90 Scriabin Complete Piano Preludes Daniel Pereira

• Alexander Scriabin (1872 - 1915):
• 1 Prelude, Op. 2, No. 2 01:12
• Prelude, Op. 9:
• 2 Prelude, Op. 9, No. 1: Andante 03:18
• 24 Preludes, Op. 11:
• 3 24 Preludes, Op. 11, No. 1: Vivace 01:02
• 4 24 Preludes, Op. 11, No. 2: Allegretto 02:12
• 5 24 Preludes, Op. 11, No. 3: Vivo 00:55
• 6 24 Preludes, Op. 11, No. 4: Lento 02:01
• 7 24 Preludes, Op. 11, No. 5: Andante cantabile 01:41
• 8 24 Preludes, Op. 11, No. 6: Allegro 00:43
• 9 24 Preludes, Op. 11, No. 7: Allegro assai 01:07
• 10 24 Preludes, Op. 11, No. 8: Allegro agitato 01:36
• 11 24 Preludes, Op. 11, No. 9: Andantino 01:34
• 12 24 Preludes, Op. 11, No. 10: Andante 01:15
• 13 24 Preludes, Op. 11, No. 11: Allegro assai 01:54
• 14 24 Preludes, Op. 11, No. 12: Andante 01:50
• 15 24 Preludes, Op. 11, No. 13: Lento 01:28
• 16 24 Preludes, Op. 11, No. 14: Presto 01:03
• 17 24 Preludes, Op. 11, No. 15: Lento 02:10
• 18 24 Preludes, Op. 11, No. 16: Misterioso 01:41
• 19 24 Preludes, Op. 11, No. 17: Allegretto 00:44
• 20 24 Preludes, Op. 11, No. 18: Allegro agitato 00:54
• 21 24 Preludes, Op. 11, No. 19: Affettuoso 01:18
• 22 24 Preludes, Op. 11, No. 20: Appassionato 01:00
• 23 24 Preludes, Op. 11, No. 21: Andante 01:48
• 24 24 Preludes, Op. 11, No. 22: Lento 00:59
• 25 24 Preludes, Op. 11, No. 23: Vivo 00:42
• 26 24 Preludes, Op. 11, No. 24: Presto 00:59
• 6 Preludes, Op. 13:
• 27 6 Preludes, Op. 13, No. 1: Maestoso 02:25
• 28 6 Preludes, Op. 13, No. 2: Allegro 00:49
• 29 6 Preludes, Op. 13, No. 3: Andante 01:16
• 30 6 Preludes, Op. 13, No. 4: Allegro 01:05
• 31 6 Preludes, Op. 13, No. 5: Allegro 01:09
• 32 6 Preludes, Op. 13, No. 6: Presto 01:33
• 5 Preludes, Op. 15:
• 33 5 Preludes, Op. 15, No. 1: Andante 01:46
• 34 5 Preludes, Op. 15, No. 2: Vivo 00:53
• 35 5 Preludes, Op. 15, No. 3: Allegro assai 01:12
• 36 5 Preludes, Op. 15, No. 4: Andantino 01:38
• 37 5 Preludes, Op. 15, No. 5: Andante 01:17
• 5 Preludes, Op. 16:
• 38 5 Preludes, Op. 16, No. 1: Andante 03:05
• 39 5 Preludes, Op. 16, No. 2: Allegro 01:10
• 40 5 Preludes, Op. 16, No. 3: Andante cantabile 02:24
• 41 5 Preludes, Op. 16, No. 4: Lento 01:17
• 42 5 Preludes, Op. 16, No. 5: Allegretto 00:47
• 7 Preludes, Op. 17:
• 43 7 Preludes, Op. 17, No. 1: Allegretto 01:38
• 44 7 Preludes, Op. 17, No. 2: Presto 00:53
• 45 7 Preludes, Op. 17, No. 3: Andante 02:12
• 46 7 Preludes, Op. 17, No. 4: Lento 01:12
• 47 7 Preludes, Op. 17, No. 5: Presto 01:21
