Indies & Idols (Live In Concert) Australian Chamber Orchestra & Richard Tognetti
Album Info
Album Veröffentlichung:
2022
HRA-Veröffentlichung:
21.10.2022
Label: ABC Classic
Genre: Classical
Subgenre: Orchestral
Interpret: Australian Chamber Orchestra & Richard Tognetti
Komponist: Bryce Dessner (1976), Jonny Greenwood (1971), Sufjan Stevens (1975), Witold Lutoslawski (1913-1994), Krzysztof Penderecki (1933)
Das Album enthält Albumcover
- Witold Lutosławski (1913 - 1994): Overture for Strings (Live from City Recital Hall, Sydney, 2019):
- 1 Lutosławski: Overture for Strings (Live from City Recital Hall, Sydney, 2019) 05:29
- Bryce Dessner (b. 1976): Réponse Lutosławski:
- 2 Dessner: Réponse Lutosławski: I. Resonance (Live from City Recital Hall, Sydney, 2019) 03:49
- 3 Dessner: Réponse Lutosławski: II. Preludio (Live from City Recital Hall, Sydney, 2019) 03:57
- 4 Dessner: Réponse Lutosławski: III. Des Traces (Live from City Recital Hall, Sydney, 2019) 04:10
- 5 Dessner: Réponse Lutosławski: IV. Warsaw Canon (Live from City Recital Hall, Sydney, 2019) 03:07
- 6 Dessner: Réponse Lutosławski: V. Residue (Live from City Recital Hall, Sydney, 2019) 03:42
- Sufjan Stevens (b. 1975): Suite from Run Rabbit Run:
- 7 Stevens: Suite from Run Rabbit Run: I. Year of the Ox (Arr. Michael Atkinson. Live from City Recital Hall, Sydney, 2019) 02:58
- 8 Stevens: Suite from Run Rabbit Run: II. Enjoy Your Rabbit (Arr. Michael Atkinson. Live from City Recital Hall, Sydney, 2019) 03:04
- 9 Stevens: Suite from Run Rabbit Run: III. Year of Our Lord (Arr. Michael Atkinson. Live from City Recital Hall, Sydney, 2019) 03:46
- 10 Stevens: Suite from Run Rabbit Run: IV. Year of the Boar (Arr. Michael Atkinson. Live from City Recital Hall, Sydney, 2019) 02:53
- Krzysztof Penderecki (1933 - 2020): Three Pieces in Baroque Style:
- 11 Penderecki: Three Pieces in Baroque Style: I. Aria (Live from City Recital Hall, Sydney, 2019) 02:13
- String Quartet No. 1 (Live from City Recital Hall, Sydney, 2019):
- 12 Penderecki: String Quartet No. 1 (Live from City Recital Hall, Sydney, 2019) 05:50
- Jonny Greenwood (b. 1971): Suite from There Will Be Blood:
- 13 Greenwood: Suite from There Will Be Blood: I. Open Spaces (Live from City Recital Hall, Sydney, 2019) 03:13
- 14 Greenwood: Suite from There Will Be Blood: II. Future Markets (Live from City Recital Hall, Sydney, 2019) 02:37
- 15 Greenwood: Suite from There Will Be Blood: III. HW / Hope of New Fields (Live from City Recital Hall, Sydney, 2019) 03:09
- 16 Greenwood: Suite from There Will Be Blood: IV. Proven Lands (Live from City Recital Hall, Sydney, 2019) 01:53
- 17 Greenwood: Suite from There Will Be Blood: V. Prospector's Quartet (Live from City Recital Hall, Sydney, 2019) 02:29
Info zu Indies & Idols (Live In Concert)
Radiohead’s Jonny Greenwood and The National’s Bryce Dessner were both influenced by great composers, and the development of their musical language is a very personal journey. On this recording you’ll hear their music alongside the source of their inspiration.
