Haydn: Piano Sonatas, Vol. 3 Leon McCawley

• Franz Joseph Haydn (1732 - 1809): Piano Sonata No. 34 in D Major, Op. 41 No. 2, Hob. XVI:33:
• 1 Piano Sonata No. 34 in D Major, Op. 41 No. 2, Hob. XVI:33: I. Allegro 05:51
• 2 Piano Sonata No. 34 in D Major, Op. 41 No. 2, Hob. XVI:33: II. Adagio 04:49
• 3 Piano Sonata No. 34 in D Major, Op. 41 No. 2, Hob. XVI:33: III. Tempo di menuet 04:24
• Piano Sonata No. 32 in G Minor, Hob. XVI:44:
• 4 Piano Sonata No. 32 in G Minor, Hob. XVI:44: I. Moderato 06:16
• 5 Piano Sonata No. 32 in G Minor, Hob. XVI:44: II. Allegretto 04:00
• Piano Sonata No. 31 in A-Flat Major, Hob. XVI:46:
• 6 Piano Sonata No. 31 in A-Flat Major, Hob. XVI:46: I. Allegro moderato 07:35
• 7 Piano Sonata No. 31 in A-Flat Major, Hob. XVI:46: II. Adagio 08:21
• 8 Piano Sonata No. 31 in A-Flat Major, Hob. XVI:46: III. Finale. Presto 02:49
• Piano Sonata No. 38 in F Major, Op. 13 No. 3, Hob. XVI:23:
• 9 Piano Sonata No. 38 in F Major, Op. 13 No. 3, Hob. XVI:23: I. Moderato 04:59
• 10 Piano Sonata No. 38 in F Major, Op. 13 No. 3, Hob. XVI:23: II. Adagio 05:07
• 11 Piano Sonata No. 38 in F Major, Op. 13 No. 3, Hob. XVI:23: III. Finale. Presto 03:00
• Piano Sonata No. 55 in B-Flat Major, Op. 37 No. 2, Hob. XVI:41:
• 12 Piano Sonata No. 55 in B-Flat Major, Op. 37 No. 2, Hob. XVI:41: I. Allegro 05:37
• 13 Piano Sonata No. 55 in B-Flat Major, Op. 37 No. 2, Hob. XVI:41: II. Allegro di molto 02:47
• Piano Sonata No. 56 in D Major, Op. 37 No. 3, Hob. XVI:42:
• 14 Piano Sonata No. 56 in D Major, Op. 37 No. 3, Hob. XVI:42: I. Andante con espressione 09:37
• 15 Piano Sonata No. 56 in D Major, Op. 37 No. 3, Hob. XVI:42: II. Vivace assai 03:02
• Total Runtime 01:18:14

Info zu Haydn: Piano Sonatas, Vol. 3

SOMM Recordings is pleased to announce the third volume in Leon McCawley’s much-praised series of Franz Joseph Haydn’s Piano Sonatas.

Six Sonatas, spanning the years 1767-84, are featured: the earliest No.31 in A-flat major, the latest No.56 in D major while Robert Matthew- Walker provides fascinating booklet notes describing the multifarious effects on his music of Haydn’s enthusiasm for equal temperament.

Sonata No.31 in A-flat major is, he says, a continuation of Bach that seems to bypass Mozart and anticipate early Beethoven: “Astonishingly original music, and not just for its time”.

The two-movement Sonata No.32 in G minor is a unique and intimate work while No.34 in D major boasts an innovative tonal scheme that disguises its virtuosity with immediately approachable technique.

The F major Sonata No.38, notes Matthew-Walker, is “full of that wonderful combination of inner life and directly human expression that is the essence of Haydn”.

Two later Sonatas – Nos.55 (B-flat major) and 56 (D major) – arguably saw romantic sonata form tested to its expressive limits by “Haydn’s original genius” and his “thematic developmental-variation technique even today causing surprise for its profoundly original subtleties”.

Volume I (SOMMCD 0162) was recognised with a coveted Diapason d’Or from Diapason magazine, which enthused: “What a range in his interpretation and how many layers of gradation! McCawley ties these together in a special quality of inflexions which make their point with great intelligibility and sensitivity”.

BBC Music Magazine declared Volume II (SOMMCD 0602) “should stand high on any list” of quality recordings of Haydn, adding “the sparkle of McCawley’s touch is instantly apparent”. Gramophone also commended McCawley’s playing, describing it as “light of touch, stylistically assured and brimfull of intelligence and wit”.

