Every Girl Trisha Yearwood

• 1 Workin' on Whiskey 03:49
• 2 Find a Way 03:19
• 3 Home 03:43
• 4 Every Girl in This Town 02:59
• 5 Tell Me Something I Don't Know (feat. Kelly Clarkson) 03:48
• 6 What Gave Me Away (feat. Garth Brooks) 03:29
• 7 Something Kinda Like It 03:00
• 8 When Lonely Calls 03:33
• 9 The Matador 04:12
• 10 I'll Carry You Home 03:36
• 11 Drink Up 02:50
• 12 Bible and a .44 (feat. Patty Loveless) 04:01
• 13 Can't Take Back Goodbye 03:09
• 14 Love You Anyway (feat. Don Henley) 04:08
• Total Runtime 49:36

Info zu Every Girl

After releasing her Frank Sinatra cover album, Let’s Be Frank, in February, the Georgia native is treating us to even more new music with her first full-length country album, Every Girl, in 12 years.

To kick off the release of her new album, Trisha released the lead single, “Ever Girl in This Town,” and embarked on a three-day Every Girl Road Trip, which had her tracing the trek she made to follow her dreams, beginning in Monticello, Georgia and ending in Music City. That trek began in 1991 with the release of her debut No. 1 hit, “She’s in Love with the Boy,” featured on her self-titled debut album.

Trisha followed that up with 10 subsequent studio albums, with her last, Heaven, Heartache and the Power of Love, releasing in 2007.

“I hadn’t made any music in a long time so there’s maybe a mistaken thought that I was more interested in doing the other things I do,” Trisha revealed. “But music is what feeds my soul. So as much as I enjoy the cooking show and all the other things that I get to do, this is really what I need to do. I’ve had the best time making these records and this country record. I was just so pleasantly surprised by the songs that I found. I’m so excited for the whole album to get out there. ‘Every Girl in This Town’ has been so well received and it’s awesome, but there’s a whole story to tell on this album, so I’m really excited for it to get out there.”

"The release of Every Girl brings Trisha Yearwood back where she should be: at the forefront of country music as one of its finest vocal stylists. This is her first set of all new material since 2007's Heaven, Heartache, and the Power of Love. Produced by longtime collaborator Garth Fundis, Every Girl includes a whopping 14 songs from a host of fine composers and lyricists, some of whom are relative newcomers. Kelly Clarkson provides a wonderful harmony vocal on opener "Workin' on Whiskey," a desolate, country waltz (she also appears as a duet partner on "Tell Me Something I Don't Know"). Yearwood digs deep into the lyric's grain and pulls its lonely desperation up by the roots for the listener to witness. She shifts gears abruptly on the soulful, pop-leaning "Find a Way." It's a rousing, up-tempo paean of commitment to healing her beloved -- no matter how hard his fear tries to push her away. Yearwood's falsetto in the recurrent refrain is not only resonant, it's believable. Karla Bonoff's "Home" was originally recorded by Bonnie Raitt for 1977's Sweet Forgiveness. While that version was drenched in longing for an unattainable ideal, Yearwood's -- with its whining pedal steel, sweeping strings, piano, and a honky tonk band -- frames it as a portrait of gratitude and solace. The affirmative, empathic "Every Girl," co-written by Caitlyn Smith (who appears on backing vocals), Erik Dylan, and Connie Harrington, offers timeless feminist inspiration atop a rocking backbeat and anthemic refrain; it's reminiscent of the great material that launched the singer's career -- without the hint of nostalgia. In the tender, swinging, bluesy "What Gave Me Away," Yearwood's phrasing is sultry, sassy, and passionate, while husband Garth Brooks appears in duet, offering rootsy support. "Something Kinda Like It" is a strutting roots-rocker with Tim O'Brien singing perfect harmony. Gretchen Peters is one of the finest living songwriters in virtually any musical genre, and Yearwood's tautly dramatic reading of her "Matador" smolders with barely restrained passion, framed by a startling arrangement complete with wrangling, Spanish-tinged lead guitar and humid mariachi horns. Another highlight, "Bible and a .44," featuring longtime friend and compatriot Patty Loveless, is adorned in staggered layers of fingerpicked acoustic guitars, brushed snares, and gospelized country harmonies. Closer "Love You Anyway" is stripped to the bone; Yearwood's only accompanists are a piano, a skeletal synth, and Don Henley's iconic harmony in a tried-by-fire love song. That track sends this album off with resonance, fortitude, and an abundant tenderness." (Thom Jurek, AMG)

Trisha Yearwood, vocals

Produced by Garth Fundis

Trisha Yearwood
Singer, author, actress, and television host Trisha Yearwood rocketed to fame in the early 1990s. Signed to MCA Nashville, she released her self-titled album in 1991. Its lead single, “She’s in Love with the Boy,” rose straight to No. 1 on Billboard’s country charts – the first time for a debut single since Connie Smith’s “Once a Day,” 27 years prior – and brought her an immediate fan base. Three other singles from the album breached the Top 10, catapulting the sales of Trisha Yearwood to make the LP country music’s first platinum debut in two decades.

Despite the appearance of overnight success, Yearwood was not a neophyte in Music City. The daughter of a small town Georgia banker and a schoolteacher, she’d moved to Nashville fresh from high school. After completing a music business program at Belmont College and working as a tour guide at the Country Music Hall of Fame, she began singing wherever she could – at bars, in bowling alleys, and on demo recordings for songwriters, making between $10 and $30 per song. “I worked cheap. I sang on pitch and I knew the song when I got there,” she remembers, “so I got a lot of work.“ Singing on demos also served as a training ground for Trisha. “I learned what a good song was,” she says, “and I learned what my own voice was, because I had to take a song that no one had ever sung and make it my own.”

After the phenomenal success of her first album, Yearwood went on tour as Garth Brooks’s opening act, gaining more exposure and more fans. Between 1992 and 1995, she produced three more platinum albums and multiple Top 10 hits, including two No. 1s: “Thinkin’ About You” and “XXXs and OOO’s (An American Girl),” co-written by Alice Randall. In 1997 and 1998 she was named CMA’s Female Vocalist of the Year, won multiple GRAMMY awards, and was hailed as one of the great singers of the era, in any genre. In 1999, she was inducted as a member of the Grand Ole Opry – an evening that is now a treasured family memory for Yearwood.

My mom grew up in South Georgia. She would come in from working in the tobacco field or milking cows – it would be a hundred degrees, no air-conditioning – and she’d lay on the cold floor, listening to the Grand Ole Opry on the radio. Her senior class took a trip to Nashville. And what I remember most is her diary – she wrote down, for her mom and dad, what Hank Snow was wearing; what Hawkshaw Hawkins looked like; what they sang – and took that experience back to share with her parents. The full circle, for me, was when I became a Grand Ole Opry member, she brought that diary. Hank Snow was alive and he signed her diary. So being a member of the Grand Ole Opry was something that my whole family got to experience and share in. Watching my parents that night at the Opry House, getting to meet their heroes, it makes me want to cry.

Yearwood, married to Brooks since 2005, has expanded her success in the music business into a lifestyle empire that includes a clothing line, the “TY Home Collection” of furniture, rugs, and accessories, and “Trisha’s Southern Kitchen,” a popular Emmy-winning show on the Food Network. In late 2018 she released her 13th solo album, Let’s Be Frank – a tribute to music icon Frank Sinatra.

Dieses Album enthält kein Booklet