Candy-O The Cars

Album Info

Album Veröffentlichung:


Label: Warner Music Group

Genre: Pop

Subgenre: Pop Rock

Interpret: The Cars

Das Album enthält Albumcover

Entschuldigen Sie bitte!

Sehr geehrter HIGHRESAUDIO Besucher,

leider kann das Album zurzeit aufgrund von Länder- und Lizenzbeschränkungen nicht gekauft werden oder uns liegt der offizielle Veröffentlichungstermin für Ihr Land noch nicht vor. Wir aktualisieren unsere Veröffentlichungstermine ein- bis zweimal die Woche. Bitte schauen Sie ab und zu mal wieder rein.

Wir empfehlen Ihnen das Album auf Ihre Merkliste zu setzen.

Wir bedanken uns für Ihr Verständnis und Ihre Geduld.


  • 1Let's Go03:34
  • 2Since I Held You03:18
  • 3It's All I Can Do03:47
  • 4Double Life04:16
  • 5Shoo Be Doo01:39
  • 6Candy-002:39
  • 7Night Spots03:15
  • 8You Can't Hold On Too Long02:50
  • 9Lust For Kicks03:54
  • 10Got A Lot On My Head03:00
  • 11Dangerous Type04:33
  • Total Runtime36:45

Info zu Candy-O

On their second album, the Cars take a small step to the left. While remaining a solidly mainstream new wave band (as they would throughout their career), the group gets a bit artier on „Candy-O“, with impressive results. Like many of their peers, the band began to accentuate the angular, electronic/futuristic aspect of their sound, exploiting its inorganic quality for maximum irony and detachment. On 'Got a Lot on My Head' and 'Double Life,' Ric Ocasek seems ever more the alienated geek content to crack wise in a world he made from a do-it-yourself science kit. Ben Orr lends a slightly more emotive (but no less ominous) feel to the glossy, metallic surface of the title tune and the infectious 'Let's Go.' Ocasek's hipness quotient is displayed in the unconventional 'Shoo Be Doo,' a short, strange homage to his heroes/pals Suicide.

'Hooks are mechanical by nature, but the affectlessness of these deserves special mention; only listeners who consider 'alienation is the craze' a great insight will find much meaning here. On the other hand, only listeners who demand meaning in all things will find this useless. Cold and thin, shiny and hypnotic, it's what [the Cars] do best--rock and roll that is definitely pop without a hint of cuteness.' (Robert Christgau, The Consumer Guide)

Ric Ocasek, guitar, vocals
Ben Orr, bass, vocals
Elliot Easton, guitar, background vocals
Greg Hawkes, keyboards, saxophone, percussion, background vocals
David Robinson, drums, background vocals

Produced by Roy Thomas Baker

Digitally remastered

The Cars
In many ways, The Cars were the prototypical American new wave band of the 1980s. Barging into a pop-music scene then overwhelmed by English New Romantic pretty-boy bands, The Cars’ highly polished, chrome-plated four-on-the-floor rock ’n’ roll charged up the charts like a souped-up Camaro racing to the checkered flag—with the band’s Alberto Vargas-designed album art glinting like metal-flake paint on a hot rod.

Cars co-founders Ric Ocasek and Benjamin Orr had been writing songs and forming bands together since 1972, when they first teamed as two-thirds of the folk trio Milkwood (whose one album also featured Cars’ future keyboardist Greg Hawkes). In 1974, Ocasek and Orr joined with Elliot Easton to form the legendary Boston band, Cap’n Swing, which lasted but a year. Finally, in 1976, the trio called in Hawkes and ex-Modern Lovers drummer David Robinson, and The Cars were ready to roll.

The Cars, released in the spring of ’78, spun off three hit singles (“Just What I Needed,” “My Best Friend’s Girl,” and “Good Times Roll”) and graced the charts for more than two and a half years, eventually going platinum six times over. Their debut was so successful, in fact, that Elektra delayed the release of the band’s 1979 follow-up, Candy-O, for several months. Candy-O, 1980’s Panorama, and 1981’s Shake It Up each, in turn, went platinum, and the latter’s title track became the group’s first Top 10 hit. Along the way, Ocasek began establishing a reputation as a producer, working with such bands as Suicide, Bad Brains, and Romeo Void.

After Shake It Up, the band members took a break, with Ocasek, Orr, and Hawkes all recording solo albums. It must have done them good, for their next album, Heartbeat City, became their most successful. Released in 1984, Heartbeat City sprang to #3 on the album charts and produced four Top 40 singles (“You Might Think,” “Magic,” “Drive,” and “Hello Again”). These singles also broke new ground visually with their inventive, computer-animated videos, which each received heavy rotation on the then-nascent MTV.

The next two years found the band on another extended leave (with solo albums from Ocasek, Orr, and Easton), followed by 1987’s only somewhat successful Door To Door. The Cars disbanded in February 1988. Ocasek went on to release seven solo albums and produced some of the biggest names in ’90s rock. Easton took to the road with Creedence Clearwater Revisited. Orr, after a long and painful battle, succumbed to pancreatic cancer in 2000.

The Cars legacy continued in to the 21st century with the release of a live concert DVD, a double-disc deluxe edition of their classic self-titled debut album, and the ultimate Cars collection, Complete Greatest Hits.

Dieses Album enthält kein Booklet

© 2010-2023 HIGHRESAUDIO