Bryce Dessner’s Réponse Lutosławski is a homage to Lutosławski, whom he credits with having illuminated the way forward in his own musical development. Similarly, Jonny Greenwood described himself as a ‘fan-boy’ when meeting Poland’s most eminent living composer, Krzysztof Penderecki. His enthusiasm for Penderecki’s music has introduced it to a new generation of music lovers. The suite from Greenwood’s film score, There Will Be Blood, is foreboding, hopeful and beautifully evocative.
Richard Tognetti arranged Szymanowski’s soaring String Quartet No.2 for string orchestra, and it remains one of his favourite works. Fusing neoclassicism and Polish folk music, Szymanowski pushes the colour palette of a string quartet to its limit, creating a neo-romantic, even expressionistic, sound world. In the hands of the ACO this sound world reaches new heights.
“Stimulating, challenging and brilliantly performed, Indies and Idols was a mind-bending, ear twisting, richly rewarding musical experience like few others.” – The Australian
“A concert of showstoppers” - Limelight
Australian Chamber Orchestra
Richard Tognetti, director, violin
The Australian Chamber Orchestra
is 17 musicians who live and breathe music. Led by Artistic Director Richard Tognetti, the ACO makes waves around the world for explosive performances, adventurous cross-artform collaborations and dynamic programs that embrace celebrated classics alongside new music and commissions.
Founded by cellist John Painter in November 1975, the ACO has travelled a remarkable road to become one of Australia’s most dynamic performing arts organisations.
Since taking up the leadership of the ACO in 1990, Artistic Director Richard Tognetti has transformed the Orchestra into a major cultural export, performing over 100 times per year in concert halls around Australia and the world. Whether performing in Manhattan, New York, or Wollongong, NSW, the ACO’s commitment to creating transformative musical experiences is unwavering.
In 2007, ACO Principal Violin Helena Rathbone opened a new ACO chapter with the creation of ACO Collective, then known as ACO2. Made up of ACO musicians mentoring some of Australia’s best young string players, ACO Collective was founded to increase access to world class music for Australians living outside metro hubs, while supporting the development of the next generation of string musicians.
Both the ACO and ACO Collective regularly collaborate with international guests and artists who share their ideology, and maintain an intense schedule of rehearsal, touring and performance throughout the year.
In addition to this busy schedule, the ACO regularly record and release music across CD, vinyl and digital formats. Recent releases include Water | Night Music, the first Australian-produced classical vinyl for two decades, Heroines, recorded with Australian soprano Nicole Car, and the soundtrack to the Orchestra’s acclaimed cinematic collaboration Mountain.
Richard Tognetti
is Artistic Director of the Australian Chamber Orchestra. He has established an international reputation for his compelling performances and artistic individualism.
After studying in Australia with William Primrose and Alice Waten, and overseas at the Bern Conservatory with Igor Ozim, Richard was appointed the ACO’s Artistic Director and Lead Violin in 1990. He performs on period, modern and electric instruments and has appeared with many of the world’s leading orchestras as director or soloist. In 2016 Richard was appointed the first Artist-in-Residence at the Barbican Centre’s Milton Court and he was Artistic Director of the Festival Maribor in Slovenia from 2008 to 2015.
Richard’s arrangements, compositions and transcriptions have expanded the chamber orchestra repertoire and been performed throughout the world. He curated and co-composed the scores for the ACO’s documentary films Musica Surfica, The Glide, The Reef, and The Crowd & I, and co-composed the scores for Peter Weir’s Master and Commander: The Far Side of the World and Tom Carroll’s film Storm Surfers. Richard collaborated with director Jennifer Peedom and Stranger Than Fiction to create the award-winning films Mountain and River, the former of which went on to become the highest-grossing homegrown documentary in Australian cinemas and the latter which won Best Soundtrack at the ARIA, AACTA and APRA awards.
Richard is the recipient of six ARIA awards, including three consecutive wins for his recordings of Bach’s violin works. He was appointed an Officer of the Order of Australia in 2010, holds honorary doctorates from three Australian universities and was made a National Living Treasure in 1999. In 2017 was awarded the JC Williamson Award for longstanding service to the live performance industry.
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