Pasquini: Sonate per Gravecembalo Roberto Loreggian

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  • Bernardo Pasquini (1637 - 1710):
  • 1Fantasia la, mifa fa07:11
  • 2Variazioni d'invenzione in D. sol re20:35
  • 3Canzona francese in c. sol fa ut02:55
  • 4Toccata in f. fa ut04:06
  • 5Canzona francese in f fa ut02:16
  • 6Fantasia in e, la, mi03:17
  • 7Corrente con variazione in A. la, mi, re02:10
  • 8Capriccio in G. sol, re, ut04:54
  • 9Capriccio breve in G. sol, re, ut02:29
  • 10Bergamasca02:17
  • 11Sarabanda02:27
  • 12Partite diverse sopra allemande13:21
  • 13Canzona francese06:40
  • 14Variazioni23:44
  • 15Variazioni per fiorenza07:47
  • 16Tastata per l'inglese02:37
  • 17Toccata seconda02:08
  • 18Tastata quarta per francia02:49
  • 19Variazioni per francia05:04
  • 20Toccata quinta03:49
  • 21Toccata sesta00:48
  • 22Toccata settima02:04
  • 23Toccata ottava03:14
  • 24Tastata per l'inglese (2)01:47
  • 25Alemanda per l'inglese di scozia - altre di seguito04:49
  • 26Toccata per Monaco06:23
  • 27Variazioni capricciose in C. sol fa ut09:44
  • 28Ricercare con la fuga in più modi17:20
  • 29Ricercare in D. sol re05:07
  • 30Toccata terza02:19
  • 31Partite diverse di follia07:43
  • 32Toccata per lo scozzese02:37
  • 33Passagagli per petronilla02:52
  • 34Variazioni per petronilla07:58
  • 35Variazioni (2)14:02
  • 36Variazioni per il paggio todesco in G Minor04:28
  • 37Mandata in Germania al baron d'artich - Al medesimo01:57
  • 38Tastata per lo scozzese02:47
  • 39Altra toccata per il medesimo02:40
  • 40Allemanda per il danese - Per il medesimo - Per il medesimo -Per il medesimo - Per il medesimo - Per il medesimo06:27
  • 41Altra per me - Bizzarria00:40
  • 42Tastata per il signor Melani per Genova02:06
  • 43Tastata per milone02:14
  • 44Tastata per milone (2)02:03
  • 45Bizzarria00:50
  • 46Per milione00:57
  • 47Alemanda per lo scozzese01:32
  • 48Partite del saltarello03:26
  • 49Tastata scozzese02:20
  • 50Alemanda per lo scozzese 05:02
  • 51Alemanda scozzese - Corrente04:04
  • 52Tastata02:32
  • 53Alemanda - Corrente02:56
  • 54Altra alemanda - Corrente03:44
  • 55Altra - Alemanda01:36
  • 56Alemanda01:59
  • 57Bizzarria (2)01:21
  • 58Alemanda - Corrente03:21
  • 59Bizzarria (3)00:46
  • 60Partite di bergamasca04:15
  • 61Alemanda IX - Corrente - Altra03:51
  • 62Alemanda per la medesima - Altra - Altra - Altra - Altra04:08
  • 63Altre (variazioni) per la medesima02:56
  • 64Toccata con lo scherzo del cucco per lo scozzese05:32
  • 65Toccata ad istanza del melani02:07
  • 66Toccata per spagna03:41
  • 67Toccata per milone02:56
  • 68Aria00:57
  • 69Per lo scozzese00:51
  • 70Alemanda (2)02:57
  • 71Passagagli per lo scozzese03:32
  • 72Bizzarria - Variazione01:48
  • 73Alemanda VIII - Corrente - Altra07:04
  • 74Toccata03:11
  • 75Alemanda X - Corrente04:36
  • 76Fuga per D. Giovanni Ruffo01:56
  • 77Aria allegra - Aria - Altra - Altra - Aria per il nipotino di Mons. Ruffo -Altra per il medesimo - Altra per il medesimo05:27
  • 78Passagagli per il nipotino di Mons. Ruffo01:42
  • 79Aria Prima - Aria Seconda - Aria Terza - Aria Quarta - Aria Quinta -Aria Sesta - Aria Settima - Aria ottava07:44
  • Total Runtime05:44:22

Info zu Pasquini: Sonate per Gravecembalo

This exciting release presents recently discovered works from the baroque composer Bernardo Pasquini. Brought to you by early music specialist Roberto Lorregian (Albinoni: 12 Cantatas for Soprano and Contralto Op.4, BC95600), the works in this set come from the Landsberg 215 manuscript, written between 1691 and 1702.