• 48 7 Preludes, Op. 17, No. 6: Andante doloroso 02:13
• 49 7 Preludes, Op. 17, No. 7: Allegro assai 01:12
• 4 Preludes, Op. 22:
• 50 4 Preludes, Op. 22, No. 1: Andante 01:28
• 51 4 Preludes, Op. 22, No. 2: Andante 01:04
• 52 4 Preludes, Op. 22, No. 3: Allegretto 01:07
• 53 4 Preludes, Op. 22, No. 4: Andantino 00:54
• 2 Preludes, Op. 27:
• 54 2 Preludes, Op. 27, No. 1: Patetico 01:42
• 55 2 Preludes, Op. 27, No. 2: Andante 01:06
• 4 Preludes, Op. 31:
• 56 4 Preludes, Op. 31, No. 1: Andante 02:18
• 57 4 Preludes, Op. 31, No. 2: Con stravaganza 00:46
• 58 4 Preludes, Op. 31, No. 3: Presto 00:39
• 59 4 Preludes, Op. 31, No. 4: Lento 01:13
• 4 Preludes, Op. 33:
• 60 4 Preludes, Op. 33, No. 1 01:04
• 61 4 Preludes, Op. 33, No. 2: Vagamente 01:24
• 62 4 Preludes, Op. 33, No. 3 00:30
• 63 4 Preludes, Op. 33, No. 4: Ardito, bellicoso 00:52
• 3 Preludes, Op. 35:
• 64 3 Preludes, Op. 35, No. 1: Allegro 00:51
• 65 3 Preludes, Op. 35, No. 2: Elevato 03:11
• 66 3 Preludes, Op. 35, No. 3: Scherzando 01:10
• 4 Preludes, Op. 37:
• 67 4 Preludes, Op. 37, No. 1: Mesto 01:59
• 68 4 Preludes, Op. 37, No. 2: Maestoso, fiero 01:04
• 69 4 Preludes, Op. 37, No. 3: Andante 02:04
• 70 4 Preludes, Op. 37, No. 4: Irato, impetuoso 00:57
• 4 Preludes, Op. 39:
• 71 4 Preludes, Op. 39, No. 1: Allegro 00:47
• 72 4 Preludes, Op. 39, No. 2: Elevato 01:34
• 73 4 Preludes, Op. 39, No. 3: Languido 01:42
• 74 4 Preludes, Op. 39, No. 4 00:51
• Prelude, Op. 45, No. 3:
• 75 Prelude, Op. 45, No. 3: Andante 01:20
• 4 Preludes, Op. 48:
• 76 4 Preludes, Op. 48, No. 1: Impetuoso fiero 00:32
• 77 4 Preludes, Op. 48, No. 2: Poetico con delizia 01:20
• 78 4 Preludes, Op. 48, No. 3: Capricciosamente affanato 00:49
• 79 4 Preludes, Op. 48, No. 4: Festivamente 00:46
• Prelude, Op. 49:
• 80 Prelude, Op. 49, No. 2: Bruscamente irato 00:55
• Prelude, Op. 51:
• 81 Prelude, Op. 51, No. 2: Lugubre 02:36
• Prelude, Op. 56:
• 82 Prelude, Op. 56, No. 1: Violent, très accentué 00:55
• Prelude, Op. 59:
• 83 Prelude, Op. 59, No. 2: Sauvage, belliqueux 01:32
• 2 Preludes, Op. 67:
• 84 2 Preludes, Op. 67, No. 1: Andante 02:00
• 85 2 Preludes, Op. 67: No. 2 Presto 00:51
• 5 Preludes, Op. 74:
• 86 5 Preludes, Op. 74, No. 1: Douloureux, déchirant 01:18
• 87 5 Preludes, Op. 74, No. 2: Très lent, contemplative 01:24
• 88 5 Preludes, Op. 74, No. 3: Allegro drammatico 00:44
• 89 5 Preludes, Op. 74, No. 4: Lent, vague, indécis 01:43
• 90 5 Preludes, Op. 74, No. 5: Fier, belliqueux 01:12
• Total Runtime 02:03:47

