Redaction Richard Nunns & Mark Lockett

• 1Redaction02:06
• 2Routine Inspection04:36
• 3Extinct Species02:50
• 4Two Minds01:48
• 5Tripped It03:30
• 6Sleeping Giant03:22
• 7Material Instinct02:32
• 8Revival04:14
• 9La Morte16:16
• Total Runtime41:14

Info zu Redaction

Redaction, featuring renowned taonga pūoro exponent Richard Nunns, one of our longest serving and most consistently adventurous artists, was conceived first and foremost as an art-project.

The inspiration for the recording project that led to the production of Redaction came from a documentary called Intangible Asset 82, which told the story of Australian jazz drummer Simon Barker and his journey to find the Korean shaman, Kim Seok-Chul. Barker’s journey led to the recording of a series of improvisations featuring him on drums, Scott Tinkler on trumpet, and Bae ll Dong on voice.

Artistic photographer Veronica Hodgkinson envisaged an artistic collaboration between sound and image that would eventually become the audio/visual exhibition Finding Time, which ran at Melbourne’s Brunswick St Gallery in March 2013. Her idea was to team her partner, jazz drummer Mark Lockett, with Richard Nunns to record a series of wholly spontaneous improvisations that would serve as aural soundscapes to which Veronica would respond by creating equally improvised images using light and photographic chemistry.

Both Veronica’s images and the music created for them by Richard and Mark (and later, Jeff) seek connections and commonalities through the non-verbalized, purely intuitive creative responses of each artist. The sound palette was deliberately limited, and the musicians sought an entirely unguarded musical directness, a creative honesty born of the moment and unmediated artistsic impulses.

“I’ve been a huge fan of Richard’s work since the first time I heard him in the early 90s”, says Mark. “The opportunity to work with both Richard and Steve was one I couldn’t resist. When Steve later suggested that we invite Jeff Henderson to produce an album using the recordings for the exhibition as a starting point, I was intrigued and excited. I have huge respect for Jeff, having collaborated with him at various times over the last two decades, and could see the potential for a unique new edition of music. This is how Redaction came to be, and I’m very proud of it.“

“Music and photography have strong links to memory”, says Veronica. “Having lived in Australia for many years, the longer I’m away from NZ the more importance I place on the notion of Home. The opportunity to collaborate with Richard Nunns was an extraordinary privilege, one that continues to influence my image-making here in New York.”

Richard Nunns, taong puoro
Mark Lockett, drums, percussion, cymbals
Jeff Henderson, all other sounds

Richard Nunns
has been described as one of New Zealand's most remarkable musicians. A Pakeha (European New Zealander) who has become the living authority on Taonga Pūoro (Māori traditional instruments) his journey has required a great deal of respect, perseverance and sensitivity - characteristics that inevitably emerge in the depths of his own music. He has a long history of personal commitment to researching and presenting/ performing the traditional musical instruments of the Māori, and to organising this body of knowledge into a form which is immediately understandable to people in general, particularly Māori who have lost contact with such knowledge.

Taonga Pūoro defy flashness and speed and Richard's virtuosity comes in the form of his own brilliant consistency and creativity, managing to mould the endless textures, nuances and sounds to perfectly fit any situation he finds himself in, whilst never compromising the integrity of these sacred instruments.

Since Richard first began public performances on Taonga Pūoro, he has developed an amazing international profile, both with the diversity of his recorded work, along with performing with a wide variety of people in many differing settings and circumstances. Traditional music performances include the World Expo' in Brisbane, and the pre-Olympic Festival of the Dreaming in Sydney, and representing New Zealand at the Polynesian Music Festival in Rarotonga in 1996. Richard was also invited to perform at three WOMADS in Adelaide and Auckland in 1997 and 1999. In 1998, he co-led the musicians at the opening of Te Papa dawn ceremony with Nga Taonga Pūoro.

In addition, Richard is increasingly working across a wide range of musical genres. He has toured with Māori Artists (Moana Maniapoto, Deborah Wai Kapohe) free jazz improvisors (Evan Parker, Geoff Henderson) pianists (Judy Bailey, Marilyn Crispell, Paul Grabowsky, Mike Nock) flutists (Alexa Still and Bridget Douglas) and has had a number of performances of contemporary classical works, written specifically for him, including with the New Zealand Symphony Orchestra and the New Zealand String Quartet.

In all his live performances and recordings Richard has transformed oral information into a written and musical form.

With Hirini Melbourne, Richard has produced two CD's, Te Ku Te Whe and te hekenga-ā-rangi, as well as publishing a book and tape Toiapiapi. Theirs was a unique collaboration on Te Ara Pūoro (The sounds of the Maori) until Hirini's untimely death last year.

Richard continues to present wānanga (workshops) on the instruments - their sounds , history and stories - to groups ranging from universities, conferences to small māori hui (gatherings).

Since 2001, Richard has held the position of Research Associate at the University of Waikato.

Richard has also been awarded an honorary life member of the New Zealand Flute Association, and in 2001 was honoured by the Composers Association of New Zealand with a Citation for Services to New Zealand Music.

Richard has just returned from a tour of the Democratic Peoples Republic of Korea and China undertaken with Amorangi, Kingi Taurua.

Mark Lockett
is a passionate jazz drummer, talented international performer, composer and educator who have played with artists such as , Joe Cohn (US), Joel Frahm (US), Roy Hargroves (US), Jamie Oehlers (AUS winner of the 2003 Montreux saxophone competition) and Michelle Nicole (AUS).

Lockett graduated from Massey University in 2001 with a B.Mus (Jazz performance) and is the author of the “Drum Recipe”. He has honed his craft by studying in Australia with the likes of Graham Morgan, Andrew Gander, Felix Bloxsom, Ben Vanderwal and in the United States with Joe Morello, Ari Hoenig, John Riley, Henry Cole and Jim Black.

Lockett regularly performs in New York, New Zealand and Australia. He has released 4 CD under his own name being, About Time (Move records), Mark Lockett, Paul Van Ross live at Spleen (New Market records), Now and Then (Move Records), Sneaking Out After Midnight (Rattle Records) and soon to be released Redaction (Rattle Records).

Dieses Album enthält kein Booklet