Mozart: Serenade No. 10 in B-Flat Major, K. 361 "Gran Partita" Alexei Ogrintchouk

• Wolfgang Amadeus Mozart (1756 - 1791): Serenade No. 10 in B-Flat Major, K. 361 "Gran Partita":
• 1Serenade No. 10 in B-Flat Major, K. 361 "Gran Partita": I. Largo - Molto allegro09:16
• 2Serenade No. 10 in B-Flat Major, K. 361 "Gran Partita": II. Menuetto08:43
• 3Serenade No. 10 in B-Flat Major, K. 361 "Gran Partita": III. Adagio05:07
• 4Serenade No. 10 in B-Flat Major, K. 361 "Gran Partita": IV. Menuetto04:53
• 5Serenade No. 10 in B-Flat Major, K. 361 "Gran Partita": V. Romance06:41
• 6Serenade No. 10 in B-Flat Major, K. 361 "Gran Partita": VIa. Tema01:09
• 7Serenade No. 10 in B-Flat Major, K. 361 "Gran Partita": VIb. Var. 101:11
• 8Serenade No. 10 in B-Flat Major, K. 361 "Gran Partita": VIc. Var. 201:13
• 9Serenade No. 10 in B-Flat Major, K. 361 "Gran Partita": VId. Var. 301:15
• 10Serenade No. 10 in B-Flat Major, K. 361 "Gran Partita": VIe. Var. 401:16
• 11Serenade No. 10 in B-Flat Major, K. 361 "Gran Partita": VIf. Var. 502:23
• 12Serenade No. 10 in B-Flat Major, K. 361 "Gran Partita": VIg. Var. 600:51
• 13Serenade No. 10 in B-Flat Major, K. 361 "Gran Partita": VII. Finale03:25
• Ludwig van Beethoven (1770 - 1827): Variations on "Là ci darem la mano", WoO 28:
• 14Variations on "Là ci darem la mano", WoO 28: Thema00:57
• 15Variations on "Là ci darem la mano", WoO 28: Var. 100:40
• 16Variations on "Là ci darem la mano", WoO 28: Var. 200:44
• 17Variations on "Là ci darem la mano", WoO 28: Var. 300:55
• 18Variations on "Là ci darem la mano", WoO 28: Var. 400:38
• 19Variations on "Là ci darem la mano", WoO 28: Var. 500:49
• 20Variations on "Là ci darem la mano", WoO 28: Var. 601:12
• 21Variations on "Là ci darem la mano", WoO 28: Var. 700:46
• 22Variations on "Là ci darem la mano", WoO 28: Var. 8 - Coda02:37
• Total Runtime56:41

Info zu Mozart: Serenade No. 10 in B-Flat Major, K. 361 "Gran Partita"

Better known as Gran Partita, Mozart’s Serenade in B-flat major, K 361 is the crowning glory of the Harmoniemusik of the Classical era. Austrian and German nobles in particular often employed small wind ensembles called Harmonien which provided entertainment during banquets and outdoor festivities. In order to satisfy the growing demand for suitable music, countless arrangements of operas and ballet music were made, while original works were supplied by a wide range of composers – Haydn, Beethoven, Schubert and many lesser masters wrote Harmoniemusik. Among their works, Mozart’s Serenade stands out for several reasons. It is on a larger scale than most: with seven movements and a duration of some 50 minutes, it is scored for thirteen instruments rather than the usual eight or nine. But conceived with a cyclical layout and with a highly economic use of motivic material, it also displays a compositional sophistication unusual for the genre. The Gran Partita is here performed by wind players from one of the world’s finest orchestras, the Amsterdam Concertgebouworkest, under the direction of oboist Alexei Ogrintchouk. Ogrintchouk has also chosen the coupling, a set of variations by Beethoven on Mozart’s famous aria from Don Giovanni scored for two oboes and English horn.

Alexei Ogrintchouk, oboe

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Booklet für Mozart: Serenade No. 10 in B-Flat Major, K. 361 "Gran Partita"