Hope Amid Tears - Beethoven: Cello Sonatas Yo-Yo Ma & Emanuel Ax

• Ludwig van Beethoven (1770 - 1827): Beethoven: Sonata No.1 in F Major, Op. 5 No. 1:
• 1 Beethoven: Sonata No.1 in F Major, Op. 5 No. 1: I. Adagio sostenuto - Allegro 18:23
• 2 Beethoven: Sonata No.1 in F Major, Op. 5 No. 1: II. Rondo: Allegro Vivace 07:34
• 3 Beethoven: Sonata No.2 in g minor, Op. 5 No. 2: I. Adagio sostenuto e espressivo - Allegro molto piu tosto presto 16:35
• 4 Beethoven: Sonata No.2 in g minor, Op. 5 No. 2: II. Rondo: Allegro 09:37
• Beethoven: Sonata No.3 in A Major, Op. 69:
• 5 Beethoven: Sonata No.3 in A Major, Op. 69: I. Allegro ma non tanto 13:31
• 6 Beethoven: Sonata No.3 in A Major, Op. 69: II. Scherzo 05:29
• 7 Beethoven: Sonata No.3 in A Major, Op. 69: III. Adagio cantabile - Allegro vivace 09:01
• Beethoven: Sonata No.4 in C Major, Op. 102 No.1:
• 8 Beethoven: Sonata No.4 in C Major, Op. 102 No.1: I. Andante - Allegro vivace 08:43
• 9 Beethoven: Sonata No.4 in C Major, Op. 102 No.1: II. Adagio - Allegro vivace 08:11
• Beethoven: Sonata No.5 in D Major, Op. 102 No. 2:
• 10 Beethoven: Sonata No.5 in D Major, Op. 102 No. 2: I. Allegro con brio 06:56
• 11 Beethoven: Sonata No.5 in D Major, Op. 102 No. 2: II. Adagio con molto sentimento d'affetto 09:38
• 12 Beethoven: Sonata No.5 in D Major, Op. 102 No. 2: III. Allegro 04:47
• Ludwig van Beethoven:
• 13 Beethoven: 7 Variations on "Bei Mannern, welche Liebe fuhlen", WoO 46 09:22
• 14 Beethoven: 12 Variations on a Theme from Handel's Judas Maccabaeus, WoO 45 14:00
• 15 Beethoven: 12 Variations in F major on "Ein Madchen oder Weibchen", Op.66 10:43
• Total Runtime 02:32:30

Info zu Hope Amid Tears - Beethoven: Cello Sonatas

Mit der Neuaufnahme von Ludwig van Beethovens Werken für Cello und Klavier will Weltstar Yo-Yo Ma, gemeinsam mit Pianist Emanuel Ax, ein Zeichen für Humanität und Hoffnung setzen.

„Hope Amid Tears“, zu Deutsch etwa: „Hoffnung mitten in Tränen“, ist der Titel der neuen Gesamteinspielung von Beethovens Werken für Cello und Klavier, also der fünf Sonaten und der drei Variationszyklen, mit Yo-Yo Ma und Emanuel Ax, die am 4. Juni bei Sony Classical erscheinen wird. Denn, so Pianist Ax, „in dieser Zeit weltweiter Unsicherheit, der Trauer und des Leidens ist es vielleicht angebracht, dass wir den Komponisten feiern, der das Beste in unserer Menschheit, nämlich unsere Humanität, darstellt.“ Yo-Yo Ma und Emanuel Ax machen seit mehr als 40 Jahren gemeinsam Musik, haben Dutzende von Alben aufgenommen, fünf Grammys gewonnen und treten auf Bühnen in der ganzen Welt auf. Ihre Freundschaft wurzelt nicht nur in einer tiefen Liebe zur Musik, sondern auch in einem ähnlichen Sinn für Humor und einem gemeinsamen Blick auf die Freuden und Herausforderungen des Lebens. “Hope Amid Tears“ ist ihre zweite Aufnahme der Beethoven-Cellosonaten nach 1987, die beiden damals ihren zweiten Grammy einbrachte. „Jedes Mal, wenn Yo-Yo und ich an diesen Sonaten und Variationen arbeiten, finden wir neue Bedeutungen und neue Wege, sie zu realisieren“, bekennt Emanuel Ax. „Ich hoffe, wir können unsere Ehrfurcht vor Beethoven und unsere tiefe Liebe zu seiner Vision mit Ihnen teilen."

