Cover Paramount Quartet

Album Info

Album Veröffentlichung:
2026

HRA-Veröffentlichung:
29.05.2026

Das Album enthält Albumcover Booklet (PDF)

Entschuldigen Sie bitte!

Sehr geehrter HIGHRESAUDIO Besucher,

leider kann das Album zurzeit aufgrund von Länder- und Lizenzbeschränkungen nicht gekauft werden oder uns liegt der offizielle Veröffentlichungstermin für Ihr Land noch nicht vor. Wir aktualisieren unsere Veröffentlichungstermine ein- bis zweimal die Woche. Bitte schauen Sie ab und zu mal wieder rein.

Wir empfehlen Ihnen das Album auf Ihre Merkliste zu setzen.

Wir bedanken uns für Ihr Verständnis und Ihre Geduld.

Ihr, HIGHRESAUDIO

  • 1 First Song 07:24
  • 2 Amsterdam 06:30
  • 3 The Call 05:43
  • 4 Fanfare for Unity 04:12
  • 5 Lady Day 07:59
  • 6 The Great Outdoors 06:38
  • 7 Congregation 05:36
  • Total Runtime 44:02

Info zu Paramount Quartet

Das neue Projekt von Joe Lovano trägt den programmatischen Namen Paramount Quartet – und tatsächlich versteht der Saxofonist diese Formation als künstlerischen Meilenstein. „Mit diesem Quartett sind wir an einem einzigartigen Ort angekommen“, erklärt Lovano. „Es ist etwas ganz Besonderes, etwas Neues. Und diese ‚cats‘, sie spielen mit einem globalen Bewusstsein.“

Zu diesen „cats“ zählen der Gitarrist Julian Lage, der Bassist Asante Santi Debriano sowie der Schlagzeuger Will Calhoun, der auch durch seine Arbeit mit der Rockband Living Colour bekannt wurde. Gemeinsam schlagen sie ein neues, abenteuerliches Kapitel in Lovanos weit gespanntem Œuvre auf.

Anlässlich der Tournee, die der Aufnahme vorausging, würdigte die Financial Times das Konzert in London mit den Worten: „Lovanos jüngstes Projekt, das Paramount Quartet, fügt einem modernistischen Kern Anklänge von Americana hinzu und erkundet dieses Terrain mit Freiheit, Fokus und Feuer.“

Die klangliche Palette des Albums ist ebenso facettenreich wie die beteiligten Musiker unterschiedlicher Generationen: kraftvoll und extrovertiert in manchen Momenten, intim und zart in anderen. Neben Eigenkompositionen Lovanos finden sich eindrucksvolle Interpretationen von „Lady Day“ – einer Hommage von Wayne Shorter an Billie Holiday – sowie von „First Song“ des Bassisten Charlie Haden. Aufgenommen wurde das Album im Februar 2025 in Südfrankreich, produziert von Manfred Eicher.

Joe Lovano, Tenorsaxophon, Tarogatos
Julian Lage, Gitarre
Asante Santi Debriano, Kontrabass
Will Calhoun, Schlagzeug




Joe Lovano
Grammy-winning saxophonist, composer and producer Joe Lovano is fearless in finding new modes of artistic expression. With a Grammy win for his 52nd Street Themes and 14 other nominations, he has won DownBeat Magazine’s Critics and Readers Polls countless times as Tenor Saxophonist, Musician of the Year, Jazz Album of the Year and Triple Crowns from DownBeat. He has also received numerous awards from JazzTimes and the Jazz Journalists Association for Tenor Saxophone, Album of the Year and Musician of the Year.

Born in Cleveland, Ohio on December 29, 1952 he attended the famed Berklee College of Music in Boston where years later he was awarded an Honorary Doctorate. Since 2001 he has held the Gary Burton Chair in Jazz Performance and is a founding faculty member since 2009 of the Global Jazz Institute at Berklee directed by Danilo Pérez. He is a guest lecturer at New York University’s Jazz Program, Juilliard and Manhattan School of Music as well as Clinician at Universities around the globe.

