Look Out For #1 (Remastered) The Brothers Johnson

• 1 I'll Be Good To You 04:48
• 2 Thunder Thumbs And Lightnin' Licks (Album Version) 04:51
• 3 Get The Funk Out Ma Face 02:27
• 4 Tomorrow (Album Version) 03:01
• 5 Free And Single (Album Version) 04:09
• 6 Come Together 04:14
• 7 Land Of Ladies (Album Version) 04:31
• 8 Dancin' And Prancin' 03:02
• 9 The Devil 03:49
• Total Runtime 34:52

Info zu Look Out For #1 (Remastered)

Look Out For #1 is the debut album by the Los Angeles, California-based duo The Brothers Johnson released in 1976. The album reached number one on the R&B albums chart and number three on the jazz albums chart in the United States.

"The Brothers Johnson first earned national recognition as recording artists by singing the sensuously funky mid-tempo number "Is It Love That We're Missin'," featured on Quincy Jones' album Mellow Madness. The dynamic duo maintains that same groove on this, its debut release for A&M Records. The first single was the moderate number "I'll Be Good to You," which is soothing like a ballad but inducing like a liquid funk cut. The guitar tandem landed on top of the R&B charts with this gold-selling single. They returned to the Top Five with the bona fide funk jam "Get the Funk out of My Face," which peaked at number four. Their remake of the Beatles' classic "Come Together" comes with a soulful twist. Aside from this remake, the Brothers co-wrote every other song on this album, including the untarnished instrumental "Tomorrow," which later became a number one single for Quincy Jones' Back on the Block. This album is consistent throughout." (Craig Lytle, AMG)

The Brothers Johnson

Produced by Quincy Jones

Digitally remastered

The Brothers Johnson
Guitarist/vocalist George Johnson and bassist/vocalist Louis Johnson formed the band Johnson Three Plus One with older brother Tommy and their cousin Alex Weir while attending school in Los Angeles. When they became professionals, the band backed such touring R&B acts as Bobby Womack and the Supremes. George and Louis Johnson later joined Billy Preston's band, and wrote "Music in My Life" and "The Kids and Me" for him before leaving his group in 1973.

Quincy Jones hired them to play on his LP Mellow Madness, and recorded four of their songs, including "Is It Love That We're Missing?" and "Just a Taste of Me." Jones took them on a Japanese tour, then produced their debut LP, Look Out for Number 1, after they signed with A&M, which was also his label at the time (1976). They scored a number one R&B and number three pop hit with "I'll Be Good to You," and enjoyed R&B chart-toppers in 1977 and 1980 respectively with "Strawberry Letter 23" and "Stomp!," while sustaining a consistent hit presence via such songs as "Get the Funk Out Ma Face" and "Runnin' for Your Lovin." Jones remade "I'll Be Good to You" in 1989 with Ray Charles and Chaka Khan on his Back on the Block release.

The Brothers earned platinum records for Look Out for Number 1 and Right on Time. Jones produced both of these, along with their third and fourth LPs, Blam and Light Up the Night. The group produced its single "The Real Thing" in 1981. It reached number 11 on the R&B charts, and the Brothers had another hit with "Welcome to the Club" in 1982. They started doing separate ventures; Louis Johnson played bass on Michael Jackson's Thriller LP and recorded a gospel album, while George Johnson worked with Steve Arrington. Leon Sylvers produced their mid-'80s return LP Out of Control; it didn't equal their past success, but got them another R&B hit with "You Keep Coming Back" in 1984. They recorded Kickin' in 1988, and co-wrote "Tomorrow" with Siedah Garrett for Jones' Back on the Block in 1989. Louis Johnson died at his home in Las Vegas in May 2015 at the age of 60. (Ron Wynn, AMG)

Dieses Album enthält kein Booklet