Album Info

Album Veröffentlichung:


Label: Cellar Live

Genre: Jazz

Subgenre: Contemporary Jazz

Das Album enthält Albumcover


Formate & Preise

FormatPreisIm WarenkorbKaufen
FLAC 88.2 $ 15,20
  • 1Thinking Of You04:13
  • 2Here I'll Stay06:40
  • 3After You've Gone04:02
  • 4Just As Though You Were Here06:28
  • 5Un Poco Loco06:59
  • 6End Of A Love Affair05:43
  • 7Fats Flats03:48
  • 8Do You Know What It Means To Miss New Orleans05:51
  • 9Roll On05:32
  • Total Runtime49:16

Info zu Roll On

Hot on the heels of his vinyl release for Cellar Live in 2015, New York saxophonist Grant Stewart returns with his trio for Roll On. Stewart's lyrical tenor is at the forefront of a 9-song set that includes music from bebop masters like Elmo Hope and Fats Navarro, as well as beautifully arranged interpretations of standard material. The album is a steady burn from the first beat to the last.

"This trio has made a deeply satisfying recording, relying on the elements of form and a communication which are products of a specific ‘50s musical aesthetic yet are flexible enough to allow for a spontaneous and fresh treatment like this. You would be stupendously lucky to see a trio like this at your local cellar jazz club. Kudos to the musicians and the producers for a stand-out release." (Audiophile Audition)

Grant Stewart, tenor saxophone
Paul Sikivie, bass
Phil Stewart, drums

Grant Stewart
“What separates Stewart from so many of his peers stuck in the quicksand of hard bop nostalgia is the sheer creative spark and spontaneity of his solos...

When Stewart gets hot the questions of individuality evaporate amid the in-the moment thrills of his invention.” Mark Stryker, Detroit Free Press

Grant Stewart was born in Toronto, Canada, on June 4, 1971, and moved to New York City at the age of nineteen studying with masters such as Donald Byrd and Barry Harris. He has performed internationally with Jimmy Cobb ,Harold Mabern, Louis Hayes ,Curtis Fuller, Renee Fleming, Clark Terry, Bob Mover, Etta Jones, Bill Charlap, Lewis Nash, Peter Washington, Brad Mehldau, Russell Malone, Larry Goldings, Peter Bernstein, Harry Connick , Mickey Roker, Jimmy Lovelace, Cecil Payne, Dick Hymen, Herb Geller and was a member of the last Al Grey Sextet.

In New York, Stewart can be found playing at such clubs as Smalls, Lincoln Center, Birdland, SMOKE, The Kitano, The Jazz Standard and many more. Stewart has performed all over North America and Europe as well as in Japan, Brazil, and Taiwan. He was also one of the first jazz artists to be invited to play at the historical Hermitage Museum in St.Petersburg, Russia. In addition Grant was a featured artist at the Guggenheim Museums’ Jazz series with his trio including drum legend Jimmy Cobb.

Stewart has released sixteen recordings as a leader, the highlights of which are his most recent release Grant Stewart Trio on Cellar Live Records and his award winning Live At Smalls (2012) released on Smalls Live Records,In the Still of the Night (2007) , Young at Heart (2008) Grant Stewart Plays the Music of Duke Ellington and Billy Strayhorn (2009) and Around The Corner (2010). He also has co-led two sessions with fellow tenor saxophonist Eric Alexander on the Criss Cross label and has appeared on many other recordings as a sideman.. His complete discography is available at From 2008 until 2015, Stewart has been voted a “rising star on the tenor” in the Downbeat Critic’s Poll and was the subject of a feature in the July/August 2009 issue of JazzTimes magazine. Downbeat magazine has also featured Grant in it’s the December 2008 issue in a piece written by noted jazz writer Ted Panken. On the international front Stewart was named one of the top 3 tenor saxophonists and as number 7 jazz artist of the year by the noted jazz magazine Swing Journal in its 2009 poll.

Here’s what just some of the critics are saying: “Powerful in a form that combines tension and relaxation like that of Sonny Rollins and Dexter Gordon, Grant is one of the most powerful stylists and one of the most under- estimated on the scene. His sincerity, demonstrated in his straightforward, honed music, affirms completely his power of expression. He is a burning representative of that New York style which is notably found to express itself at Small’s, Mitch Borden’s club. Working with a close-knit circle of musicians he frequents the aristocracy of jazz at the limits of the underground.” Jazz Hot Magazine (France)

“Stewart’s clarion sound and command recall Sonny Rollins, but his chops put him on a special level. He is not an imitator, but an artist who further illuminates and even expands the domain of expression first opened by Rollins.” -Thomas Conrad, Stereophile

“Stewart’s tenor is tight, rich and played full tone, instantly enveloping you in the sheer strength of his sound....staying away from established phrases and creating a researched personal sound, he produces a fresh resounding tenor.” Swing Journal (Japan)

“Stewart is one of the most dynamic modern day interpreters of the bebop language— delivering his goods with a bold deep sound, rich melodic imagination, and flawless technique.” Zan Stewart, Newark Star Ledger

“He has such an individual sound that he never gives the impression of reciting the lessons of his models.” Jazzman Magazine (France)

Dieses Album enthält kein Booklet

© 2010-2020 HIGHRESAUDIO