk’s stepping out of his blossoming sideman role and forming his own band. It was there that Kirk ultimately developed both his “voice” and songwriting in the crucible of the local club scene––especially at a rooftop club called Cody’s. It was also in Houston where jazz pianist Bob James “discovered” him and brought him on tour, which led to five successful albums with Columbia Records, including Cache, Kirk’s first #1 album. As well, Kirk and Bob received a Grammy nomination for their collaboration album, Joined at the Hip. After moving to Los Angeles, Kirk became an in demand session player for top artists like, Barbara Streisand, Al Jarreau, Luther Vandross, Larry Carlton, Quincy Jones and most notably, Whitney Houston, amongst many others. It’s his sax heard on the mega-hit, “I Will Always Love You.” Kirk soon followed that career high point with his phenomenal hit album released on Warner Bros. Records, For You, perhaps the most successful of over 25 solo recordings to date; others include his eclectic, and much lauded, Gospel According to Jazz series, (Chapters 1, 2, 3 and 4). In addition to his many solo projects, Kirk was also a member of the popular soul/jazz group, BWB, which features Kirk as the “W” of the group with Rick Braun (trumpet) and Norman Brown (guitar).
An ordained minister, Kirk has earned a Masters of Art in Religion. It’s in this spirit that he serves his community in various ways when his touring schedule allows. There is also his daily fifteen minute podcast, Bible In Your Ear (BIYE), in which he invites you to listen along as he reads through the Bible in a year. In addition to music and ministry, Kirk has a passion to educate young, aspiring musicians and is currently engaged as a music professor at Visible Music College in his hometown of Memphis.
Kirk is the recipient of numerous awards and acknowledgements for his musical excellence including three Dove Award nominations, an NAACP Image Award nomination and has won two Stellar Awards-Gospel music’s highest honor. A twelve time Grammy nominee, Kirk won his first Grammy award (2011)for Best Gospel Song (“It’s What I Do”––featuring Lalah Hathaway) alongside life-long friend and gifted songwriter, Jerry Peters.
In a career spanning decades, Kirk has a sound that is uniquely his; it is a sound that leaves an indelible imprint on the listener.
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