Musiques de cinéma Insula Orchestra & Laurence Equilbey

• Johann Pachelbel (1653 - 1706): Canon and Gigue in D Major:
• 1 Pachelbel: Canon and Gigue in D Major: Canon 04:19
• 2 Pachelbel: Canon and Gigue in D Major: Gigue 01:03
• Henry Purcell (1659 - 1695): Abdelazer, Z. 570 "The Moor's Revenge":
• 3 Purcell: Abdelazer, Z. 570 "The Moor's Revenge": II. Rondeau 01:31
• The Gordian Knot Unty'd, Z. 597:
• 4 Purcell: The Gordian Knot Unty'd, Z. 597: III. Rondeau Minuet 00:57
• King Arthur, Z. 628, Act 3:
• 5 Purcell: King Arthur, Z. 628, Act 3: "What Power Art Thou" (Cold Genius) 02:00
• Antonio Vivaldi (1678 - 1741): Giustino, RV 717, Act 1:
• 6 Vivaldi: Giustino, RV 717, Act 1: "Vedrò con mio diletto" (Anastasio) 04:51
• Concerto for Two Mandolins in G Major, RV 532:
• 7 Vivaldi: Concerto for Two Mandolins in G Major, RV 532: II. Andante 02:45
• Mandolin Concerto in C Major, RV 425:
• 8 Vivaldi: Mandolin Concerto in C Major, RV 425: I. Allegro 02:46
• Nisi Dominus in G Minor, RV 608:
• 9 Vivaldi: Nisi Dominus in G Minor, RV 608: IV. Cum dederit 04:05
• Johann Sebastian Bach (1685 - 1750): Orchestral Suite No. 3 in D Major, BWV 1068:
• 10 Bach: Orchestral Suite No. 3 in D Major, BWV 1068: II. Air 03:09
• Harpsichord Concerto No. 5 in F Minor, BWV 1056:
• 11 Bach: Harpsichord Concerto No. 5 in F Minor, BWV 1056: II. Largo 02:40
• George Frideric Handel (1685 - 1759): Solomon, HWV 67, Act 3:
• 12 Handel: Solomon, HWV 67, Act 3: Sinfonia "The Arrival of the Queen of Sheba" 02:54
• Suite No. 4 in D Minor, HWV 437:
• 13 Handel: Suite No. 4 in D Minor, HWV 437: III. Sarabande (Orch. Equilbey) 02:29
• Water Music, Suite No. 2 in D Major, HWV 349:
• 14 Handel: Water Music, Suite No. 2 in D Major, HWV 349: I. Allegro 01:41
• Wolfgang Amadeus Mozart (1756 - 1791): Piano Concerto No. 21 in C Major, K. 467:
• 15 Mozart: Piano Concerto No. 21 in C Major, K. 467: II. Andante 06:06
• Piano Concerto No. 23 in A Major, K. 488:
• 16 Mozart: Piano Concerto No. 23 in A Major, K. 488: II. Adagio 06:59
• Clarinet Concerto in A Major, K. 622:
• 17 Mozart: Clarinet Concerto in A Major, K. 622: II. Adagio 06:02
• Le nozze di Figaro, K. 492, Act 3:
• 18 Mozart: Le nozze di Figaro, K. 492, Act 3: March 01:58
• Jean-Philippe Rameau (1683 - 1764): Les Indes galantes, Quatrième entrée "Les sauvages":
• 19 Rameau: Les Indes galantes, Quatrième entrée "Les sauvages": Danse du grand calumet de la paix 02:14
• Total Runtime 01:00:29