Yo-Yo Ma, Cello
Emanuel Ax, Klavier

Yo-Yo Ma
multi-faceted career is testament to his enduring belief in culture’s power to generate trust and understanding. Whether performing new or familiar works from the cello repertoire, collaborating with communities and institutions to explore culture’s role in society, or engaging unexpected musical forms, Yo-Yo strives to foster connections that stimulate the imagination and reinforce our humanity.

In August 2018, Yo-Yo began a new journey, setting out to perform Johann Sebastian Bach’s six suites for solo cello in one sitting in 36 locations around the world, iconic venues that encompass our cultural heritage, our current creativity, and the challenges of peace and understanding that will shape our future.

The Bach Project continues Yo-Yo’s lifelong commitment to stretching the boundaries of genre and tradition to explore music as a means not only to share and express meaning, but also as his contribution to a conversation about how culture can help us to imagine and build a stronger society and a better future.

It was this belief that inspired Yo-Yo to establish Silkroad, a collective of artists from around the world who create music that engages their many traditions. Through his work with Silkroad, as well as throughout his career, Yo-Yo Ma has sought to expand the classical cello repertoire, frequently performing lesser-known music of the 20th century and commissions of new concertos and recital pieces. He has premiered works by a diverse group of composers, among them Osvaldo Golijov, Leon Kirchner, Zhao Lin, Christopher Rouse, Esa-Pekka Salonen, Giovanni Sollima, Bright Sheng, Tan Dun, and John Williams.

In addition to his work as a performing artist, Yo-Yo partners with communities and institutions from Chicago to Guangzhou to develop programs that champion culture’s power to transform lives and forge a more connected world. Among his many roles, Yo-Yo is as a UN Messenger of Peace, the first artist ever appointed to the World Economic Forum’s board of trustees, and a member of the board of Nia Tero, the US-based nonprofit working in solidarity with Indigenous peoples and movements worldwide.

Yo-Yo’s discography of over 100 albums (including 18 Grammy Award winners) reflects his wide-ranging interests. In addition to his many iconic renditions of the Western classical canon, he has made several recordings that defy categorization, among them “Appalachia Waltz” and “Appalachian Journey” with Mark O’Connor and Edgar Meyer, and two Grammy-winning tributes to the music of Brazil, “Obrigado Brazil” and “Obrigado Brazil — Live in Concert.” Yo-Yo’s recent recordings include: “Sing Me Home,” with the Silkroad Ensemble, which won the 2016 Grammy for Best World Music Album; “Brahms: The Piano Trios,” with Emanuel Ax and Leonidas Kavakos; “Six Evolutions — Bach: Cello Suites;” and “Not Our First Goat Rodeo,” with Stuart Duncan, Edgar Meyer, and Chris Thile. Yo-Yo’s latest album is “Songs of Comfort and Hope,” created and recorded with pianist Kathryn Stott in response to the COVID-19 pandemic.

Yo-Yo was born in 1955 to Chinese parents living in Paris. He began to study the cello with his father at age four and three years later moved with his family to New York City, where he continued his cello studies with Leonard Rose at the Juilliard School. After his conservatory training, he sought out a liberal arts education, graduating from Harvard in 1976. He has received numerous awards, including the Avery Fisher Prize (1978), the Glenn Gould Prize (1999), the National Medal of the Arts (2001), the Dan David Prize (2006), the World Economic Forum’s Crystal Award (2008), the Presidential Medal of Freedom (2010), Kennedy Center Honors (2011), the Polar Music Prize (2012), and the J. Paul Getty Medal Award (2016). He has performed for nine American presidents, most recently on the occasion of President Biden’s inauguration.