From 1991 through 2016, Lovano released an unprecedented 25 records as a leader for the historic Blue Note Records. Joe Lovano Quartet: Classic! Live at Newport featuring Hank Jones was recorded in 2005 and released in 2016 to critical acclaim. In 2019, Lovano released his debut album as a bandleader on ECM Records, Trio Tapestry, with Marilyn Crispell and Carmen Castaldi. Over the next few years, Lovano saw the release of three additional ECM Records albums: ROMA, a collaboration with Enrico Rava; Arctic Riff, a special guest appearance with the Marcin Wasilewski Trio; and the sophomore release from Lovano’s Trio Tapestry, Garden of Expression. In 2021, Lovano released Other Worlds, his third album with Sound Prints, a quintet he co-leads with trumpeter Dave Douglas. The next year brought a collaboration with guitarist Jakob Bro, Once Around the Room: A Tribute to Paul Motian. Most recently, Lovano released his third Trio Tapestry recording entitled, Our Daily Bread.

In addition, composer Mark Anthony Turnage wrote a Concerto for Saxophone and Chamber Orchestra for Joe called “A Man Descending” which has been performed globally and Maestro Michael Abene orchestrated an album of all-Lovano originals called Symphonica for the WDR Symphonic Orchestra and Big Band, which was released on Blue Note and received a Grammy nomination.

Joe has performed and recorded with a long list of jazz greats including Woody Herman, Dr. Lonnie Smith, Mel Lewis, Bob Brookmeyer, Paul Motian, Bill Frisell, Tony Bennett, Abbey Lincoln, Charlie Haden, John Scofield, Gunther Schuller, Elvin Jones, McCoy Tyner, Ed Blackwell, Herbie Hancock, Dave Holland, Hank Jones, Dave Liebman, Michael Brecker, Dave Douglas, Judi Silvano, Ravi Coltrane, Chucho Valdés, Ornette Coleman, Diana Krall, and many others. Joe has created an extensive body of work for his own ensembles including strings, woodwinds, his horn-rich Nonet, the Classic Quartet, Trio Tapestry, and more.

Joe Lovano continues to explore new horizons within the world of music as a soloist, bandleader and composer.

Julian Lage
Award-winning guitarist Julian Lage has been widely acclaimed as one of the most prodigious guitarists of his generation. The New York-based musician boasts a long resumé as a desired sideman with artists as diverse as Gary Burton, Taylor Eigsti, John Zorn, Nels Cline, Chris Eldridge, Eric Harland, and Fred Hersch, to name just a few. Equally important is his reputation as a soloist and bandleader. He is equally versed in jazz, classical, pop, and show tunes, and has spent more than a decade searching through the myriad strains of American musical history via an impeccable technique and a gift for freely associating between styles, tempos, keys, and textures that adds to his limitless improvisational spirit. Sounding Point, his 2009 debut album for Emarcy, featuring Bela Fleck and Chris Thile among his sidemen, was nominated for a Grammy Award for Best Contemporary Jazz Album. For Room, his Mack Avenue debut in 2014, he recorded as a duo with Cline, revealing the depth of their respect and camaraderie. It proved so successful that Lage joined Cline’s group for the landmark Lovers in 2016, the same year his own Arclight was released. On the latter, Lage played a Telecaster — a guitar not normally associated with jazz — in a program of modern originals and pre-bop covers with bassist Scott Colley and drummer Kenny Wollesen. He brought the lineup back together for 2018’s acclaimed Modern Lore, the same year he worked with Cline’s quartet for the Grammy-nominated Currents, Constellations.

Lage was a child prodigy — playing his instrument at the age of five and performing in public a year later. Shortly thereafter, Lage began playing with such renowned artists as Carlos Santana (when he was only eight years old!), Pat Metheny, Kenny Werner, Toots Thielemans, Martin Taylor, and David Grisman, among others, resulting in Lage being the subject of the Academy Award-nominated 1996 documentary film Jules at Eight. In addition to performing, Lage recorded as a duo with Grisman (the 1999 release Dawg Duos), and contributed a fine cover of “In a Sentimental Mood” with Martin Taylor and David Grisman to the 2000 compilation Acoustic Disc: 100% Handmade Music, Vol. 5. Lage also appeared at numerous jazz concerts/festivals and performed at the 2000 Grammy Awards.

