Kenneth Fuchs: Orchestral Works, Vol. 1 Adam Walker, Sinfonia of London & John Wilson

• Kenneth Fuchs (b. 1956): Cloud Slant:
• 1Fuchs: Cloud Slant: I. Blue Fall06:33
• 2Fuchs: Cloud Slant: II. Flood07:01
• 3Fuchs: Cloud Slant: III. Cloud Slant05:28
• Solitary the Thrush:
• 4Fuchs: Solitary the Thrush16:23
• Pacific Visions:
• 5Fuchs: Pacific Visions08:24
• Quiet in the Land:
• 6Fuchs: Quiet in the Land15:25
• Total Runtime59:14

Info zu Kenneth Fuchs: Orchestral Works, Vol. 1

Der Grammy-Preisträger Kenneth Fuchs (geb. 1956) ist zweifellos einer der führenden Orchesterkomponisten der amerikanischen Musik. Sein orchestrales Schaffen umfasst ein breites Spektrum an Genres, von Ouvertüren und Tondichtungen bis hin zu Suiten und Konzerten (bisher zehn, darunter eines für Streichquartett, E-Gitarre und Klavier, das letzte mit dem Titel Spiritualist), die von einer Vielzahl von Themen inspiriert sind, was von seinen weitreichenden Sympathien und Wissensgebieten zeugt. Sein Werk umfasst Kammermusik (darunter fünf Streichquartette), Solos und Duos, Vokal- und Chormusik sowie vier Kammermusicals. Cloud Slant ist ein virtuoses Orchesterkonzert, das auf drei Gemälden von Helen Frankenthaler basiert: Blue Fall (1966), Flood (1967) und Cloud Slant (1968) - nicht nur musikalische Darstellungen, sondern auch die Reaktionen des Komponisten auf deren künstlerische Wucht und Kraft.

Die Flöte war Fuchs' erstes Instrument, und so war es unausweichlich, dass er ein Flötenkonzert komponieren würde. Doch erst 2019 machte er sich an die Arbeit - für die Flötistin Peg Luke, der das Konzert gewidmet ist. Wie bei Kompositionen dieses Komponisten üblich, trägt das Konzert einen beschreibenden Titel, Solitary the Thrush, eine Anspielung auf Zeilen aus Whitmans Elegie für Abraham Lincoln, "When Lilacs Last in the Dooryard Bloom'd". Pacific Visions, ein Auftragswerk des kalifornischen Musique Sur La Mer Orchestras, ist für Streichorchester geschrieben und besteht aus einem einzigen dynamischen Satz, der in fünf Abschnitte unterteilt ist. Quiet in the Land, a Poem for Orchestra ist die Überarbeitung eines Kammermusikwerks, das Fuchs 2003 komponierte und das von der hügeligen Prärie im Mittleren Westen der Vereinigten Staaten und dem "riesigen, gewölbten Himmel", unter dem sie liegt, inspiriert wurde, vor dem Hintergrund der Auswirkungen des damals gerade ausgebrochenen Zweiten Golfkriegs. Die hier zu hörende Orchesterfassung wurde 2017 für das Phoenix Symphony Orchestra komponiert.

Adam Walker, Flöte
Londoner Sinfonieorchester
John Wilson, Dirigent

Adam Walker
At the forefront of a new generation of wind soloists, Adam Walker was appointed principal flute of the London Symphony Orchestra at the age of 21. In 2009 he received the Outstanding Young Artist Award at MIDEM Classique and the following year won a Borletti-Buitoni Trust Fellowship and was shortlisted for the Royal Philharmonic Society Young Artist Award.

Adam’s repertoire interests range from exploring Baroque repertoire through to newly commissioned works. He has given world premieres of Brett Dean’s The Siduri Dances with the BBC National Orchestra of Wales (2011), Kevin Puts’ Flute Concerto at the invitation of Marin Alsop at the Cabrillo Festival (2013) and Huw Watkins’ Flute Concerto with the London Symphony Orchestra under Daniel Harding, commissioned jointly by the LSO and BBT (2014).

As a soloist Adam regularly performs with the major UK orchestras including the BBC Philharmonic, BBC Scottish Symphony, London Symphony, Hallé, Ulster, Scottish Chamber and the BBC National Orchestra of Wales. Further afield he has performed with the Baltimore Symphony, Seattle Symphony, Grant Park Festival, Orquesta Sinfónica Nacional de Mexico, Seoul Philharmonic, Auckland Philharmonia, Malaysian Philharmonic, Malmö Symphony, Tampere Philharmonic, Vienna Chamber, Solistes Européens, Luxembourg and the RTE National Symphony Orchestras.

