Sibelius: The Symphonies Lahti Symphony Orchestra & Okko Kamu

• Jean Sibelius (1865 - 1957): Symphony No. 1 in E Minor, Op. 39:
• 1 Symphony No. 1 in E Minor, Op. 39: I. Andante, ma non troppo - Allegro energico 10:35
• 2 Symphony No. 1 in E Minor, Op. 39: II. Andante (Ma non troppo lento) 09:14
• 3 Symphony No. 1 in E Minor, Op. 39: III. Scherzo. Allegro 05:32
• 4 Symphony No. 1 in E Minor, Op. 39: IV. Finale. Andante - Allegro molto 12:42
• Symphony No. 4 in A Minor, Op. 63:
• 5 Symphony No. 4 in A Minor, Op. 63: I. Tempo molto moderato, quasi adagio 11:16
• 6 Symphony No. 4 in A Minor, Op. 63: II. Allegro molto vivace 04:50
• 7 Symphony No. 4 in A Minor, Op. 63: III. Il tempo largo 11:46
• 8 Symphony No. 4 in A Minor, Op. 63: IV. Allegro 09:51
• Symphony No. 2 in D Major, Op. 43:
• 9 Symphony No. 2 in D Major, Op. 43: I. Allegretto 09:41
• 10 Symphony No. 2 in D Major, Op. 43: II. Tempo andante, ma rubato 14:26
• 11 Symphony No. 2 in D Major, Op. 43: III. Vivacissimo 06:11
• 12 Symphony No. 2 in D Major, Op. 43: IV. Finale. Allegro moderato 14:23
• Symphony No. 5 in E-Flat Major, Op. 82:
• 13 Symphony No. 5 in E-Flat Major, Op. 82: I. Tempo molto moderato 15:08
• 14 Symphony No. 5 in E-Flat Major, Op. 82: II. Andante mosso, quasi allegretto 09:29
• 15 Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto 09:48
• Symphony No. 3 in C Major, Op. 52:
• 16 Symphony No. 3 in C Major, Op. 52: I. Allegro moderato 10:11
• 17 Symphony No. 3 in C Major, Op. 52: II. Andantino con moto, quasi allegretto 10:05
• 18 Symphony No. 3 in C Major, Op. 52: III. Moderato - Allegro ma non tanto 08:55
• Symphony No. 6 in D Minor, Op. 104:
• 19 Symphony No. 6 in D Minor, Op. 104: I. Allegro molto moderato 08:51
• 20 Symphony No. 6 in D Minor, Op. 104: II. Allegretto moderato 06:43
• 21 Symphony No. 6 in D Minor, Op. 104: III. Poco vivace 03:26
• 22 Symphony No. 6 in D Minor, Op. 104: IV. Allegro molto 09:45
• Symphony No. 7 in C Major, Op. 105:
• 23 Symphony No. 7 in C Major, Op. 105 22:40
• Total Runtime 03:55:28

Info zu Sibelius: The Symphonies

During this 150th anniversary year of Jean Sibelius, his music is being performed and discussed more widely than ever. As might be expected, the Lahti Symphony Orchestra, noted for its numerous and often revelatory Sibelius recordings, is planning its own homage: all seven symphonies will be performed at the 2015 edition of the orchestra's annual Sibelius Festival. With principal conductor Okko Kamu the Lahti SO has also prepared a special birthday present for their great compatriot. Recorded between 2012 and 2014 this new anniversary cycle is released on HighResAudio, and is accompanied by an ample booklet with informative notes by Andrew Barnett, author of a Sibelius biography. Kamu first came to international notice when he won the Karajan Competition in 1969 and later conducted the Berlin Philharmonic and the Finnish Radio Symphony Orchestra in the first three of Sibelius's symphonies for inclusion in Karajan's Sibelius cycle on Deutsche Gramophone. Needless to say, he has conducted these works numerous times since then, in Finland and abroad, but has never before put his name to a complete cycle on disc. A previous recording by the Lahti/Kamu team may raise certain expectations, however: released in 2011, the recording of Sibelius's Tapiola and two Tempest Suites was awarded a Diapason d'Or de l'Année, amongst other distinctions.

"Okko Kamu offers intense quiet dynamics and clarity." (BBC Music Magazine)

"There is no escaping Kamu's personal connection with this landscape or the abiding logic of these performances." (Gramophone)

Lahti Symphony Orchestra
Okko Kamu, conductor

The Lahti Symphony Orchestra
has been described as a ‘small-town wonder’. Its collaboration with the Swedish record company BIS was the first clear signal that its aspirations were no longer those of a provincial ensemble but were oriented towards the wider orchestral world, and the orchestra fulfilled many of its wildest dreams together with its principal conductor Osmo Vänskä (1988– 2008). Since the autumn of 2008 until the spring of 2011 the orchestra’s artistic advisor – and artistic director of the Sibelius Festival – was Jukka-Pekka Saraste. Since the autumn of 2011 until the spring of 2016 Okko Kamu was the orchestra’s principal conductor and the artistic director of the Festival, and in the autumn of 2016 Dima Slobodeniouk began his tenure in these positions.