Info zu Musiques de cinéma

Magische Musik, magisches Kino: Die Musik großer Komponisten gehört zum unverzichtbaren Bestandteil zahlreicher bekannter Filme. Nicht nur romantische Partituren wie die von Gustav Mahlers 5. Sinfonie, die zum unverwechselbaren Soundtrack von Luchino Viscontis Tod in Venedig wurde, auch die Musik barocker Meister hat ihre Spuren auf der Kinoleinwand hinterlassen. Diesen folgt auf seinem aktuellen Erato-Album Musiques de Cinéma auch das französische Insula Orchestra unter seiner Dirigentin Laurence Equilbey. Gemeinsam mit herausragenden Solisten macht das historisch informierte Ensemble die ikonische Präsenz bekannter Werke von Vivaldi bis Mozart in filmischen Meisterwerken deutlich: eine sinnliche Begegnung der besonderen Art. Rein instrumentale Tracks wie die bekannte Sarabande aus Händels d-Moll-Suite – Cineasten als Hauptthema aus dem Stanley-Kubrick-Epos Barry Lyndon bekannt – oder der 1980 im Robert-Redford-Film Ordinary People zu Filmmusik-Ehren gelangte Pachelbel-Kanon, treffen dabei auf hohe Virtuosenkunst, dargeboten von Stars wie den beiden Countertenören Carlo Vistoli und Paul-Antoine Bénos-Djian, dem Klarinettisten Pierre Génisson oder dem Cembalisten Justin Taylor. Ein besonderes Bonbon bietet Musiques de Cinéma mit dem Gastauftritt des gefeierten Pianisten David Fray, der zwei der betörendsten Mittelsätze aus Mozarts gesamtem Klavierkonzertschaffen zum Programm beisteuert: das Adagio aus dem A-Dur-Klavierkonzert K. 488 und das Andante aus dem C-Dur-Klavierkonzert K. 467, das dank John Lasseters Animationsfilmklassikers Toy Story (1995) einem breiten Publikum auch jenseits des Konzertsaals wohlvertraut ist.

Carlo Vistoli, Countertenor
Julien Martineau, Mandoline
Paul-Antoine Benos-Djian, Countertenor
Justin Taylor, Cembalo
David Fray, Klavier
Pierre Genisson, Klarinette
Insula Orchestra
Laurence Equilbey, Dirigent

Laurence Equilbey
Conductor and musical director of Insula orchestra and accentus, Laurence Equilbey is acknowledged for her demanding, yet open- minded approach to her art. Her exploration of the symphonic repertory has seen her conducting the orchestras of BBC of Wales, Hessischer Rundfunk, Lyon, Bucarest, Liège, Leipzig, Brussels Philharmonic, Café Zimmermann, Akademie für alte Musik Berlin, Concerto Köln, Camerata Salzburg, Mozarteumorchester Salzburg... In 2012, with support from the Département des Hauts-de- Seine, she founded Insula orchestra, an ensemble devoted to the classical and pre-Romantic repertory, using period instruments. With accentus, Laurence Equilbey continues to interpret the great vocal music repertoire. Laurence Equilbey supports contemporary creation and she’s also Artistic Director and Director of Education at the Department for Young Singers at the Paris Conservatory.

The extensive recorded work of accentus has received wide critical acclaim. In 2014, she recorded with Insula orchestra Mozart’s Requiem on the naïve label; then Gluck’s Orfeo ed Euridice with Franco Fagioli, released in September 2015 on the Deutsche Grammophon label (Archiv Produktion). With Warner Classics–Erato, Laurence Equilbey has released Mozart’s Coronation Mass and Schubert’s orchestrated lieder (2017).

Laurence Equilbey has studied music in Paris, Vienna and London, and conducting, notably with Eric Ericson, Denise Ham, Colin Metters and Jorma Panula.

Insula Orchestra
Insula orchestra’s artistic project is built around a repertoire ranging mainly from the Classical to the Romantic eras. Mozart, Schubert or Weber form naturally the core of this repertoire with symphonic programmes as well as programmes with choir and soloists. The orchestra performs on period instruments.

Founded in 2012 by Laurence Equilbey with local government support from the Département des Hauts-de-Seine, Insula orchestra is in residence in a new artistic venue, La Seine Musicale, designed by architects Shigeru Ban and Jean de Gastines on Ile Seguin, an island in the River Seine just a few miles downstream from Paris. The orchestra is in charge of selecting part of the programme for the 1,100-seater auditorium. It also performs at other major French and international venues and leading festivals. Since its foundation, the orchestra has been invited to play at Philharmonie de Paris, Vienna’s Theater an der Wien, Salzburg Mozart Week, Basel

Stadtcasino, Elbphilharmonie, Ludwigsburg Festival and London Barbican Centre. Insula orchestra has also developed a comprehensive, innovative programme of cultural and educational initiatives across its home base in the Hauts-de-Seine department, notably to foster awareness among potential audiences who have never had the opportunity to approach classical music, as well as participatory classes for young people and schools.

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