Yo-Yo and his wife have two children. He plays three instruments, a 2003 instrument made by Moes & Moes, a 1733 Montagnana cello from Venice, and the 1712 Davidoff Stradivarius.

Emanuel Ax
Born in modern day Lvov, Poland, Emanuel Ax moved to Winnipeg, Canada, with his family when he was a young boy. His studies at the Juilliard School were supported by the sponsorship of the Epstein Scholarship Program of the Boys Clubs of America, and he subsequently won the Young Concert Artists Award. Additionally, he attended Columbia University where he majored in French. Mr. Ax made his New York debut in the Young Concert Artists Series, and captured public attention in 1974 when he won the first Arthur Rubinstein International Piano Competition in Tel Aviv. In 1975 he won the Michaels Award of Young Concert Artists followed four years later by the coveted Avery Fisher Prize.

Highlights of the 2019/20 season included a European summer festivals tour with the Vienna Philharmonic and long-time collaborative partner Bernard Haitink, an Asian tour with the London Symphony and Sir Simon Rattle and three concerts with regular partners Leonidas Kavakos and Yo-Yo Ma at Carnegie Hall in March 2020.

Additional recitals and orchestral appearances last spring were postponed due to Covid-19 and like many artists around the world, Mr. Ax responded to these unprecedented circumstances creatively. He hosted “The Legacy of Great Pianists,” part of the online Live with Carnegie Hall highlighting legendary pianists who have performed at Carnegie Hall. Last September, he joined cellist Yo-Yo Ma in a series of surprise pop-up concerts for essential workers in multiple venues throughout the Berkshires community Always a committed exponent of contemporary composers, with works written for him by John Adams, Christopher Rouse, Krzysztof Penderecki, Bright Sheng, and Melinda Wagner already in his repertoire, most recently he has added HK Gruber’s Piano Concerto and Samuel Adams’ “Impromptus”.

A Sony Classical exclusive recording artist since 1987, recent releases include Brahms Trios with Yo-Yo Ma and Leonidas Kavakos, Mendelssohn Trios with Yo-Yo Ma and Itzhak Perlman, Strauss’ Enoch Arden narrated by Patrick Stewart, and discs of two-piano music by Brahms and Rachmaninoff with Yefim Bronfman. In 2015 Deutche Grammophon released a duo recording with Mr. Perlman of Sonatas by Faure and Strauss, which the two artists presented on tour during the 2015/2016 season. Mr. Ax has received GRAMMY® Awards for the second and third volumes of his cycle of Haydn’s piano sonatas. He has also made a series of Grammy-winning recordings with cellist Yo-Yo Ma of the Beethoven and Brahms sonatas for cello and piano. His other recordings include the concertos of Liszt and Schoenberg, three solo Brahms albums, an album of tangos by Astor Piazzolla, and the premiere recording of John Adams’s Century Rolls with the Cleveland Orchestra for Nonesuch. In the 2004/05 season Mr. Ax also contributed to an International EMMY® Award-Winning BBC documentary commemorating the Holocaust that aired on the 60th anniversary of the liberation of Auschwitz. In 2013, Mr. Ax’s recording Variations received the Echo Klassik Award for Solo Recording of the Year (19th century music/Piano).

A frequent and committed partner for chamber music, he has worked regularly with such artists as Young Uck Kim, Cho-Liang Lin, Mr. Ma, Edgar Meyer, Peter Serkin, Jaime Laredo, and the late Isaac Stern.

Mr. Ax resides in New York City with his wife, pianist Yoko Nozaki. They have two children together, Joseph and Sarah. He is a Fellow of the American Academy of Arts and Sciences and holds honorary doctorates of music from Skidmore College, Yale University, and Columbia University.

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