Info zu 90 Scriabin Complete Piano Preludes

Despite influences ranging from Liszt and Chopin to late Romanticism to Wagner and Debussy, Scriabin stands alone in music history, a transcendental visionary who indulged in a heady array of styles, embracing polyrhythms, bitonality, even atonality. Scriabins compositions are amongst the most innovative, idiosyncratic and bewitching of all time, and his piano works are at the very heart of this contribution. This exquisite double CD from pianist Daniel Pereira Gonzlez illustrates the extraordinary metamorphosis of Scriabins style over the course of a quarter of a century. In addition to performing these works with rare insight, Daniel Pereira Gonzlez has completed a doctoral thesis on the preludes of Scriabin, demonstrating an exceptionally detailed and informed approach to his music. Scriabins piano output reflected his own quest for the unimaginable, the esoteric, the mysterious, resulting in an opulent concoction of rich harmonies, accentuated or blurred with the subtle use of pedalling. Each of Scriabins preludes is usually fixated on a single idea which is then varied and transformed. The brevity of these pieces often serves to accentuate their intensity of colour; the listener can appreciate them as though enjoying a collection of sparkling jewels, each one unique, complex and beautiful. Daniel Pereira Gonzlez grew up and currently resides in Spain. His studies took him to the USA, where he undertook research at the International Piano Archives, and his career has taken him all over the world, including as Director of Chamber Music at the Vianden International Festival in Luxembourg.

Daniel Pereira, piano

Daniel Pereira
received a Special Prize in Piano performance in his native Spain, where he began his music studies. He holds a Master of Music Degree from the University of Hartford in Connecticut, an Artist Diploma from the State University of New York, and a Doctor of Musical Arts Degree from the University of Maryland.

He is the recipient of numerous honors, including the prestigious Moses Haltzmark and Hartt Alumni Awards and the Evelyn B. Storrs Scholarship which he received on two separate occasions. His doctoral thesis consisted of two live recordings (90 pieces in all), of the complete preludes of Alexander Scriabin. His Scriabin CD will be released by Odradek Records in May 2020. D. Pereira was invited to lecture on Scriabin and give recitals of his music in the United States, Brazil and Spain.

D. Pereira combines pedagogical activities with recitals and concerts. He has conducted extensive research on pianists of the past, old and new recordings, and schools of piano playing, at the revered International Piano Archives at the University of Maryland. That experience, he observed, greatly enriched him as a musician and pedagogue. In addition to Scriabin, he has lectured on a diverse array of topics in music theory and performance in North and South America and in Europe and has performed in cultural capitals like New York, as well as other major cities. He has given Master Classes at the Turtle Bay Music School in New York, and at IKFEM in Galicia, Spain.

In 2016, Why We Can’t Always Play Walzes, a book he co-authored with oboist Humbert Lucarelli, was published by Carl Fischer Music, New York, and in the same year, Clavier Companion published his article entitled “Cortos: The Prologue” appearing in its Jan./Feb. issue. He is presently co-editor of the Project Notes of a Composer, sponsored by the Universidade Estadual de Minas Gerais in Brazil.

D. Pereira has, upon invitation, participated in piano festivals and taught master classes in Spain, Portugal, France, Italy, Belgium, Switzerland, the Czech Republic, Brazil and the United States. He founded the Piano Friends Society of Galicia (in Spain) and was the Artistic Director of the International Piano Festivals Conde de Gondomar, in Spain, from 2000 through 2006, where he also lectured and performed. He has also been the Co-director of the Vianden International Music Festival in Luxembourg. Over the years. he has appeared on television and was heard on the radio the United States, Brazil and Spain.

D. Pereira resided in the United States for 14 years where he studied, worked and performed. He subsequently took up residence in London, U.K. where he was a Master Instructor at the West Kensington Music Team and teacher at Dynamic Piano lessons. More recently, he has been a member of the jury at the Concurso Permanente de Juventudes Musicales de España. He served as piano accompanist at the Escuela Superior de Arte Dramático of Málaga and at the Real Conservatorio de Danza Mariemma in Madrid. D. Pereira and his four-hand piano partner were selected to be included in the 2019 edition of the AECID Music Catalogue. He is Professor of Piano at the Conservatory Teresa Berganza in Madrid.

Dieses Album enthält kein Booklet