Copland, Ravel & Stravinsky: Symphonic Dances Park Avenue Chamber Symphony & David Bernard

• Aaron Copland (1900 - 1990): Appalachian Spring Suite:
• 1 Appalachian Spring Suite: I. Very Slowly. Introduction 03:13
• 2 Appalachian Spring Suite: II. Allegro 02:48
• 3 Appalachian Spring Suite: III. Moderato. Duo for the Bride and Her Intended 03:26
• 4 Appalachian Spring Suite: IV. Fast. The Revivalist and His Flock 03:25
• 5 Appalachian Spring Suite: V. Allegro. Solo Dance of the Bride 03:08
• 6 Appalachian Spring Suite: VI. Very Slowly 02:26
• 7 Appalachian Spring Suite: VII. Doppio movimento "Variations on a Shaker Hymn" 02:54
• 8 Appalachian Spring Suite: VIII. Moderato 03:31
• Maurice Ravel (1875 - 1937): Daphnis et Chloé Suite No. 2, M. 57b:
• 9 Daphnis et Chloé Suite No. 2, M. 57b: I. Lever de jour 06:35
• 10 Daphnis et Chloé Suite No. 2, M. 57b: II. Pantomime 06:37
• 11 Daphnis et Chloé Suite No. 2, M. 57b: III. Danse générale 04:33
• Igor Stravinsky (1882 - 1971): The Firebird Suite (1919 Version):
• 12 The Firebird Suite (1919 Version): Ia. Introduction 03:16
• 13 The Firebird Suite (1919 Version): Ib. L'oiseau de feu et sa danse 00:17
• 14 The Firebird Suite (1919 Version): Ic. Variation de l'oiseau de feu 01:32
• 15 The Firebird Suite (1919 Version): II. Ronde des princesses 04:56
• 16 The Firebird Suite (1919 Version): III. Danse infernale du roi Kastchei 05:04
• 17 The Firebird Suite (1919 Version): IV. Berceuse 03:00
• 18 The Firebird Suite (1919 Version): V. Finale 03:37
• Total Runtime 01:04:18

Info zu Copland, Ravel & Stravinsky: Symphonic Dances

A procession of acclaimed releases on Recursive Classics now reaches this celebratory album, launching the Park Avenue Chamber Symphonys 20th anniversary season. Conductor David Bernard leads explorations of three brilliant approaches to symphonic ballet music. Coplands Appalachian Spring Suite brings a deeply personal account of a lifes journey through trials and challenges to blissful happiness fueled with strength, integrity and perseverance. Ravels Daphnis et Chloé Suite No. 2 transfixes listeners with a brilliant and passionate celebration of love that contains the greatest of all musical sunrises. Stravinskys Firebird Suite tells the tale of Prince Ivans defeat of the evil Koschei the Immortal with the help of the magical Firebird through a vivid and enchanting musical narrative.

"Maestro Bernard and the Park Avenue Chamber Orchestra do Stravinsky justice. This is music that, as the booklet observes, should "take the listener by storm." Under Bernard's direction, it does. Yet, again, it isn't a totally bombastic storm. It's a gentle storm when necessary, an alternation of calm and turbulence. It comes out one of the most satisfying Firebird Suites I've heard, and makes me wish Bernard had done (or will do) the complete score.

My only gripe is really a mere quibble: Although Recursive Classics provide plenty of tracks, one for each movement of each work, they don't provide actual track numbers anywhere, nor do they provide timings for each selection. It's a curious oversight.

Audio engineers Joseph Patrych, Antonio Oliart, and Joel Watts recorded the music at DiMenna Center for Classical Music, New York City in January 2017 and Good Shepard-Faith Presbyterian Church, NYC in February 2018. The sound is clear and clean, with a nice ambient bloom. It's also quite dynamic, with strong impact, which further adds to the realism (just listen to that "Danse Infernale"). The tonal balance seems ideal as well, with good bass and treble extension, and there's a fair sense of depth and space to the soundstage. Nothing to complain about here." (classicalcandor.blogspot.com)

Park Avenue Chamber Symphony
David Bernard, conductor

Park Avenue Chamber Symphony
Since its founding in 1999, the Park Avenue Chamber Symphony has built a loyal following, both in New York City and worldwide through its extensive catalog of recordings on iTunes, Naxos/ClassicsOnline, Amazon and Spotify. In 2011 the orchestra toured the People's Republic of China performing in 9 cities including Beijing, Qingdao, Dalian, Chaoyang, Jinzhou, Shenzhen, Shenyang and Xi'an.

Three time--FIRST PRIZE Winner of The American Prize Competition in Orchestral Performance (2011, 2012, 2013), the Park Avenue Chamber Symphony's performances were described by the judges as "extremely impressive, well-shaped. This ensemble is good enough to surpass many professional orchestras, performing incredibly difficult repertoire on a professional level." New York Critics have acclaimed Park Avenue Chamber Symphony performances as “Triumphant...polished…exquisite…with a strong sense of style and commitment…with the depth and fervor of the old school European orchestras.”

