Fiorini: In the Midst of Things – Piano & Chamber Music Charlene Farrugia, Dimitri Ashkenazy, Rebecca Raimondi, Stefan Jess-Kropfitsch

• Karl Fiorini (b. 1979):
• 1 Fiorini: Trio Lamina for Clarinet, Violin & Piano 10:04
• 2 Fiorini: Les âmes effleurées 05:17
• 3 Fiorini: Reflets flous 04:32
• 4 Fiorini: Piano Trio 12:18
• 5 Fiorini: Piano Sonata No. 1 10:45
• In the Midst of Things:
• 6 Fiorini: In the Midst of Things: I. Grave - Vivo 06:03
• 7 Fiorini: In the Midst of Things: II. Dotted Half Note = 52 - Meno mosso 03:41
• 8 Fiorini: In the Midst of Things: III. Patetico, ma non troppo - Poco più mosso - Molto più lento 03:31
• 9 Fiorini: In the Midst of Things: IV. Presto - Poco più mosso 03:06
• Total Runtime 59:17

Info zu Fiorini: In the Midst of Things – Piano & Chamber Music

Maltese composer Karl Fiorini is a European without frontiers – the compositions in this album reflect his early detachment from a Mediterranean identity towards a more varied and intense sound world. Trio Lamina features elements of Bartók’s ‘night music’ in its complex sub-sections, whereas Fiorini’s two piano studies, which predate his move to Paris, already exude a Gallic ambience. Influenced by North African folk music, the Piano Trio expands his global reach, and the Piano Sonata, a gritty virtuoso concert piece, shifts geographical influence towards Eastern Europe to powerful effect. All of these world première recordings were recorded in the presence of the composer.

Charlene Farrugia, piano
Dimitri Ashkenazy, clarinet
Rebecca Raimondi, violin
Stefan Jess-Kropfitsch, cello

Charlene Farrugia
was recognized at an early age as a particularly gifted child, and was referred to as “enfant terrible of Maltese piano” and “Princess of Maltese piano” by music critics. In 2018, she received Malta’s International Achievement Award, and was made an Associate of the Royal Academy of Music in 2020. She is one of the ambassadors of the non-profit global umbrella organization for music culture and cultural diplomacy Euro Mediterranean Music Academy (EMMA for Peace) under the patronage of UNESCO and Honorary President Riccardo Muti.

Charlene made her concerto debut with the Malta Philharmonic Orchestra at the age of 13, playing Mendelssohn’s Piano Concerto No. 1, the orchestra’s youngest ever soloist. Since then, she has been a fixture on the Maltese cultural scene.

Charlene has performed as soloist with the Karlovy Vary Symphony Orchestra, Lisbon Metropolitan Orchestra, European Union Chamber Orchestra, Blackheath Halls Orchestra (London), Rotterdam Ensemble (Netherlands), WinterGreen Orchestra (Virginia, USA), Kaliningrad Philharmonic Orchestra and Altai State Symphony Orchestra (Russia), Arad State Philharmonic Orchestra (Romania), Camerata Austriaca (Austria), Oregon Festival Orchestra and Orpheus Academy Orchestra (Oregon, USA), Gnessi’s Academy of Music Orchestra (Russia), Croatian Chamber Orchestra (Croatia), and other eminent ensembles and orchestras.

She has toured widely, engagements taking her throughout Europe to North America and the Far East, appearing in venues from the Teatru Manoel, Valletta, Théâtre Princesse Grace, Monaco and Château Sainte-Anne, Brussels to the Smetana Hall, Prague and the Shanghai Oriental Art Center.

For Naxos she has recorded Charles Camilleri’s Piano Concerto No. 1, featured on the album ‘Mediterranean’ and which has been aired on BBC Radio 3, RAI 3 and ORF RADIO, to name just a few. In addition, she has also recorded the Piano Concerto by contemporary composer Beth Mehocic, released by Navona Records in 2019 and which has been aired on “Classic Drive” on ABC Radio (Australia). Charlene has also recorded two albums for Sony Classical Records (Korea), one with trombonist Cheolwoong Lee and the other with flutist Youngjin Kwon. In 2020, Charlene recorded a solo album of works by Aram Khachaturian. This disk was released by Grand Piano Records and distributed by Naxos Records in March 2021.

Charlene Farrugia studied with Dolores Amodio in her native country, and with Diana Ketler at the Royal Academy of Music in London. For several years she was mentored by Boris Petrushansky. She gained her doctorate in performance under Kenneth Hamilton with a thesis on piano repertory for the left hand. She is currently on the teaching faculty at the Music Academy, Juraj Dobrila University of Pula, Croatia.

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