String Serenades, Volume 4 Anima Musicae Chamber Orchestra

• Carl Reinecke (1824 - 1910): Serenade in G Minor, op. 242 (1898):
• 1 Reinecke: Serenade in G Minor, op. 242 (1898): I. Marcia. Molto moderato 03:18
• 2 Reinecke: Serenade in G Minor, op. 242 (1898): II. Arioso. Andante sostenuto 04:14
• 3 Reinecke: Serenade in G Minor, op. 242 (1898): III. Scherzo. Allegretto 03:37
• 4 Reinecke: Serenade in G Minor, op. 242 (1898): IV. Cavatina. Adagio 05:53
• 5 Reinecke: Serenade in G Minor, op. 242 (1898): V. Fughetta giojosa. Vivace 03:57
• 6 Reinecke: Serenade in G Minor, op. 242 (1898): VI. Finale. Allegretto 05:37
• Hugo Wolf (1860 -1903): Italian Serenade in G Major (1892):
• 7 Wolf: Italian Serenade in G Major (1892): Molto vivo 06:55
• Mieczyslaw Karlowicz (1876 - 1909): Serenade in C Major, op. 2 (1898):
• 8 Karlowicz: Serenade in C Major, op. 2 (1898): I. Marsz. Allegro moderato 05:26
• 9 Karlowicz: Serenade in C Major, op. 2 (1898): II. Romans.Andante con moto 06:08
• 10 Karlowicz: Serenade in C Major, op. 2 (1898): III. Valc. Allegro moderato 06:03
• 11 Karlowicz: Serenade in C Major, op. 2 (1898): IV. Finale. Allegretto non troppo 03:20
• Vasiliy Kalinnikov (1866 -1901): Serenade in G Minor (1891):
• 12 Kalinnikov: Serenade in G Minor (1891): Andantino 05:54
• Total Runtime 01:00:22

Info zu String Serenades, Volume 4

The word 'serenade' has carried several different meanings throughout music history. The term originates with the Latin serenus (meaning soft, serene but also bright and light), and was used to designate night music offered under the windows of one’s lady – by good luck it may have meant singing love songs in bright weather – where the singer customarily accompanied himself. This medieval courting practice is the general interpretation of a serenade which has persisted through ages and fashions in common practice and in musical compositions. The best known and most beautiful adaptation to art music is the serenade in Mozart’s Don Giovanni (Deh! vieni alla finestra), sung with mandolin accompaniment by the nobleman to Elvira’s maid. ...

Anima Musicae
László G. Horváth, violin, conductor

Anima Musicae Chamber Orchestra
In February 2010 he founded the Anima Musicae Chamber Orchestra, with the students of the Liszt Ferenc Academy. Despite its short career the chamber orchestra accomplished a large number of concerts with growing success. From the very beginning, the orchestra has not only been inspired, but also mentored by János Rolla, the artistic director of the world renowned Liszt Ferenc Chamber Orchestra.

László G. Horváth
was born in Budapest in 1987. He began to play the violin as a student of Ms. Tardos. His talent was discovered quite early as he won the National János Koncz Violin Competition in 1998. He continued his studies at the Bartók Conservatory in Budapest with professor Erika Petőfi and won 2nd prize at the Alice Bárdos National Violin Competition.

Since 2006 he is a student of the Liszt Ferenc Academy of Music in the class of professor István Kertész.

His interest towards chamber music was shown already int his conservatory-years. He won several prizes such as: (IV. National Chamber Music Competition, Szeged – Special Award – 2006; National Weiner Leó Chamber Music Competition 1st Prize, Weiner - Special Award - 2010.) and took part at the master classes of: Hatto Beyerle (Alban Berg Quartet), Ferenc Rados, Shmuel Ashkenazy, Johannes Meissl, János Rolla, Márta Gulyás, Géza Hargitai (Bartók Quartet), Edward Zienkowski, Barnabás Kelemen etc.

In February 2010 he founded the Anima Musicae Chamber Orchestra, with the students of the Liszt Ferenc Academy. Despite its short career the chamber orchestra accomplished a large number of concerts with growing success. From the very beginning, the orchestra has not only been inspired, but also mentored by János Rolla, the artistic director of the world renowned Liszt Ferenc Chamber Orchestra.

Booklet für String Serenades, Volume 4