In 2009, Lage released his debut solo album, Sounding Point, on Emarcy. The album was widely celebrated as the arrival of a new and authoritative voice on the instrument. This was followed by the concept album Gladwell in 2011. He fronted a quintet that featured bassist Jorge Roeder, tenor saxophonist Dan Blake, cellist Aristides Rivas, and drummer/percussionist Tupac Mantilla. The guitarist switched labels for 2013’s Free Flying. Issued on Palmetto Records, it was recorded in duet with pianist Fred Hersch.

The duo format apparently agreed with Lage, though its focus shifted a bit. In 2014, he issued two such albums. The first was Avalon with guitarist Chris Eldridge. Produced by the Milk Carton Kids’ Kenneth Pattengale, it contained bluegrass, folk, jazz, and classic pop standards; the pair called it a “love letter to the acoustic guitar.” Lage’s second 2014 album, Room, with fellow jazz guitarist Nels Cline, appeared on Mack Avenue. It focused on a range of material, from intricately composed and complex works to free and spontaneous improvisations.

In 2016, Lage released the trio album Arclight with bassist Scott Colley and drummer Kenny Wollesen. Produced by Grammy-winning guitarist/songwriter Jesse Harris (Norah Jones, Madeleine Peyroux), the album featured the single “Nocturne.” A five-song EP, Live in Los Angeles, followed later that year, documenting concert versions of songs from Arclight. In early 2017, Lage reunited with Chris Eldridge for Mount Royal, a second volume of acoustic guitar duets. Later that year, he paired with Gyan Riley for Midsummer Moons, a duet album of ten John Zorn compositions. The following year Lage reassembled his trio with Colley and Wollesen for Modern Lore. Produced by Harris, this set flipped the script on Arclight. Where the previous set — his first electric guitar trio date — found the artist inspired by freewheeling, pre-bop jazz, the latter recording incorporated the rhythmic sensibility and persona of early rock & roll in improvisational settings.

After tours with his own and Cline’s groups, Lage formed a new trio with bassist Jorge Roeder and drummer Dave King (Bad Plus) to cut his third Mack Avenue offering, Love Hurts. Whereas Arclight explored the pre-bop and country swing eras and Modern Lore surveyed first wave rock & roll, Love Hurts found the guitarist searching through the music of the late 1960s and early to mid-’70s in various genres for a series of covers — including songs by Roy Orbison, Ornette Coleman, Jimmy Giuffre, and Peter Ivers — in a jazz fusion of his own design. It was released in February 2019.

Asante Santi Debriano
is a highly acclaimed bassist, composer, and bandleader, recognized for his unique voice in the international jazz scene. Born in Panama and based in New York City for many years, he has established himself as a vital figure in contemporary jazz, blending rich harmonies with the melodic and rhythmic influences of his Panamanian heritage and African ancestry.

Asante, meaning “gratitude” in Swahili, is a name he adopted under the guidance of legendary drummer Jabali Billy Hart and a close friend from Togo. Throughout his career, Asante Santi Debriano has performed at the world’s most renowned jazz festivals and concert halls, leading his own groups and collaborating with some of jazz’s greatest luminaries.

Asante Santi Debriano’s extensive discography features collaborations with jazz legends such as Archie Shepp, Kenny Clarke, Mal Waldron, Kirk Lightsey, Chico Freeman, Arthur Blythe, David Murray, Oliver Lake, Baikida Carroll, Cecil Taylor, Sam Rivers, Hank Jones, Elvin Jones, Pharaoh Sanders, Randy Weston, and Joe Lovano. His ability to navigate various jazz idioms has made him a sought-after sideman and a respected leader in his own right.

Among his most notable projects is Asante Santi Debriano’s Arkestra Bembe, an eight-piece ensemble that merges jazz with Afro-Caribbean influences. Their latest album, Ashanti, was released on Jojo Records and has received critical acclaim. The Arkestra debuted at the Hamptons Jazz Festival in 2021.

His other projects include: Flash of the Spirit, a sextet featuring world-class jazz musicians, whose album remained in the top 10 of the Jazz Weekly charts for 14 weeks.

Castle Magic, a trio of double bassists where he serves as composer, soloist, and director.

Organ Quartet, featuring vocalist Nina Shankar, in which Asante Santi Debriano frequently performs on guitar.

Asante Santi Debriano has also performed at Dizzy’s Club Coca-Cola at Jazz at Lincoln Center, a premier venue for jazz in New York, further solidifying his presence in the jazz capital of the world.