Leon McCawley, piano

Leon McCawley
one of Britain's foremost pianists, has forged a highly successful career since winning 1st Prize in the 1993 International Beethoven Piano Competition in Vienna and 2nd Prize at the Leeds International Piano Competition, building on his earlier success as Winner of the Piano Section of BBC Young Musician of the Year in 1990. Since then, McCawley’s impressive discography has established him as a pianist of great integrity and variety, bringing freshness and vitality to classical, romantic and 20th century repertoire. His 2015 CD of Rachmaninov’s Complete Preludes for Somm Recordings is no exception: ’a distinguished issue’ (Gramophone May 2015) and ’Leon McCawley is a real poet of the keyboard in these performances that are alive to Rachmaninov’s wonderful melodic invention’ (The Classical Reviewer March 2015).

McCawley has been praised for the purity of his lyrical and heartfelt playing. In April 2011 he performed the complete Mozart Piano Sonatas over one weekend at King’s Place, London in winning performances: ’There's absolutely no vanity in his playing, which is bright, clean and unfailingly communicative. In his hands the Mozartian oeuvre emerged with striking vividness’ (International Piano). Other notable recitals in past seasons include: London Piano Series at the Wigmore Hall (where he returns for two recitals in 2016), International Piano Series at London’s Southbank Centre, Philharmonie and Konzerthaus in Berlin, Frick Collection and Lincoln Center New York, Hong Kong Arts Festival, Prague Rudolfinum and the Phillips Collection Washington DC. He can be frequently heard on BBC Radio 3 both in performance and interview with most recent broadcasts including In Tune, Wigmore Hall Lunchtime Series and Performance on 3.

As a concerto soloist, McCawley performs with many of the leading British orchestras including the Academy of St Martin-in-the-Fields, London Philharmonic, Royal Philharmonic, Philharmonia, BBC Philharmonic, Bournemouth Symphony, City of Birmingham Symphony and Royal Northern Sinfonia. He has performed several times at BBC Proms. Further afield, McCawley has made concerto appearances with, amongst others, Adelaide Symphony, Cincinnati Symphony, Dallas Symphony, Malaysian Philharmonic, Minnesota Orchestra, Netherlands Philharmonic, Philadelphia Orchestra ( where he was praised as ’a master of tone and articulation’ by the Philadelphia Inquirer), RTÉ Concert and National Symphony Orchestras, St. Petersburg Symphony and Vienna Symphony and worked with conductors such as Mark Elder, Daniele Gatti, Paavo Järvi, Andrew Litton, Kurt Masur, Gianandrea Noseda, Sakari Oramo, Simon Rattle and John Wilson.

McCawley studied at Chetham’s School of Music, Manchester with Heather Slade-Lipkin before continuing his studies at the Curtis Institute of Music, Philadelphia with Eleanor Sokoloff. He also received invaluable guidance from Mieczyslaw Horszowski, Nina Milkina and Murray Perahia.

A keen chamber musician, he has enjoyed fruitful collaborations with a range of ensembles and musicians at many prestigious concert venues including BBC Proms Chamber Series, BBC Radio 3 Lunchtime Series at the Wigmore Hall and Aldeburgh, Brighton, Cheltenham and Edinburgh festivals.

McCawley’s discography includes: Barber Piano Music (EMI Classics); Schumann Piano Music (Avie Records) selected as Editor's Choice in Gramophone; The Complete Piano Works of Hans Gal (Avie), also a Gramophone Editor's Choice; The Complete Mozart Piano Sonatas (Avie) awarded a Diapason d'Or ; Chopin Piano Music (Somm Recordings) ; a new recording of Barber Piano Music (Somm), awarded Critic's Choice in Gramophone in November 2011; Beethoven’s Choral Fantasy with Royal Philharmonic and City of London Choir/Hilary Davan Wetton (Naxos); Brahms Piano Music (Somm), selected as Classic FM CD of the Week in July 2012; Schumann Piano Music (Somm); and Rachmaninov Complete Preludes (Somm). His most recent recording is Vaughan Williams Double Piano Concerto with John Lenehan and Royal Scottish National Orchestra/Martin Yates (Dutton Epoch) , described as ‘not been better served on record before’ and awarded 5 stars by BBC Music Magazine.

Leon McCawley is currently professor of piano at London's Royal College of Music. He is married to the painter Anna Hyunsook Paik.

Booklet für Haydn: Piano Sonatas, Vol. 3