J.S. Bach: Inventions & Duets Maurizio Zaccaria

Album Info

Album Veröffentlichung:
2019

HRA-Veröffentlichung:
20.11.2019

Label: OnClassical

Genre: Classical

Subgenre: Instrumental

Interpret: Maurizio Zaccaria

Komponist: Johann Sebastian Bach (1685–1750)

Das Album enthält Albumcover

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Formate & Preise

FormatPreisIm WarenkorbKaufen
FLAC 88.2 $ 14,50
  • Johann Sebastian Bach (1685 - 1750): Invention No. 1 in C Major, BWV 772:
  • 1Invention No. 1 in C Major, BWV 772 (1)01:40
  • 2Invention No. 1 in C Major, BWV 772 (2)01:39
  • 3Invention No. 1 in C Major, BWV 772 (3)01:35
  • 4Invention No. 1 in C Major, BWV 772 (4)01:36
  • 5Invention No. 1 in C Major, BWV 772 (5)01:44
  • 6Invention No. 1 in C Major, BWV 772 (6)01:42
  • Invention No. 2 in C Minor, BWV 773:
  • 7Invention No. 2 in C Minor, BWV 773 (1)01:36
  • 8Invention No. 2 in C Minor, BWV 773 (2)01:37
  • 9Invention No. 2 in C Minor, BWV 773 (3)01:38
  • 10Invention No. 2 in C Minor, BWV 773 (4)01:36
  • Invention No. 3 in D Major, BWV 774:
  • 11Invention No. 3 in D Major, BWV 774 (1)00:56
  • 12Invention No. 3 in D Major, BWV 774 (2)00:55
  • 13Invention No. 3 in D Major, BWV 774 (3)00:55
  • 14Invention No. 3 in D Major, BWV 774 (4)00:56
  • 15Invention No. 3 in D Major, BWV 774 (5)00:59
  • 16Invention No. 3 in D Major, BWV 774 (6)01:01
  • 17Invention No. 3 in D Major, BWV 774 (7)00:55
  • 18Invention No. 3 in D Major, BWV 774 (8)00:59
  • Invention No. 4 in D Minor, BWV 775:
  • 19Invention No. 4 in D Minor, BWV 775 (1)01:31
  • 20Invention No. 4 in D Minor, BWV 775 (2)01:33
  • 21Invention No. 4 in D Minor, BWV 775 (3)01:30
  • 22Invention No. 4 in D Minor, BWV 775 (4)01:30
  • Invention No. 5 in E-Flat Major, BWV 776:
  • 23Invention No. 5 in E-Flat Major, BWV 776 (1)01:21
  • 24Invention No. 5 in E-Flat Major, BWV 776 (2)01:20
  • 25Invention No. 5 in E-Flat Major, BWV 776 (3)01:20
  • Invention No. 6 in E Major, BWV 777:
  • 26Invention No. 6 in E Major, BWV 777 (1)02:22
  • 27Invention No. 6 in E Major, BWV 777 (2)02:35
  • Invention No. 7 in E Minor, BWV 778:
  • 28Invention No. 7 in E Minor, BWV 778 (1)01:04
  • 29Invention No. 7 in E Minor, BWV 778 (2)01:01
  • 30Invention No. 7 in E Minor, BWV 778 (3)01:01
  • Invention No. 8 in F Major, BWV 779:
  • 31Invention No. 8 in F Major, BWV 779 (1)00:48
  • 32Invention No. 8 in F Major, BWV 779 (2)00:47
  • 33Invention No. 8 in F Major, BWV 779 (3)00:47
  • 34Invention No. 8 in F Major, BWV 779 (4)00:47
  • Invention No. 9 in F Minor, BWV 780:
  • 35Invention No. 9 in F Minor, BWV 780 (1)02:25
  • 36Invention No. 9 in F Minor, BWV 780 (2)02:29
  • Invention No. 10 in G Major, BWV 781:
  • 37Invention No. 10 in G Major, BWV 781 (1)00:45
  • 38Invention No. 10 in G Major, BWV 781 (2)00:47
  • 39Invention No. 10 in G Major, BWV 781 (3)00:45
  • Invention No. 11 in G Minor, BWV 782:
  • 40Invention No. 11 in G Minor, BWV 782 (1)00:47
  • 41Invention No. 11 in G Minor, BWV 782 (2)00:48
  • 42Invention No. 11 in G Minor, BWV 782 (3)00:46
  • 43Invention No. 11 in G Minor, BWV 782 (4)00:48
  • 44Invention No. 11 in G Minor, BWV 782 (5)00:47
  • Invention No. 12 in A Major, BWV 783:
  • 45Invention No. 12 in A Major, BWV 783 (1)02:07
  • 46Invention No. 12 in A Major, BWV 783 (2)02:05
  • 47Invention No. 12 in A Major, BWV 783 (3)02:12
  • Invention No. 13 in A Minor, BWV 784:
  • 48Invention No. 13 in A Minor, BWV 784 (1)00:57
  • 49Invention No. 13 in A Minor, BWV 784 (2)00:57
  • 50Invention No. 13 in A Minor, BWV 784 (3)00:56
  • 51Invention No. 13 in A Minor, BWV 784 (4)00:57
  • 52Invention No. 13 in A Minor, BWV 784 (5)00:55
  • 53Invention No. 13 in A Minor, BWV 784 (6)00:57
  • Invention No. 14 in B-Flat Major, BWV 785:
  • 54Invention No. 14 in B-Flat Major, BWV 785 (1)01:20
  • 55Invention No. 14 in B-Flat Major, BWV 785 (2)01:26
  • 56Invention No. 14 in B-Flat Major, BWV 785 (3)01:21
  • 57Invention No. 14 in B-Flat Major, BWV 785 (4)01:23
  • 58Invention No. 14 in B-Flat Major, BWV 785 (5)01:24
  • Invention No. 15 in B Minor, BWV 786:
  • 59Invention No. 15 in B Minor, BWV 786 (1)01:30
  • 60Invention No. 15 in B Minor, BWV 786 (2)01:34
  • Duet No. 1 in E Minor, BWV 802:
  • 61Duet No. 1 in E Minor, BWV 802 (1)02:38
  • 62Duet No. 1 in E Minor, BWV 802 (2)02:32
  • 63Duet No. 1 in E Minor, BWV 802 (3)02:32
  • Duet No. 2 in F Major, BWV 803:
  • 64Duet No. 2 in F Major, BWV 803 (1)02:54
  • 65Duet No. 2 in F Major, BWV 803 (2)02:54
  • 66Duet No. 2 in F Major, BWV 803 (3)02:47
  • Duet No. 3 in G Major, BWV 804:
  • 67Duet No. 3 in G Major, BWV 804 (1)02:31
  • 68Duet No. 3 in G Major, BWV 804 (2)02:44
  • 69Duet No. 3 in G Major, BWV 804 (3)02:44
  • Duet No. 4 in A Minor, BWV 805:
  • 70Duet No. 4 in A Minor, BWV 80504:39
  • Total Runtime01:47:19