A passionate educator, Asante Santi Debriano has been invited to hold seminars and masterclasses at institutions such as Wesleyan University, The New School for Jazz, New York University, the University of Panama, and the University of Massachusetts, Dartmouth. He has also authored two instructional books on jazz bass, available on Amazon.

His contributions extend beyond performance and education into film. He participated in two documentary films by French filmmaker Marc Huraux, Check the Changes and Bird Now, and appeared in the Canadian jazz film Imagine the Sound alongside Archie Shepp.

Asante Santi Debriano’s work has been featured on esteemed jazz labels including Highnote, Savant, Freelance, and Motema Records. Several of his concerts have been broadcast on WBGO, WNYC, and National Public Radio. He also serves as a jury member for the YoungArts National Jazz Competition, helping to shape the next generation of jazz musicians.

Deeply influenced by Duke Ellington, Ornette Coleman, Charles Mingus, and Israel Cachao Lopez, among others, Asante Santi Debriano continues to be a vital force in the evolution of jazz. He teaches privately from his home in Staten Island, NY, sharing his wealth of experience with aspiring musicians.

Asante Santi Debriano remains a dynamic presence in jazz, always pushing creative boundaries while honoring the rich traditions of the genre.

Will Calhoun
the widely acclaimed drummer from the Bronx, New York, graduated from the Berklee School of Music in Boston, where he received a Bachelors degree in Music Production and engineering and was the recipient of the prestigious Buddy Rich Jazz Masters Award for outstanding performance by a drummer. Will is also a two time Grammy winner with the genre bending iconic Rock band LIVING COLOUR.

Will Calhoun's unique blend of improvisational and hard rock drumming can be found on each of Living Colour's four Epic releases: the ground breaking multi-platinum debut, Vivid, the critically acclaimed sophomore LP, Time's Up, the Biscuits EP, and Stain, as well as their subsequent releases CollideØscope, The Chair in the Doorway and Shade. A prolific song writer, Will has co-written many Living Colour compositions and wrote the critically acclaimed song, Pride, on the Time's Up album and Nothingness on the Stain album. As a member of Living Colour, Will received a Grammy Award for Best Hard Rock Performance by a group and another Grammy for Best Hard Rock Performance. Living Colour also won an International Rock Award for Best Rock Band.

In addition to his work with Living Colour, Will has recorded and/or toured with diverse artists including B.B. King, Mick Jagger, Jaco Pastorious, Harry Belafonte, Pharoah Sanders, Jack Dejohnette, Paul Simon, Lou Reed, The Allman Brothers, Lauryn Hill, Marcus Miller, Dr.John, Carly Simon, Herb Alpert, Steve Vai, Mike Stern, Yasiin Bey aka Mos Def, Rolling Stones guitarist Ron Wood, Wayne Shorter (on the Grammy-winning CD "High Life"), the Moroccan Gnawan Masters, and hip-hop pioneers Run-DMC and Public Enemy. As a producer, player, and songwriter, Will has worked on Herb Alpert's Grammy-nominated CD, Colors and Mos Def's Black Jack Johnson project.

Will has invested over 25 years of personal research in the Outback of Australia, Mali, Morocco, Senegal, Belize, and Northern Brazil (among other locations) to document and study the true History of the drums, rhythm, sonic vibrations and their impact on modern music. Will is an inventor and avid user of technology and its unique role in creating music. Three well known colleagues that Will continues to brainstorm with are: Jaron Lanier(Virtual Reality Inventor), Roger Linn and Mario DeCurtiis. "Simultaneously studying the past and future of music/rhythm is essential in today’s musical environment." - Will Calhoun.

Education plays a key role in Will’s career. Giving back to his own community and broadening the horizons of many students around the World is compulsory. Some of the schools and events that he has spoken and presented at include: Brown University’s Watson Institute, Columbia Teachers College, Berklee College of Music, Havarford College, NYU, The Museum of Mathematics, The Brooklyn Academy of Music, The New School, Head-Royce School in Oakland, CA, Sup’Imax Institute in Dakar, Senegal, The Montreal Drum Festival in Canada, The Beijing Drum Festival in China, The IBVF - Instituto de Bateria in São Paulo, Brazil, and BMHC cultural events in the Bronx.



Booklet für Paramount Quartet

© 2010-2026 HIGHRESAUDIO