In the early 1990s various goals were set: to start touring internationally, to acquire a new concert hall and, by means of unconventional projects, to build a reputation for the orchestra as a ‘trailblazer with a difference’. Since 2000 the orchestra’s home has been the Sibelius Hall, known for its excellent acoustic. Numerous awards for the orchestra’s recordings (including a Grand Prix du Disque 1993, Gramophone Awards in 1991 and 1996, Cannes Classical Awards in 1997 and 2001, the MIDEM Classical Award in 2006 and the Diapason d’Or de l’Année in 2011) have also opened the doors to an international arena. The orchestra’s first major tour to Japan took place in 1999, and that year it also made its successful début at the Avery Fisher Hall in New York.

These successful performances gave rise to repeat invitations, and tour destinations have included the United States (January 2005) and Japan (2003, 2006 and 2015). Japanese critics chose the orchestra’s Tokyo performance of Sibelius’s Kullervo in 2003 as the year’s best classical performance in Japan. The orchestra has performed at the Concertgebouw in Amsterdam, the White Nights Festival in St Petersburg, twice at the BBC Proms in London and at six concerts in the Musikverein in Vienna. In addition, it has given concerts in China, France, Spain, Poland and Belgium, and its performances have been warmly received by the international press.

The orchestra’s broad-minded attitude can also be inferred from the many exceptional recording projects that it has undertaken. Its first disc of Finnish hymns reached gold record status in about one month; overall, the orchestra now has seven gold records to its credit. Its soundtrack disc to the film Sibelius and its ABBA and Queen recordings together with the group Rajaton have all become platinum discs.

Alongside the music of Sibelius, the core of the orchestra’s work has been its collaboration with Kalevi Aho, composer-in-residence since 1992: among the works Aho has composed for the orchestra are five symphonies. The orchestra has also recorded a major part of Aho’s extensive orchestral output. Without exception these recordings have been favourably received by the international press, as indeed have almost all of the discs in the orchestra’s close collaboration with BIS Records, which now extends to some seventy recordings. In the autumn of 2009, international sales of the orchestra’s BIS recordings passed the million mark.

Working with children and young people is an especially important aspect of the Lahti Symphony Orchestra’s work. For the past ten years, for example, the orchestra’s task forces have visited Lahti’s schools and day care centres, composing together with children as part of the project ‘Hei, me sävelletään!’ (‘Hey, Let’s Compose!’).

Okko Kamu
"....a conductor of great energy and insight" (Rad Bennet: ClassicsToday), enjoys a reputation for spontaneity tempered by sensitivity and disciplined feeling. He ended an incredibly successful period as chief conductor of the world famous Lahti Symphony Orchestra in his native Finland in June '16 having finished recording a complete Sibelius cycle for BIS which followed an earlier one he shared with Herbert von Karajan and the Berlin Philharmoniker for Deutsche Grammophon. He remains Principal Guest Conductor of the Singapore Symphony Orchestra with many previous titles which have included chief conductorships with the Finnish Radio Symphony Orchestra, the Oslo Philharmonic and Helsinki Philharmonic Orchestras as well as the Nederlands Radio Symphony Orchestra alongside positions with the Finnish National Opera, Swedish Royal Opera and as Principal Guest Conductor of the City of Birmingham Symphony Orchestra and the Lausanne Chamber Orchestra. He came to prominence in 1969 by winning the first Karajan International Conducting Competition in Berlin, an achievement which led to engagements in Europe and the USA and the first recordings he made with the Berlin Philharmoniker.

Okko Kamu’s guest appearances read as a roll call of major orchestras and opera houses around the world including Boston, Chicago, San Francisco and Los Angeles, the Berlin Philharmonic and Symphonie Orchester Berlin, Stuttgart Radio, Vienna Symphony, Zurich Tonhalle, Israel Philharmonic, Czech Philharmonic, Russian Philharmonic, the Yomiuri, Sapporo, Metropolitan, Japan Philharmonic, Tokyo Philharmonic and Tokyo Symphony orchestras in Japan as well as the LPO, LSO, Philharmonia Orchestra and RPO in London alongside The Hallé Orchestra (“Any conductor that gets a non-Czech orchestra sounding like one is exceptional and Kamu achieved the feat ..... “ May ’10), CBSO and RLPO, Scottish Chamber and English Chamber orchestras in the UK. Amongst the opera houses are New York’s Metropolitan, Royal Opera at Covent Garden, The Bolshoi and Kirov in Russia plus Zürich and Göteborg. Today he conducts in the world’s musical centres, although unusually amongst conductors he also insists on having a life outside music making which has led to him appearing regularly in interesting places which feed his inner spirit and brought him titles with the Helsingborg Symphony Orchestra, Sjaelland Symphony Orchestra and Singapore Symphony Orchestra.

Okko Kamu was born into a musical family in Helsinki. His father played double bass in the Helsinki Philharmonic and he began playing the violin at the age of two with his first teacher, Väinö Arjava, who led his father’s orchestra, before he continued lessons with Onni Suhonen at the Sibelius Academy where he also studied the piano. Later he became leader of the Suhonen Quartet and, at the age of 20, concertmaster of Finnish National Opera Orchestra before becoming a staff conductor there. He has recorded more than 100 CDs for labels like Finlandia and Musica Sveciae, amongst others, and his recordings of Berwald’s four symphonies and piano concerto for Naxos have both received the distinguished and rare “Diapason d'Or” award. Recorded repertoire of music outside the mainstream has included Aulis Sallinen’s “Complete Music for String Orchestra” and flute concertos by Penderecki, Takemitsu and Sallinen alongside more central music of the classical and romantic eras.

Okko Kamu has been a member of the Swedish Royal Music Academy since 1994.

Booklet für Sibelius: The Symphonies