Pablo Ziegler
is the most important artist of the Tango Nuevo and Astor Piazzolla’s legitimate successor. He already played in several jazz ensembles when he was only 14 years old. In his younger days he composed for musicals, TV and movies and founded his first Trio, which combined classical music with jazz. Between 1978 and 1989 he worked continously with Astor Piazzolla and contributed substantially to his enormous success.

When Piazzolla became seriuosly ill, Pablo Ziegler formed the Quintett for New Tango, which was celebrated by the press and the audience. Recordings and concerts followed, together with (among others) Milva, Gary Burton and the Royal Philharmonic Orchestra, London. He received awards for his achievements as composer in New Orleans, New York and Buenos Aires.

Christopher O'Riley
Mr. O’Riley’s exquisite and poetic interpretations have granted him phenomenal reviews and several recording contracts with labels like Sony Classical. His warm personality has brought him to host NPR’s “From the Top” for the last 10 years. Christopher O’Riley differs from other artists in two ways. First, his repertoire spans classical styles, from Rachmaninoff, Beethoven, Chopin, Ravel and Busoni to contemporary artists such as Radiohead, Nirvana, Pink Floyd and Elliott Smith. He is the definition of a Classical Crossover artist. Second, O’Riley 's unique, passionate and heartfelt piano interpretations of both classical and popular music create unforgettable musical performances and astonishing audience experiences. His most famous recording, Radiohead “True Love Waits” album, was awarded four stars in Rolling Stone magazine, along with many other reviews available in the attached press kit. Most importantly, it has also created a dedicated and diverse fan base that appeals to all ages, uniting them through music.

From his groundbreaking transcriptions of Radiohead to his powerful interpretations of repertoire classic and contemporary, pianist Christopher O’Riley has redefined the possibilities of classical music. He has taken his unique vision to both traditional classical music venues and symphonic settings, as well as to entirely new audiences on the radio, at universities and even clubs. As host of the most popular classical music radio show on the air today, National Public Radio’s From the Top, Mr. O’Riley works and performs with the next generation of brilliant young musicians, demonstrating to audiences, with humor and a lack of pretense, that these young artists are as characterful and diverse in their personal lives as they are in their music-making. In 2007, From the Top was filmed for public television in Zankel Concert Hall at Carnegie Hall and debuted on PBS in the spring. The series is now airing its third season.

An interpreter and arranger of some of the most important contemporary popular music of our time, O’Riley lives by the Duke Ellington adage, “there are only two kinds of music, good music and bad.” His first recording of Radiohead transcriptions, ”True Love Waits” (Sony/Odyssey) received 4 stars from Rolling Stone and was as critically acclaimed as it was commercially successful. His second set of music from the British alt-pop outfit, entitled “Hold Me to This: Christopher O’Riley plays the music of Radiohead,” was released on World Village/Harmonia Mundi to a similarly enthusiastic response. In April 2006, his third set of transcriptions was released on the same label. Entitled “Home to Oblivion; An Elliott Smith Tribute,” Mr. O’Riley this time tackles the deeply emotional and complex work from the troubled singer/songwriter who died prematurely in 2003. His most recent recording, released in April 2007 and entitled “Second Grace: The Music of Nick Drake,” is a disc of transcriptions of the music by the British folk singer. Nick Drake died in 1974 after releasing just 3 albums, yet influenced two generations of songwriters in his wake.

Just as his radio show and his contemporary classical recordings have created extraordinary buzz, so have his performances in traditional classical context. In November 2004, Mr. O’Riley toured the U.S. with the world-famous Academy of St. Martin in the Fields Chamber Orchestra visiting 10 cities in 2 weeks, playing Bach, Mozart and Liszt concerti. He has appeared with the Los Angeles Philharmonic at the Hollywood Bowl, the Minnesota Orchestra, the symphonies of Pittsburgh, Detroit, Colorado, Atlanta and Baltimore. The illustrious group of conductors with whom he has collaborated includes Marin Alsop, David Zinman, Leonard Slatkin, John Williams, Neeme Järvi, Bobby McFerrin, Hans Graf, Yoel Levi, Hugh Wolff and Andrew Litton.

Performances in the 2008-2009 season include tours with James Galway and cellist Carter Brey, recitals at the University of Colorado Boulder, Duke University, Roy Thomson Hall in Toronto, and orchestral engagements with the Baltimore Symphony, New Mexico Symphony, and Atlantic Classical Orchestra. At the Miller Theatre in New York City, Mr. O’Riley will showcase his own arrangements alongside Classical repertoire in three programs juxtaposing works of Shostakovich (Preludes and Fugues) with Radiohead, Claude Debussy (Images and Estampes) with Nick Drake, and Robert Schumann (Arabeske and Kreisleriana) with Elliott Smith. This season also finds O’Riley playing recitals in many of the great European cities: London, Paris, Munich, Berlin, Salzburg and Vienna.