LSO 20 Years Live London Symphony Orchestra

Album Info

Album Veröffentlichung:
2019

HRA-Veröffentlichung:
06.09.2019

Label: LSO Live

Genre: Classical

Subgenre: Orchestral

Interpret: London Symphony Orchestra

Das Album enthält Albumcover

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Formate & Preise

FormatPreisIm WarenkorbKaufen
FLAC 96 $ 11,90
  • Antonin Dvorak (1841 - 1904):
  • 1Symphony No. 9 in E Minor, Op. 95 "From the New World": III. Scherzo07:54
  • Gustav Holst (1874 - 1934):
  • 2The Planets, Op. 32: IV. Jupiter, the Bringer of Jolility08:05
  • Ludwig van Beethoven (1770 - 1827):
  • 3Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio07:35
  • George Frideric Handel (1685 - 1759):
  • 4Messiah, HWV 56, Part II: No. 44. Hallelujah03:43
  • Sergei Prokofiev (1891 - 1953):
  • 5Romeo & Juliet, Act I, Scene XIII: Dance of the Knights05:11
  • Gustav Mahler (1860 - 1911):
  • 6Symphony No. 5 in C-Sharp Minor: IV. Adagietto, Sehr langsam10:34
  • Sergei Rachmaninoff (1873 - 1943):
  • 7Symphony No. 2 in E Minor, Op. 27: II. Allegro molto09:49
  • Gabriel Fauré (1845 - 1924):
  • 8Requiem in D Minor, Op. 48: Pie Jesu03:31
  • Franz Joseph Haydn (1732 - 1809):
  • 9Symphony No. 92 in G Major, Hob. 1:92 "Oxford": I. Adagio. Allegro spiritoso07:59
  • Hector Berlioz (1803 - 1869):
  • 10Symphonie Fantastique, Op.14: IV. Marche au supplice06:51
  • Felix Mendelssohn (1809 - 1847):
  • 11The Hebrides, Op. 26 "Fingal's Cave"09:53
  • 12Overture to "A Midsummer Night's Dream", Op. 21: Allegro di molto06:22
  • Ralph Vaughan Williams (1872 - 1958):
  • 13Fantasia on a Theme by Thomas Tallis14:26
  • Giuseppe Verdi (1813 - 1901):
  • 14Requiem: II. Dies irae "Dies irae"02:00
  • Wolfgang Amadeus Mozart (1756 - 1791):
  • 15Serenade No. 10 in B-Flat, Major, K. 361 "Gran Partita": III. Adagio05:46
  • Franz Joseph Haydn:
  • 16An Imaginary Orchestral Journey: V. Minuet & Trio (From Symphony No. 6 in D Major, Hob.I:6) [Arr. Sir Simon Rattle]04:10
  • Leonard Bernstein (1918 - 1990):
  • 17Wonderful Town: No. 1. Overture05:10
  • Wolfgang Amadeus Mozart:
  • 18Violin Concerto No. 3 in G Major, K. 216 "Strassburg": I. Allegro08:26
  • Pyotr Ilyich Tchaikovsky (1840 - 1893):
  • 19Symphony No 4 in F Minor, Op. 36: IV. Finale. Allegro con fuoco08:34
  • Hector Berlioz:
  • 20La Damnation de Faust, Op. 24, H. 111, Pt. I, Scène III: Marche hongroise04:53
  • Total Runtime02:20:52

Info zu LSO 20 Years Live

In 1999 the LSO became the first Orchestra to launch its own record label. 20 years later we celebrate some the greatest recordings on LSO Live.

The launch of LSO Live in 2000 drew dismissive, even hostile comments from record company executives unhappy that one of the world’s finest orchestras should take control of its discographic destiny.

LSO Live is dedicated to making exciting recordings that have the power to reach and inspire new audiences. Since its launch in 2000, it has become one of the world’s most talked-about classical labels and the leader among the new breed of orchestra-own-labels.

Its recordings have received praise from around the world, collecting Grammy, Gramophone and Classical Brit Awards among many others.

LSO Live recordings capture the energy and excitement that you experience at a concert but with the refinement and production standards of the finest studio recordings. Players, conductors and soloists are stakeholders in each recording, receiving profits instead of royalties or fees. Ownership of the label and its recordings remains with LSO Ltd whose only shareholders in turn are the orchestra’s players.

To date LSO Live has released over 100 titles, which are available internationally on CD, Super Audio CD and Pure Audio DVD. It was one of the first classical labels to embrace downloading and to date is the only classical label whose entire catalogue is available on the leading digital music services. The opportunity to make recordings available digitally was one of the main factors that led to the creation of LSO Live as it gives new listeners the opportunity to discover classical music anywhere at any time.

LSO Live is now pioneering new co-production agreements with other record companies and broadcasters, capitalising on the strengths of LSO Live and helping create a more vibrant market for classical recordings. The label also assists other orchestras around the world in launching their own labels, including the label of the Mariinsky Theatre in St Petersburg, Russia, and the Choir of King's College Cambridge.

If LSO Live’s ambitious plans are any measure, it appears likely the ‘world’s most recorded orchestra’ title will rest with the London Symphony Orchestra well into its second century.



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