Bach: Celebratory Cantatas Bach Collegium Japan & Masaaki Suzuki

• Johann Sebastian Bach (1685-1750): Schleicht, spielende Wellen, BWV 206:
• 1 No. 1, Schleicht, spielende Wellen! 06:10
• 2 No. 2, O glückliche Veränderung! 01:27
• 3 No. 3, Schleuß des Janustempels Türen 04:14
• 4 No. 4, So recht, beglückter Weichselstrom! 01:39
• 5 No. 5, Jede Woge meiner Wellen 06:51
• 6 No. 6, Ich nehm zugleich an deiner Freude teil 01:07
• 7 No. 7, Reis, von Habsburgs hohem Stamme 05:46
• 8 No. 8, Verzeiht, bemooste Häupter starker Ströme 01:58
• 9 No. 9, Hört doch der sanften Flöten Chor 03:19
• 10 No. 10, Ich muss, ich will gehorsam sein 01:34
• 11 No. 11, Die himmlische Vorsicht der ewigen Güte 03:19
• Preise dein Glücke, gesegnetes Sachsen, BWV 215:
• 12 No. 1, Preise dein Glücke, gesegnetes Sachsen 07:35
• 13 No. 2, Wie konnen wir, Grossmachtigster August 01:12
• 14 No. 3, Freilich trotzt Augustus' Name 07:03
• 15 No. 4, Was hast dich sonst, Sarmatien, bewogen 01:54
• 16 No. 5, Rase nur, verwegner Schwarm 03:40
• 17 No. 6, Ja, ja! Gott ist uns noch mit seiner Hülfe nah 01:21
• 18 No. 7, Durch die von Eifer entflammeten Waffen 03:54
• 19 No. 8, Lass doch, o teurer Landesvater, zu 02:45
• 20 No. 9, Stifter der Reiche, Beherrscher der Kronen 02:23
• Total Runtime 01:09:11

Info zu Bach: Celebratory Cantatas

Besides the fact that they both celebrate Augustus III, Elector of Saxony and King of Poland, there is a close connection between the two works included on the eighth volume of Bach’s secular cantatas. On 2nd October 1734, the King and his family made a surprise visit to Leipzig, and in all haste a festive event was planned for three days later, in celebration of the anniversary of Augustus’s ascension to the Polish throne. Bach was asked to provide the musical entertainment, and consequently had to put aside the work he was busy composing… namely BWV 206 Schleicht, spielende Wellen, intended for a celebration of the King’s birthday on 7th October!

The new cantata, Preise dein Glücke, gesegnetes Sachsen, BWV 215, is a substantial work, and it is not surprising that Bach, with only a few days to produce it, had recourse to earlier compositions: the only parts that were written completely from scratch were the recitatives, the soprano aria (seventh movement) and the final chorus. In the meantime, BWV 206 – the birthday cantata that Bach had to put on hold – came to good use two years later, when the King’s birthday was celebrated with a concert at Zimmermann’s coffee house in Leipzig. Both works are richly scored with trumpets and timpani, and here receive suitably festive performances from Bach Collegium Japan and Masaaki Suzuki.

Hana Blažíková, soprano
Hiroya Aoki, alto
Charles Daniels, tenor
Roderick Williams, bass
Bach Collegium Japan
Masaaki Suzuki, conductor

Masaaki Suzuki
Since founding Bach Collegium Japan in 1990, Masaaki Suzuki has established himself as a leading authority on the works of Bach. He has remained their Music Director ever since, taking them regularly to major venues and festivals in Europe and the USA and building up an outstanding reputation for the expressive refinement and truth of his performances. In addition to working with renowned period ensembles, such as Collegium Vocale Gent and Philharmonia Baroque, he is invited to conduct modern instrument orchestras in repertoire as diverse as Britten, Fauré, Haydn, Mahler, Mendelssohn, Mozart and Stravinsky. Last season saw his debut appearances with the Deutsches Symphonie Orchester Berlin, Melbourne Symphony, Rotterdam Philharmonic and St. Paul Chamber Orchestra, while engagements for 2012/2013 include return visits to the Netherlands Radio Chamber Philharmonic Orchestra, Orchestre de Chambre de Paris and Verbier Festival and his debuts with the New York Philharmonic and the Radio-Sinfonieorchester Stuttgart.

