Bruckner: Symphony No. 7 in E Major Yakov Kreizberg & Vienna Symphony Orchestra

Cover Bruckner: Symphony No. 7 in E Major

Album Info

Album Veröffentlichung:


Label: PentaTone

Genre: Classical

Subgenre: Orchestral

Das Album enthält Albumcover Booklet (PDF)


Formate & Preise

FormatPreisIm WarenkorbKaufen
FLAC 96 $ 15,80
  • Symphony No. 7 in E major
  • 1I. Allegro moderato21:51
  • 2II. Adagio - Sehr feierlich und sehr langsam23:14
  • 3III. Scherzo - Sehr schnell10:06
  • 4IV. Finale - Bewegt, doch nicht schnell12:41
  • Total Runtime01:07:52

Info zu Bruckner: Symphony No. 7 in E Major

Of Anton Bruckner's 11 symphonies, the perennially popular Symphony No. 7 in E major is his most consistently melodious, evenly paced, and lyrically flowing, with comparatively few false starts, awkward pauses, or tedious fanfares. For this exceptional HighRes recording from PentaTone, Yakov Kreizberg and the Vienna Symphony deliver one of the smoothest and roundest performances of the symphony heard in years. Yet it might actually be too polished for the liking of some old-guard Bruckner fans, who may argue that the orchestra is too mellow, luscious, and soft, and that Kreizberg's inflections and phrases are too nuanced and sensual for the composer's pure, almost sacred, intentions. But more important than the undeniably rich tonal quality found here is the interpretation, which draws on the style of Wagner's most ardent music; some of the more ecstatic passages of Lohengrin and Tristan und Isolde may come to mind when one hears this disc. There is no reason why Bruckner's symphonies must always sound chaste, devotional, or like ponderously orchestrated organ music, for they are secular works by a passionate man who wished especially to be counted in the Wagner camp, and who would have relished hearing such an emotive account as this. It also helps to remember that Wagner's death inspired the slow movement of this work, and it should be taken as Bruckner's most heartfelt tribute to the Bayreuth master. Purists may let Kreizberg's recording pass by unheard, but anyone who wants to hear the symphony played with full-blown emotions and lush, late-Romantic timbres need look no further. The reproduction on this album is especially gorgeous and enjoyable, so in the unlikely event that the performance disappoints, the sound is still first-rate and sure to delight audiophiles. (Blair Sanderson, Rovi)

Wiener Symphoniker
Yakov Kreizberg, conductor
Florian Zwiauer, concertmaster

Recorded live at the Konzerthaus, Vienna, June 2004
Executive Producers: Yakov Kreizberg & Job Maarse
Recording Producer: Job Maarse
Balance Engineer: Erdo Groot
Recording Engineer: Roger de Schot
Editing: Holger Busse, Erdo Groot

Yakov Kreizberg (1959 - 2011)
One of the most interesting and exciting conductors of his generation, Yakov Kreizberg conducted most of the major orchestras throughout Europe, North America and Asia. At the time of his death he held the posts of Artistic and Music Director of the Orchestre Philharmonique de Monte-Carlo, and Chief Conductor and Artistic Advisor of the Netherlands Philharmonic and Netherlands Chamber orchestras.

He had previously held the posts of Principal Conductor and Artistic Advisor of the Bournemouth Symphony Orchestra, Principal Guest Conductor of the Wiener Symphoniker and Generalmusikdirektor of the Komische Oper Berlin. In Europe, Yakov Kreizberg worked with the Berliner Philharmoniker, the Münchner Philharmoniker, Royal Concertgebouw Orchestra, Symphonieorchester des Bayerischen Rundfunks, Staatskapelle Dresden, Gewandhausorchester, Orchestre National de France and WDR Sinfonieorchester. In the UK he worked with the London Symphony, BBC Symphony, London Philharmonic and the Philharmonia orchestras. He was a frequent guest at London's BBC Proms and last appeared there in 2008 with the Netherlands Philharmonic Orchestra.

In North America Yakov Kreizberg conducted, amongst others, the Philadelphia, Boston Symphony, Chicago Symphony and Minnesota orchestras, as well as the Los Angeles and New York Philharmonics. In Asia he worked with orchestras such as the NHK and Yomiuri Nippon Symphony. Equally at home in the opera house he conducted productions at the Chicago Lyric Opera, Canadian Opera, English National Opera, Bregenz Festival, Glyndebourne Festival Opera, De Nederlandse Opera and the Royal Opera House.
Yakov Kreizberg encouraged and dedicated time to inspiring youth in music and for a number of years he was Music Director of the Jeunesses Musicales World Orchestra. In October 2007 he was bestowed the ‘Ehrenkreuz’ by the Austrian President in recognition of his achievement in the Arts. A prolific recording artist, he leaves behind an extensive and award-winning discography. His most recent recordings were recorded for the Orchestre Philharmonique de Monte-Carlo’s new label – OPMC Classics – launched in autumn 2010 with a triple CD of Stravinsky’s major ballets. This was followed by a Ravel and Debussy compilation in 2011. His many and much admired recordings for PentaTone included symphonies by Shostakovich (Nos. 5 and 9), Dvořák (Nos. 5 - 9), Schmidt (No. 4 – a piece with which he was closely associated) and a number of discs in collaboration Julia Fischer. He also recorded for Decca, Orfeo and Oehms Classics.

Born in St Petersburg, Yakov Kreizberg studied conducting privately with the legendary Ilya A. Musin, before emigrating to the United States in 1976. There he was awarded conducting fellowships at Tanglewood with Bernstein, Ozawa and Leinsdorf, and at the Los Angeles Philharmonic Institute with Michael Tilson Thomas. In 1986 he won first prize in the Leopold Stokowski Conducting Competition in New York.

The Russian National Orchestra
was founded by the conductor and pianist Mikhail Pletnev in 1990, following sweeping changes in the former USSR. Under his artistic leadership, the orchestra soon achieved international renown and established its hallmarks of innovation and excellence. In 2008, a panel of international critics named the Russian National Orchestra as one of the world’s top orchestras. In recognition of both its artistic quality and its pioneering structure, the Russian Federation recently awarded the Russian National Orchestra the first-ever grant to a nongovernmental orchestra.

The orchestra is a frequent guest in the music capitals of Europe, Asia, and the Americas. After the Russian National Orchestra’s 1996 début at the BBC Proms in London, the Evening Standard wrote, “They played with such captivating beauty that the audience gave an involuntary sigh of pleasure.” They have been described as “a living symbol of the best in Russian art” (Miami Herald) and “as close to perfect as one could hope for” (ClassicsToday). Recently the RNO was called “the most important cultural story of our time” (International Piano). A regular visitor to the Schleswig-Holstein, Gstaad, and Rheingau Festivals, the Russian National Orchestra is also the founding orchestra of the Napa Valley Festival del Sole, the Festival of the Arts BOCA in Florida, and the Singapore Sun Festival. In 2009, the orchestra launched its own annual festival in Moscow.

Booklet für Bruckner: Symphony No. 7 in E Major

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