Schubert: Symphonies, Vol. 1 – Nos. 3, 5 & 8 Edward Gardner
- Franz Schubert (1797 - 1828): Symphony No. 3 in D Major, D. 200:
- 1Symphony No. 3 in D Major, D. 200: I. Adagio maestoso - Allegro con brio08:34
- 2Symphony No. 3 in D Major, D. 200: II. Allegretto04:04
- 3Symphony No. 3 in D Major, D. 200: III. Menuetto. Vivace03:38
- 4Symphony No. 3 in D Major, D. 200: IV. Presto vivace05:51
- Symphony No. 5 in B-Flat Major, D. 485:
- 5Symphony No. 5 in B-Flat Major, D. 485: I. Allegro07:18
- 6Symphony No. 5 in B-Flat Major, D. 485: II. Andante con moto08:13
- 7Symphony No. 5 in B-Flat Major, D. 485: III. Menuetto. Allegro molto04:41
- 8Symphony No. 5 in B-Flat Major, D. 485: IV. Allegro vivace06:52
- Symphony No. 8 in B Minor, D. 759 "Unfinished":
- 9Symphony No. 8 in B Minor, D. 759 "Unfinished": I. Allegro moderato13:31
- 10Symphony No. 8 in B Minor, D. 759 "Unfinished": II. Andante con moto10:45
Info zu Schubert: Symphonies, Vol. 1 – Nos. 3, 5 & 8
Following a highly successful series ‘Mendelssohn in Birmingham’, the City of Birmingham Symphony Orchestra with their former Chief Conductor Edward Gardner here presents a new series: Schubert Symphonies.
This first volume comprises of three symphonies spanning across Schubert’s short productive composing life. His Symphony No. 3 (1815), with its extensive and evolving slow introduction modelled on late Haydn is followed by the culminating distillation of Schubertian classicism that is his ‘little’ Symphony No. 5 (1816). Scored for chamber orchestra, it tells of much more of an influence of Mozart, for whom Schubert seemed to have felt a special affinity with around this time. Completing the album is Schubert’s much more intense (with a turbulent first movement and serene second) Symphony No. 8 “unfinished” (1822), of which only the first two movements and a skeleton sketch of a third Scherzo movement were completed.
City of Birmingham Symphony Orchestra
Edward Gardner, conductor
Recognised as one of the most talented conductors of his generation, Edward Gardner began his tenure as Music Director of English National Opera in May 2007 with a new critically acclaimed production of Britten’s Death in Venice. Under his direction, the ENO has presented a series of stellar productions, including Boris Godunov, Cavalleria Rusticana & Pagliacci, Der Rosenkavalier, Punch and Judy, Peter Grimes and most recently a double bill of The Rite of Spring and Bluebeard’s Castle. In recognition of his talent and commitment, Edward received the Royal Philharmonic Society Award in 2008 for Best Conductor and this year, the Olivier award for Outstanding Achievement in Opera. Equally successful outside ENO, Edward’s future operatic engagements include debuts with Lyric Opera of Chicago, The Metropolitan Opera New York and La Scala, Milan. A regular at Paris Opera since 2004/5, Edward’s most recent production there was Stravinsky’s Rake's Progress in 2007/8.
In 2008 Edward returned to Glyndebourne Festival Opera with a production of Britten’s Turn of the Screw.Since making his successful debut in 2005 with the BBC Symphony Orchestra at the Aldeburgh Festival, Edward has been re-invited each year to the orchestra and in 2008 conducted the UK premiere of Saariaho’s Adriana Mater in concert at the Barbican as well as making his Proms debut. Edward works regularly with the Halle Orchestra, the City of Birmingham Symphony Orchestra and the Orchestra of the Age of Enlightenment in the UK. Internationally, he works with the Bamberg Symphony, Gothenburg Symphony, Bergen Philharmonic, Trondheim Symphony Orchestra, Melbourne Symphony, Saint Louis Symphony Orchestra, NAC Ottawa and the Indianapolis Symphony amongst others.
In 2009/10 he will make his debut with the NHK Symphony Orchestra and Netherlands Radio Philharmonic Orchestra and return to the BBC Proms. Future seasons include the Philharmonia, London Philharmonic and Rotterdam Philharmonic.Edward has signed an exclusive contract with Chandos Records from 2009 with plans to record 2 discs per season. He has also made a number of recordings for EMI Records; Alison Balsom/Gothenburg Symphony Orchestra; Kate Royal/the Academy of St. Martin-in-the-Fields and Kate Royal/English National Opera Orchestra.Born in Gloucester in 1974, Edward was educated at Cambridge, and the Royal Academy of Music where he studied under the instruction of Colin Metters. He graduated in 2000 and went on to assist Mark Elder at The Hallé Orchestra for 3 years before being named as Musical Director of Glyndebourne Touring Opera in 2004, a position he held for 3 years.
The BBC Symphony Orchestra
The BBC Symphony Orchestra has played a central role at the heart of British musical life since its inception in 1930; and (as the flagship orchestra of the BBC) it provides the backbone of the BBC Proms with at least a dozen concerts each year including the First and Last Nights. The BBC SO has a strong commitment to 20th-century and contemporary music—recently it has given world premieres of BBC commissions by leading composers such as John Adams, Elliott Carter, Brian Elias, Vic Hoyland, Matthias Pintscher, Karlheinz Stockhausen, and Judith Weir. The 2009–10 season included commissions and premieres from Ian McQueen, Bill Frisell/Mike Gibbs, Ryan Wigglesworth and Peter Eötvös.
Jiøí Bìlohlávek took up the post of Chief Conductor in 2006 and he and the BBC SO perform together frequently across the season both in the UK and internationally. The orchestra also works regularly with Principal Guest Conductor David Robertson, Oliver Knussen, recently appointed Artist in Association, and Conductor Laureate Sir Andrew Davis.