Info zu J.S. Bach: Inventions & Duets

The Inventions and Sinfonias, BWV 772–801, also known as the Two- and Three-Part Inventions, are a collection of thirty short keyboard compositions by Johann Sebastian Bach (1685–1750): 15 inventions, which are two-part contrapuntal pieces, and 15 sinfonias, which are three-part contrapuntal pieces. They were originally written as musical exercises for his students.

The four duetti BWV 802–805 were included at a fairly late stage in 1739 in the engraved plates for Clavier-Übung III. The use of the term duetto itself is closest to that given in the first volume of the Critica Musica (1722) of Johann Mattheson: a piece for two voices involving more than just "imitation at the unison and the octave". The purpose of the Bach's Duets has remained a source of debate.

We thought it interesting – if a little controversial – to include different takes of the Inventions and Sinfonias that pianist Maurizio Zaccaria played during the same recording session. Each take is unique, with its own shades and nuances. The works selected during this session, but also chosen based on the number of plays and shares (playlists) [this release is, in fact, only destinated to the streaming], will constitute the album’s “official” version, soon to be released. A video version of the same recording session featured here will follow.

The recording was done using Bruel & Kjaer microphones, two pairs, and Prism Sound preamps and converters in the Saletta Acustica 'Eric James', Italy.

Maurizio Zaccaria, piano




Maurizio Zaccaria
After a diploma in piano at "Niccola Piccinni" Conservatory of Music in Bari under the guidance of Gregorio Goffredo and a master at "Nino Rota" Conservatory of Music in Monopoli under the guidance of Benedetto Lupo, he attended the masterclasses of Marisa Somma, Cristian Zaccarias, Joaquin Achucarro, Francois J. Thiollier, Konstantin Bogino et Aldo Ciccolini.

He went on to win several national and international piano competitions: Rachmaninoff International Piano Competition, Liszt International Piano Competition (the famous Argentine pianist Martha Argerich was in the jury), Thalberg International Piano Competition, International Music Competition in Ibla, "San Nicolaus" International Piano Competition International, Piano Festival in Osnabruch (Germania), Cliburn Piano Competition in Texas (USA). In 2008 he was awarded the "Umanitaria" Society price in Milan (president Maestro Abbado); during the same year he was also awarded the Arts Price of the Italian Cultural Ministry, after which he played at the Parco della Musica in Rome. He plays in Italy and abroad in some important halls: Auditorium della Radio Televisione Svizzera (Lugano); Salle Cortot (Paris); Institut Italien de Culture (Paris); Sala Gaber (Milan); Parco della Musica (Rome); Sala Scarlatti (Naples); Teatro delle Muse (Ancona); Teatro Piccinni et Kursaal Santa Lucia (Bari); Teatro Bibiena (Mantova); Villa Ruffolo (Ravello); Teatro Wan Vesterhout (Mola di Bari); Auditorium V. Falco (playing two pianos with Aldo Ciccolini); Teatro Curci (Bari). Maurizio Zaccaria plays for important associations: Fondazione Petruzzelli (Bari); URTIcanti contemporary music festival; Ravello festival; PianoFestival (Grosseto); A.R.A.M. (Rome); Gaeta Festival; Accademia dei Cameristi (Bari). In March 2007 he debuted in the USA, during a series of concerts playing Bartok's compositions, among which his Sonata for two pianos and percussions. His last concerts with Bari Concert Society orchestra and Taranto Magna Grecia orchestra, respectively devoted to Shostakovic's Concerto Op. 35 and Rachmaninoff's Third Concerto Op. 30 have fascinated audience and critics. He played as a soloist with Petruzzelli Symphonic Orchestra, (Bari), "Nino Rota" orchestra (Monopoli, Bari) conducted by Filippo Maria Bressan, with Cosenza Symphonic orchestra, Bacau symphonic orchestra, Matera Duni Orchestra (there he played Gershwin's best symphonic pieces for piano, Concerto in Fa and Rapsody in Blue) and with Bari Metropolitan Symphonic orchestra. He was invited by the Italian embassy in Pogdorica where he played music by Fauré, Debussy and Schostakovic. He is also a composer, and he debuted some compositions by Goeffroy Drouin, Luca Lombardi, Lera Auerbach, Luca Mosca, Andrea Marena and Fabio Vacchi. He also pays chamber music and he collaborates with flutist Leonardo Grittani.

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