Ryan Streber: Concentric Ryan Streber feat. counter)induction

• 1 String Quartet 11:29
• 2 Cold Pastoral 08:51
• 3 I. Wheel Variations 03:38
• 4 II. l'Ombre d'un Papillon (After Rilke) 03:38
• 5 III. Two to One 02:41
• 6 Descent 10:35
• 7 Compassinges 07:57
• 8 I. — 07:55
• 9 II. — 07:15
• 10 III. — 08:58
• Total Runtime 01:12:57

Info zu Ryan Streber: Concentric

Ryan Streber, a well-known sound engineer and owner of the pivotal NYC recording studio Oktaven Audio, releases his debut full-length recording of his compositions, featuring a selection of some of the most active performers on the city’s contemporary music scene.

Streber studied with the late Milton Babbitt, and while his music reflects his mentor's style and is clearly grounded in the modernist aesthetic, his work nevertheless unfolds intuitively as opposed to adhering to a rigid system. Mr. Streber’s works have received performances by various ensembles in the US and abroad.

Featuring:
counter)induction
Line C3 Percussion Quartet
Daniel Lippel, electric guitar
Ryan Streber, electric guitar
Sam Solomon, percussion
Kristy Errera-Solomon, voice
David Fulmer, violin
Keats Dieffenbach, violin
Alex Sopp, flute
Nadia Sirota, viola
Clarice Jensen, cello

Ryan Streber
is a composer and audio engineer based in New York City whose works have been performed in the United States and abroad by artists and ensembles such as The American Composers Orchestra, The Lucerne Percussion Group, The Juilliard Orchestra, The New Juilliard Ensemble, Flexible Music, Line C3 Percussion Quartet, ACME, Boston Conservatory, Gemini Youth Orchestra, Fountain Chamber Ensemble, and many others. His most orchestral work, Arcuare, was read by The ACO in its 2007 Underwood New Music Readings. Other recent works include Shadow Etudes for counter)induction, the string quartet Repexus II commissioned and premiered by ACME, solo pieces for guitarist Daniel Lippel, percussionist Haruka Fujii, and cellist Sumire Kudo, as well as ensemble compositions for the Boston Conservatory Saxophone Ensemble and BoCo Wind Ensemble, Bacchae Fragments for 12 percussionists which was commissioned by the Lucerne Festival Academy's percussion ensemble, and the new music collective counter)induction of which he is a member.

Besides composing concert music, Ryan has scored two short films, designed sound for over a dozen theatrical productions in and around New York, played electric guitar and percussion in bands, and collaborated with other artists in music and multi-media performances and recordings ranging from pop and rock to experimental and jazz.

As an audio engineer and producer, Ryan co-owns and operates Oktaven Audio in Yonkers, NY. He has worked with numerous artists and ensembles on hundreds of live and studio recording projects, including CDs released on the New Focus, Kairos, Tzadik, Naxos, New Amsterdam, Mode, Innova, Hot Cup, Albany, Carrier, CAG, New Dynamic, Bridge, GM, Rune, Centaur, Neuma, Capstone, and Arabesque labels.

Ryan received his BMA with Distinction and MMA from The Juilliard School, studying composition with Christopher Rouse and Milton Babbitt. He served as the director of Juilliard's Composers Forum and coordinator for the composition department from 2005 to 2012, and he has also taught composition in the school's Evening Division. He is a recipient of the ASCAP Morton Gould award and Juilliard's Palmer Dixon prize.

Born in 1979 in Rochester, NY, Ryan currently resides in Yonkers, NY.

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