Pasquini (1637–1710) spent most of his life in Italy, working first as an organist for the Arciconfraternita della Morte in Tuscany, following in the footsteps of Girolamo Frescobaldi and Luzzasco Luzzaschi. He later moved to Rome to work as an organist at Santa Maria in Vallicella and worked for Pope Alexander VII at the Basilica of Santa Maria Maggiore, before he was hired by Prince Giovanni Battista Borghese. Word of Pasquini’s exceptional talent as an organist and harpsichordist travelled beyond the borders of his home country, andcommissions flooded in from wealthy patrons including the cardinals Flavio Chigi, Benedetto Pamphilj and Pietro Ottoboni, Queen Christina of Sweden, Prince Lorenzo Onofrio Colonna and the Duke of Modena Francesco II d’Este.

The compositions in Landsberg 215 were likely used for educational purposes. Performed in order, the first CD contains pieces in an imitative contrapuntal style, followed by a study of different genres. The final CD features traditional 17th-century instrumental music. Their titles indicate the recipients of the pieces, for example Allemanda per il Danese (for the Dane), or the piece’s destination Toccata per Spagna (for Spain). Sometimes we can more accurately identify the receiver of the piece: Toccata con lo scherzo del cucco was gifted to John Clerk, the baronet of Penicuik, a Scottish nobleman who met the composer during a trip to Rome and who was also tutored by Angelo Corelli. Interestingly, Pasquini has added a personalised touch to Clerk’s piece: ‘Penicuik’ in ancient Celtic means ‘cuckoo hill’, and the main theme of the piece is a descending minor third, much like the call of the cuckoo.

In this performance Roberto Lorregian recreates the sound of late-17th-century Italy, playing a copy of a harpsichord by Rome-based maker Giovanni Battista Giusti and the 1713 G. Bonatti organ at Rezzato in northern Italy. This set offers us a fine example of baroque keyboard music and an insight into Pasquini’s life as a teacher, whose monumental influence radiated across Europe.

Bernardo Pasquini (1637-1710) was an Italian composer of opera and church music. A renowned virtuoso keyboard player in his day he was one of the most important Italian composers for harpsichord and organ between Frescobaldi and Scarlatti.

This new recording on 5 CDs offers the complete works for keyboard, a sumptuous collection of diverse musical forms like Toccata, Partita, Variations, Ricercares, Canzonas, Passacaglias and separate dance forms like Allemande and Corrente. The music is in rich Italian style with the emphasis on melody and cantilena.

Roberto Loreggian plays alternatively on harpsichord and organ, a Bonatti di Rezzato instrument from 1713.

Roberto Loreggian is one of the foremost keyboard players of Italy. He successfully recorded complete keyboard cycles by Frescobaldi, Gabrieli, Galuppi and others.

Roberto Loreggian, harpsichord, organ

Roberto Loreggian
Having achieved, with the highest grades, a diploma in organ and harpsichord, he perfected his talents at the Conservatory of The Hague (NL) under the direction of Ton Koopman. His activities led him to perform in the most important halls: Parco della Musica - Rome, Sala Verdi - Milan, Hercules Saal - Munich (Germany), Teatro Colon - Buenos Aires, Kioi Hall - Tokyo... at highly important festivals: MITO, Sagra Malatestiana (Malatestiana Festival), Pergolesi Spontini Festival, Accademia di Santa Cecilia, musical evenings... performing both as a soloist accompanist and soloist with numerous orchestras, Orchestra dell'Accademia di Santa Cecilia, Chamber Orchestra of Mantova, the Orchestra of Padua and the Veneto, I Virtuosi Italiani, L'Arte Dell'Arco, I Barocchisti... He has recorded numerous CDs for record labels such as Chandos, Tactus, Arts... which have been internationally acclaimed. He has recorded the complete collection of keyboard music by G. Frescobaldi for the label 'Brilliant' winning the 'National Award for Classic Music Track 2009', for the same label he recorded the complete keyboard music of A. Gabrieli, the complete Harpsichord concerts of B. Galuppi and the harpsichord music of G. F. Haendel. His recordings devoted to harpsichord music by B. Pasquini (Chandos Chaconne) and by G. B. Ferrini (Tactus) received the award 'Preis der Deutschen Schallplattenkritik'. He teaches at the Conservatory 'C. Pollini' in Padova, Italy.

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