The Low Light Sessions Mitchell Tenpenny
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- 1Horseshoes and Hand Grenades03:31
- 2Dear Jesus03:43
- 3Mama Raised the Hell Out of Me03:38
- 4My Next Sad Song02:54
- 5I Know Something She Don't Know02:52
- 6I Can't Get Another You02:59
- 7Don't Make Me Choose04:36
- 8The Way You Are03:17
Info zu The Low Light Sessions
Hitmaker Mitchell Tenpenny is releasing his new The Low Light Sessions EP. Mitchell wrote or co-wrote all eight songs on The Low Light Sessions. The collection is from Mitchell’s vault of music that he’s held close for years. The tracks are meaningful, heavy on the songwriting, and memories, adding range and new perspectives to his catalog. The project is a reflection of who he was several years ago with the track sequencing in timeline order to where he is now. Many of the songs were penned nearly four years ago, with the exception of the devotional, “The Way You Are,” written for his now-fiancé, Meghan Patrick.
“My fans are so good to me and react quickly each time I put out new music,” shared Mitchell. “I’ve held onto these songs as I didn’t want them to get overshadowed in some of the other recent projects. I wanted to wait until I was in a good place with my life, and I feel I’m strong enough to share them now. I was a different person then and it feels good to look back and know I’ve come through that dark time.”
Since the release of his debut single, “Drunk Me,” Mitchell has set new standards for breakout success in country music. The 2X Platinum-certified, No. 1 hit that has amassed more than 550 million on-demand streams was taken from his introductory 2018 album, Telling All My Secrets, and earned him the best first week showing for any major label country debut LP. Since that time, the “winning” singer (The New York Times) was nominated for New Male Artist of the Year at the ACM Awards and Breakthrough Video (“Drunk Me”) at the CMT Music Awards and saw his “Alcohol You Later” and “Anything She Says” singles certified gold.
is an industry insider/outlier. Someone who has a local’s appreciation for the origins of Nashville and keen focus on what happens outside of Music City.
The rugged individualist operates with complete confidence and comfort in the space between contradictory themes. He is a creative thinker with a keen business sense. He is fiercely competitive, but is equally vocal proponent for his industry colleagues. He finds inspiration in music as diverse as Michael Jackson and the Oak Ridge Boys.
And none of that seems the least bit unusual or out of whack to the Nashville native with an industry pedigree (his grandmother was industry legend Donna Hilley who shaped the musical landscape of country music as CEO of Sony/ATV Music Publishing). He lives his life and his budding musical career on both ends of the spectrum.
He’s authentic thanks in large part to Tenpenny’s fearless skill as a songwriter, which includes a Top 5 hit for Granger Smith, “If the Boot Fits,” and time spent opening for a variety of influential artists including Smith, Dustin Lynch (Ride of Die Tour), Maren Morris (Renegade Revival Run), Jake Owen, Brett Young, Lynyrd Skynyrd, Dustin Lynch, Gary Allan, and others.
Multiplicity is also reflected in his sound. Tenpenny’s diverse musical taste and soulful vocal delivery were developed after years of singing harmonies in church and later honed pounding drums and scolding the mic as the “lead screamer” in angsty high-school, hard-core rock bands.
His musical trajectory solidified when he made his momma cry.
“I played my first country song and my momma started crying and I thought, ‘OK, this is what I need to do,’” he said. “It was a song called ‘Be My Baby’ and it was terrible, but it had a melody, and a story, and I wasn’t screaming. To see that emotion from her was awesome.”
It was a turning point. He said, “I started writing stories from where I come from rather than where I thought I wanted to be.”
Where he comes from was fertile ground with musical influences as disparate as Jackson, John Mayer, the Oaks, and R. Kelly. The resulting sound on his Riser House/Columbia Nashville debut is current, edgy, and grounded in themes intrinsic to the South.
He cites Mayer as an artist who can morph his vocal interpretation to fit each song, rather than letting his voice dictate the delivery. And that vocal mastery is evident in his onstage delivery where he is equally comfortable with an acoustic guitar as he is backed by his full band. In either case, what he craves is the personal connection.
Tenpenny – his actual name and not a contrivance or a countrified 50 Cent – isn’t striving for perfection, but something genuine.
“I remember the first time the crowd was singing back to us, and I turned to my band told them, ‘They are only doing this because they believe it,’” he recalled. “It’s the best feeling in the world and the most humbling thing.”
Of special note…
Riser House/Columbia Nashville’s Mitchell Tenpenny impacted country radio March 26 with his current single “Drunk Me,” and it became the best debut by a new country artist in two years. In fact, Tenpenny’s label mate Maren Morris was the last to debut with as many first-week radio adds with “My Church” in January of 2016.
The same week, “Drunk Me” made streaming chart history by achieving the highest entry ever for a new artist on Nielsen’s On Demand Audio Core Country Streaming chart. The single achieved #39 following an increase of 249% for a total of 1.5 million streams.
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