Landstück (Original Score) Ulrike Haage

• 1 Landstuck 01:53
• 2 Nacht 00:39
• 3 Fruher Morgen 01:55
• 4 Lebensgeschichten I 01:06
• 5 Landmarken 00:29
• 6 Storche 01:15
• 7 Wald 01:20
• 8 See 01:30
• 9 Sprechende Hauser I 01:25
• 10 Zwei Frauen 01:20
• 11 Sprechende Hauser II 01:46
• 12 Aufbruch 02:07
• 13 Ehrfurcht I 01:11
• 14 Ehrfurcht II 01:10
• 15 Weite I 02:05
• 16 Vollmond 00:51
• 17 Nachtlichter 05:15
• 18 Weite II 01:45
• 19 Windrader 01:25
• 20 Lebensgeschichten II 02:52
• 21 Abend 02:40
• 22 Wiegenlied 01:16
• Total Runtime 37:15

Info zu Landstück (Original Score)

Volker Koepps Film Landstück erzählt von den historischen Veränderungen und dem Leben der Menschen in der Uckermark. Er setzt Landschaftsbilder, Lebensläufe und den Alltag der Menschen in Beziehung zueinander. Ein Film über Vergangenheit und Gegenwart und das Verhältnis von Mensch und Natur. Ulrike Haage hat dazu eine fast karge, sehr poetische Klaviermusik komponiert. Jeder Ton ist genau gesetzt, jede Tonfolge nähert sich geradezu behutsam den Bildern, die sich in einem langsamen, aber steten Fluß befinden. Eine Musik, die ebenso schön und klar und offen ist, wie die weitgeschwungenen bis zum Horizont reichenden Felder der Uckermark.

Ulrike Haage
The composer, pianist, sound artist and radio drama author Ulrike Haage is one of the most multifaceted artists in Germany today. She once starred on the piano with all-women big-band Reichlich Weiblich, and went on to join up with Katharina Franck as the core of the highly acclaimed Rainbirds.

She collaborated on genre-crossing and experimental projects with musicians like Alfred Harth, FM Einheit, Phil Minton and contributed to theatre productions in Zürich, Düsseldorf, Hamburg and Berlin. Since 2006 she works regularly with the drummer Eric Schaefer.Ulrike Haage composes and directs contemporary works for films and radio, mostly published with the audiobook label Sans Soleil and the record label Blue Pearls Music. Since 2004 she releases highly respected Solo CDs. Following Sélavy (2004) and Weisses Land (2006), she has released her third solo album (2011) entitled In:finitum. The forth solo album Maelstrom will be released in 2015. Awards + Prizes: In 2003, Haage received the German Jazz Award (Albert-Mangelsdorff-Preis) for her outstanding and versatile life work to date – especially for her musical projects at the interface of pop, art and avant-garde. In 2010 the documentary film Zwiebelfische won the North German Film Award and the special prize for Haage’s soundtrack. Her music for the film Meret Oppenheim – eine Surrealistin auf eigenen Wegen received the Documentary Filmscore Prize 2014.

“Every single tone and sound possesses meaning, every moment of suspension integrates into the structure, every song is a piece of art. What has never been heard departs on a tone & returns on a sound wave, measured in time immemorial and doubled in mirrors. Ulrike Haage brings to light hidden sounds – in the moment and for all eternity.”(Klaus Hübner)

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