Szymanowski: Mythes Op. 30 / Stravinsky: Divertimento Le Baiser de la fée Solenne Païdassi & Frédéric Vaysse-Knitter

• Igor Stravinsky (1882-1971): Divertimento 'Le Baiser de la fée', Suite Italienne 'Pulcinella'
• 1 I. Sinfonia 06:31
• 2 II. Danses suisses 04:37
• 3 III. Scherzo 03:04
• 4 IV. Pas-de-deux, adagio 03:21
• 5 V. Pas-de-deux, variation 01:00
• 6 VI. Pas-de-deux, coda 02:00
• Suite italienne (Pulcinella)
• 7 I. Introduzione 02:08
• 8 II. Serenata 03:24
• 9 III. Tarantella 02:09
• 10 IV. Gavotta 03:37
• 11 V. Scherzino 01:22
• 12 VI. Minuetto 02:19
• 13 VII. Finale 02:15
• Karol Szymanowski (1882-1937): Mythes Op. 30, Three Caprices of Paganini Op. 40
• 14 I. La Fontaine d'Aréthuse 05:30
• 15 II. Narcisse 07:17
• 16 III. Dryades et Pan 07:49
• Trois caprices de Paganini op. 40
• 17 Caprice No. 20, Andante doclissimo - vivace scherzando - andantre doclcissimo 03:23
• 18 Caprice No. 21, Adagio - molto espressivo ed affettuoso 02:46
• 19 Caprice No. 24, Theme varié -vivace - variations I-X 08:19
• Total Runtime 01:12:51

Info zu Szymanowski: Mythes Op. 30 / Stravinsky: Divertimento Le Baiser de la fée

Solenne Païdassi, First Long Thibaud Price 2010: The French violinist Solenne Païdassi now travels all over the world. She studied in Nice, Geneva, London, Hamburg and Philadelphia, and has won many prizes at international competitions: Hanover, Sion, Gyeongnam (Korea), Kiev, Warsaw, and in 2010 the Long-Thibaud Competition. For this, her first recital for the Aparté label, she has chosen a programme of narrative works by the Polish composer Karol Szymanowski (born in Ukraine) and Russian-born Igor Stravinsky. With Myths. Three Poems for violin and piano, op. 30 (1915), inspired by Greek legends, Szymanowski declared that he had created ‘a new mode of expression for the violin’. The nymph Arethusa is transformed into a spring by Artemis to escape the advances of the god Alpheius in The Fountain of Arethusa; Narcissus falls in love with his own reflection in the clear water (Narcissus); the god Pan lasciviously chases the wood nymphs in Dryads and Pan.


Before the War, Szymanowski had rented an apartment in Vienna, but had found the city’s cultural life enclosed and stifling. The Three Paganini Caprices, op. 40 (1918), are a wry comment both on that city and on Paganini.



The Divertimento from Le Baiser de la fée (The Fair’s Kiss) is a concert suite for orchestra, based on music from Stravinsky’s ballet. The latter, inspired by Andersen’s tale The Ice-Maiden, was written in tribute to Tchaikovsky and makes use of melodies from some of his early works. Stravinsky’s ballet Pulcinella, written for Diaghilev and borrowing themes and textures from the Italian composer Giovanni Pergolesi, recounts the amorous adventures of the traditional character of the popular Neapolitan stage, Pulcinella.

Solenne Païdassi takes us into another world, full of warmth and colour, whimsicality, sensuality…

Solenne Païdassi, violin
Frédéric Vaysse-Knitter, piano

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