Suzuki’s impressive discography on the BIS label, featuring Bach’s complete works for harpsichord and his interpretations of Bach’s major choral works and sacred cantatas with Bach Collegium Japan (of which he has already completed over fifty volumes of a project to record the complete series) have brought him many critical plaudits – the Times has written: “it would take an iron bar not to be moved by his crispness, sobriety and spiritual vigour”. In 2010, Suzuki and his ensemble were awarded both a German Record Critics’ Award (Preis der Deutschen Schallplattenkritik) and a Diapason d’Or de l’Année for their recording of Bach motets, which was also honoured in 2011 with a BBC Music Magazine Award.

Highlights of last season with Bach Collegium Japan included a European tour incorporating concerts at the Amsterdam Concertgebouw, Brussels Palais des Beaux-Arts and Paris Salle Pleyel amongst others, and culminating with a performance of the St Matthew Passion at the Thomaskirche, Leipzig where Suzuki was presented with the 2012 Leipzig Bach Prize. This season sees the group in residence at the Festival Oude Muziek Utrecht and Bremen Musikfest.

Masaaki Suzuki combines his conducting career with his work as organist and harpsichordist. Born in Kobe, he graduated from the Tokyo University of Fine Arts and Music with a degree in composition and organ performance and went on to study harpsichord and organ at the Sweelinck Conservatory in Amsterdam under Ton Koopman and Piet Kee. Founder and head of the early music department at the Tokyo University of the Arts, he is currently Visiting Professor of Choral Conducting at the Yale School of Music and Yale Institute of Sacred Music and the conductor of Yale Schola Cantorum.

Suzuki was decorated with ‘Das Verdienstkreuz am Bande des Verdienstordens der Bundesrepublik’ from Germany in April 2001, Bremen Musikfest Award 2011, and Bach Medal 2012 by the city of Leipzig in June 2012.

Bach Collegium Japan
was founded in 1990 by Masaaki Suzuki, its inspirational Music Director, with the aim of introducing Japanese audiences to period instrument performances of great works from the baroque period. Comprised of both baroque orchestra and chorus, their activities include an annual concert series of Bach’s cantatas and a number of instrumental programmes.

They have acquired a formidable international reputation through their acclaimed recordings of the major choral works of Johann Sebastian Bach for the BIS label; this season sees the triumphant conclusion of their recorded cycle of the complete Church Cantatas, a huge undertaking comprising over fifty CDs initiated in 1995. Their recent recording of Bach Motets was honoured with a German Record Critics’ Award (Preis der Deutschen Schallplattenkritik), Diapason d’Or de l’Année 2010 and also in 2011 with a BBC Music Magazine Award.

Bach Collegium Japan and Masaaki Suzuki have shared their interpretations across the international music scene with performances in venues as far afield as Amsterdam, Berlin, Hong Kong, London, Los Angeles, Melbourne, New York and Seoul, and at major festivals such as the BBC Proms, the Edinburgh International Festival and the Hong Kong Arts Festival. In 2010 the ensemble celebrated their 20th anniversary with a series of special concerts in Tokyo, and last season included performances at the Musikfest Bremen as well as appearances at New York’s Lincoln Center where Masaaki Suzuki and the choir were invited to collaborate with the New York Philharmonic Orchestra to open its Bach Variations Festival. This season they undertake their first visit to the New Zealand International Arts Festival and embark upon another major European tour during which they bring Bach’s St John Passion and a Cantata programme to cities such as Barcelona, Lyon, Paris and Toulouse.

Booklet für Bach: Celebratory Cantatas