A committed chamber musician with a curious and creative approach to repertoire and programming, 2018 saw the launch of Adam’s wind group, the Orsino Ensemble, at the Aldeburgh Festival. The ensemble focuses on five outstanding wind players including Nicholas Daniel, Amy Harman, Matthew Hunt and Alec Frank – Gemmill, with a mission to showcase the depth and versatility of the wind chamber repertoire. Recital highlights over recent seasons have included LSO St Luke’s, De Singel Antwerp, Musée du Louvre, Hamburg Elbphilharmonie, Frankfurt Alte Oper and the Utrecht, West Cork, Delft and Moritzburg Chamber Music Festivals. Adam appears regularly at the Wigmore Hall where he has recently collaborated with Brett Dean, Tabea Zimmermann, Cédric Tiberghien, Angela Hewitt, Mahan Esfahani, Ailish Tynan and Sean Shibe. 2018 saw Adam take up his place on the Chamber Music Society of Lincoln Center’s prestigious Bowers Program, which involves performing and touring with the ensemble both at Lincoln Center and across the United States for three seasons.

Current engagements include performances with the Bergen Philharmonic under Edward Gardner, Gävle Symphony Orchestra / Jessica Cottis and Tampere Philharmonic / Carlos Kalmar. Recital and chamber music projects see Adam return to the Frankfurt Alte Oper and Wigmore Hall as well as the Weesp Chamber Music Festival and the Australian Chamber Music Festival, collaborating with artists including Jean-Efflam Bavouzet, Sean Shibe, Tom Poster and the Navarra Quartet.

Adam Walker’s first recital disc with Chandos will be released in spring 2021, featuring the Franck Sonata alongside works by Saint-Saëns, Duruflé and Widor with pianist James Baillieu and violist Timothy Ridout whilst Orsino releases its first CD centred around music of the French Belle Époque (Roussel, Debussy, Chaminade, Caplet, Saint Saens). Earlier recordings include “Vocalise” taking inspiration from song in works by Poulenc, Messiaen, Bartók and Schubert (Opus Arte), the Kevin Puts Flute Concerto with Marin Alsop and the Peabody Institute (Naxos) and the Huw Watkins Concerto with the Hallé and Ryan Wigglesworth (NMC).

A passionate and devoted teacher, Adam is professor of flute at the Royal College of Music, London, and Talent Music Masters, Brescia. He gives masterclasses regularly throughout the world.

Born in 1987, Adam Walker studied at Chetham’s School of Music with Gitte Sorensen and at the Royal Academy of Music with Michael Cox graduating with distinction in 2009 and winning the HRH Princess Alice Prize for exemplary studentship. He was appointed professor at the Royal College of Music in 2017.

John Wilson
made his opera debut in 2016 conducting Puccini Madama Butterfly at Glyndebourne Festival Opera on their autumn tour and has since conducted Gershwin Porgy and Bess at English National Opera and returned to Glyndebourne Summer Festival to conduct Massenet Cendrillon.

Wilson has a large and varied discography. In 2018, his recording of the Korngold Symphony marked his first release with the revived Sinfonia of London and received exceptional critical acclaim and won a BBC Music Magazine Award. Together with the Sinfonia of London and Chandos he has since recorded three releases, French Orchestral Works, English Music for Strings and Respighi: Roman Trilogy, which reached No. 1 in the UK Classical Charts in August 2020 and won the Orchestral category in the BBC Music Magazine Awards 2021

Critical praise for Wilson’s recordings with the Sinfonia of London have included The Sunday Times selecting French Orchestral Works as Album of the Week: “The meticulous Wilson is compelling … he makes the music of all three scores sing with an Italiante accent while encouraging his players to heights of virtuosity. and a rich spectrum of dynamics and colour." Gramophone selected as Editor’s Choice the most recently released English Music for Strings, writing how “Once again John Wilson draws the most glorious sound from his hand-picked orchestra, lavishing care and devotion on repertoire that could have been written for him.”

Born in Gateshead, Wilson studied composition and conducting at the Royal College of Music, where in 2011 he was made a Fellow. In March 2019, John Wilson was awarded the prestigious ISM Distinguished Musician Award for his services to music and in 2021 was appointed Henry Wood Chair of Conducting at the Royal Academy of Music.

Booklet für Kenneth Fuchs: Orchestral Works, Vol. 1