Corelli Bolognese - Trio Sonatas by Corelli and his Successors Giordano Antonelli & Musica Antiqua Latina
Album Info
Album Veröffentlichung:
2106
HRA-Veröffentlichung:
19.04.2016
Label: deutsche harmonia mundi
Genre: Classical
Subgenre: Chamber Music
Interpret: Giordano Antonelli & Musica Antiqua Latina
Komponist: Giulio Cesare Arresti (1619-1701), Giovanni Battista Bassani (1647-1716), Maurizio Cazzati (1620-1677), Arcangelo Corelli (1653-1713), Domenico Gabrielli (1651-1690), Giuseppe Torelli (1658-1709), Giovanni Battista Vitali (1644-1692)
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- Arcangelo Corelli (1653 - 1713):
- 1 I. Allegro - Presto 02:19
- 2 II. Adagio 01:25
- 3 III. Vivace 00:55
- 4 Ciaccona, Op. 23 03:07
- 5 Ciaccona, Op. 2, No. 12 04:35
- 6 I. Allegro 01:32
- 7 II. Adagio 01:01
- 8 III. Presto 00:15
- 9 IV. Grave 01:17
- 10 V. Allegro 01:05
- 11 I. Grave 02:02
- 12 II. Allegro 01:35
- 13 III. Largo 01:38
- 14 IV. Allegro 01:04
- 15 Ricercare 01:56
- 16 I. Allegro 02:19
- 17 II. Largo 01:45
- 18 III. Allegro 01:26
- 19 I. Allegro 01:38
- 20 II. Giga. Allegro 01:48
- 21 Balletto 02:11
- 22 I. Grave 01:27
- 23 II. Presto 01:07
- 24 III. Adagio 01:57
- 25 IV. Allegro 01:33
- 26 I. Allegro 04:15
- 27 II. Adagio 02:18
- 28 III. Allegro 02:34
Info zu Corelli Bolognese - Trio Sonatas by Corelli and his Successors
This album presents an overview of late 17th century instrumental music in Bologna, in both da chiesa and de camera styles, composed by contemporaries of Arcangelo Corelli. The evolution from Maurizio Cazzati's Ciaccona, provides an excellent example of the extensive mutual influence of the Bolognese masters.
Musica Antiqua Latina, based in Rome, is devoted to the rebirth of the early Italian Baroque repertoire, performing on original instruments at period pitch. As well as a busy international touring schedule, Musica Antiqua Latina breathes life into original locations, rendering Corelli's Concerti Grossi at St Luigi d'Francesci, the church where they were first performed, or Scarlatti's unpublished work at the Oratorio St Giorlamo della Carita.
Sources and manuscripts from major Italian archives are closely examined, decoding hidden rhetorical figures, symbols and patterns, tracing the blend between sacred orthodoxy and theatrical lyricism. Following the initial scholarly groundwork, Musica Antiqua Latina prepares each work by delving into its unique life and background, searching for the mysterious bonds between performer and creator that transcend age, style and language.
Paulo Perrone, baroque violin
Gabriele Politi, baroque violin
Giordano Antonelli, baroque violincello, musical direction
Andrea Buccarella, harpsichord, organ
Francesco Tomasi, baroque guitar, theorbo
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