David Bernard
serves as Music Director of the Park Avenue Chamber Symphony, Massapequa Philharmonic and the Eglevsky Ballet. He is an active guest conductor, appearing with the Brooklyn Symphony, the Dubuque (IA) Symphony, the Greenwich (CT) Symphony, Greater Newburgh Symphony Orchestra, the Island Symphony, the Litha Symphony, the South Shore Symphony and ensembles from the Manhattan School of Music. Called “the Johnny Appleseed of Classical Music” by Long Island Weekly, Maestro Bernard has helped the Arts thrive in the New York Metropolitan Area through his innovative approaches to audience and orchestra building as music director and guest conductor.

As a conductor of ballet, David Bernard has worked with dancers from the Eglevsky Ballet, New York City Ballet, Boston Ballet and the Miami City Ballet companies, including Jared Angle, Tyler Angle, Santiago Castañeda, Ji Young Chae, Jeffrey Cirio, Sarah Gavilla, Miriam Miller and Unity Phelan.

David Bernard’s performances and recordings are critically acclaimed worldwide, including Mahler’s Ninth Symphony (“Bernard’s leadership from the podium was characterized by meticulous attention to detail. His ability to interpret Mahler’s complex score with precision and emotional clarity exemplified a rare blend of technical mastery and artistic insight. With his fluid yet purposeful gestures, he guided the orchestra through the symphony’s emotional peaks and valleys, ensuring that each transition was seamless and every climax resonated with full impact.”—Edward Kliszus, The Front Row Center), Tchaikovsky’s Late Symphonies (“As a distinguishing feature of this recording, I noticed David Bernard’s obvious effort to bring out all that’s written down in the score thus exposing internal voices I’ve not heard before.”—The WholeNote/Canada), HEROIC: Beethoven’s Eroica and Mahler’s Fifth ("Quite impressive by our European standards. This interpretation is flawless both musically and artistically. The success of this album must be acknowledged, showcasing the high quality of the Park Avenue Chamber Symphony under David Bernard’s precise and inspired direction."—Crescendo Magazine/Brussels), Stravinsky’s "The Rite of Spring" at Lincoln Center (“transcendent...vivid...expertly choreographed” -LucidCulture), Beethoven’s Complete Symphonies praised for its “intensity, spontaneity, propulsive rhythm, textural clarity, dynamic control, and well-judged phrasing” by Fanfare magazine, Tchaikovsky’s Pathétique Symphony (“parts emerge like newly scrubbed details in a restored painting. Bernard and his musicians frequently shed new and valuable light on a thrice-familiar standard” -Gramophone) and an album of Dvořák’s Late Symphonies (“David Bernard treats each of the symphonies with alert and respectful acuity. He trusts Dvořák’s metronome markings, often to surprising and exciting effect, and makes sure the narratives unfold with seamless assurance. Bernard shapes the score with fine control, savouring its tender and invigorating material minus mannerism or bluster.” -Gramophone).

David Bernard is the founder and Director of InsideOut Concerts, Inc., a pioneer and innovator in the design, development and production of immersive classical music events, and is inventor of US Patent No. 11,673,070 entitled “Methods and Systems for Arranging Seats for Audience Members and Musicians.” Bernard’s work using these methods in concerts and events resulted in not only increased tickets sales, but also increased organic new audience acquisition.

Bernard is the First Prize winner of The American Prize Orchestral Conducting Competition (professional division) 2019. In presenting this award, the panel of judges commented:

“Conducting from memory, David Bernard exhibits remarkable skill and considerable elan in a vibrant reading of Stravinsky "Rite of Spring." Not content with a cool, furrowed-brow approach to this music, his interpretation is alive to the nuances of color and, indeed, the dramatic arc, of this legendary masterwork. His is a considerable achievement by any standard.” —The American Prize Competition PanelDevoted to the music of our own time, he has presented world premières of scores by Bruce Adolphe, Chris Caswell, John Mackey, Ted Rosenthal and Jake Runestad, and distinguished concert collaborators have included Anna Lee, Jeffrey Biegel, Carter Brey, David Chan, Catherine Cho, Adrian Daurov, Pedro Díaz, Edith Dowd, Stanley Drucker, Bart Feller, Zlatomir Fung, Ryu Goto, Whoopi Goldberg, Sirena Huang, Judith Ingolfsson, Yevgeny Kutik, Anna Lee, Jessica Lee, Kristin Lee, Maxim Lando, Daniela Liebman, Jon Manasse, Christopher Martin, Anthony McGill, Spencer Myer, Todd Phillips and Inbal Segev.

David Bernard is an acclaimed orchestra builder and is sought after for his artistic leadership and innovation in community engagement.

Dieses Album enthält kein Booklet