Bruckner: Symphony No. 4 London Symphony Orchestra & Sir Simon Rattle

• Anton Bruckner (1824 - 1896): Symphony No. 4 "Romantic" (Version 1878-81, Cohrs A04B):
• 1 Bruckner: Symphony No. 4 "Romantic" (Version 1878-81, Cohrs A04B): I. Bewegt, nicht zu schnell (1881) 17:36
• 2 Bruckner: Symphony No. 4 "Romantic" (Version 1878-81, Cohrs A04B): II. Andante quasi Allegretto (1881) 15:23
• 3 Bruckner: Symphony No. 4 "Romantic" (Version 1878-81, Cohrs A04B): III. Scherzo. Bewegt - Trio. Nicht zu schnell. Keinesfalls schleppend - Scherzo da capo (1881) 10:52
• 4 Bruckner: Symphony No. 4 "Romantic" (Version 1878-81, Cohrs A04B): IV. Finale. Bewegt, doch nicht zu schnell (1881, abridged) 17:39
• Symphony No. 4 "Romantic" (Cohrs A04B):
• 5 Bruckner: Symphony No. 4 "Romantic" (Cohrs A04B): Scherzo. Sehr schnell - Trio. Im gleichen Tempo - Scherzo da capo 11:54
• 6 Bruckner: Symphony No. 4 "Romantic" (Cohrs A04B): Finale (Volksfest). Allegro moderato (1878, Cohrs A04B-2) 15:48
• 7 Bruckner: Symphony No. 4 "Romantic" (Cohrs A04B): Andante quasi Allegretto (1878, extended initial version) 16:37
• 8 Bruckner: Symphony No. 4 "Romantic" (Cohrs A04B): Finale. Bewegt, doch nicht zu schnell (1881, unabridged) 20:44
• Total Runtime 02:06:33

Info zu Bruckner: Symphony No. 4

The air shimmers and glows, and somewhere in the mists, a solitary horn gives a lonely call. The stuff of fairytales? The truth is, it’s impossible to write about Bruckner’s majestic Fourth Symphony without letting the imagination soar; he never wrote anything more colourful, or more poetic. In Germany, they call it the ‘Romantic’ symphony, and it’s easy to hear why.

Sir Simon Rattle loves Bruckner’s Fourth, and on this new recording from LSO Live, he conducts the work in all its splendour: music that never gets any less stirring, and has never sounded so fresh. He is aware, too, that Bruckner’s inspiration burned so brightly that he ended up with more ideas than he could actually use. “There is much wonderful music which remains almost entirely unplayed” he says. On this album he steps inside Bruckner’s workshop, bringing to light some of the music that didn’t make the final cut.

This edition of the symphony and its discarded Scherzo and Finale by Benjamin-Gunnar Cohrs was published in 2021. The world premiere performance with Sir Simon Rattle and the LSO is a must-listen for lovers of Bruckner’s music, and gives us a glimpse into the composer’s untold musical thoughts.

"This new, live recording of the Symphony No 4 in E-flat Major, "Romantic" by Anton Bruckner (1824-1896) will most certainly appeal first and foremost to any and all Bruckner "completists" out there. During my many years in classical music retail I've come across a few, some of which who actually seemed to consider the music of Anton Bruckner to be some type of religion. One in particular stands out because he would come into the store at least once or twice a week, head straight to the Bruckner section (never purchased anything else), acquire whatever titles were not there on his previous visit, and sometimes place special orders for historical recordings by conductors like Knappertsbusch or Hans Rosbaud. Never before or since have I witnessed such devotion and allegiance to the music of one single composer." (Jean-Yves Duperron)

London Symphony Orchestra
Sir Simon Rattle, conductor

Sir Simon Rattle
was born in Liverpool and studied at the Royal Academy of Music in London.

From 1980 to 1998, Sir Simon was Principal Conductor and Artistic Adviser of the City of Birmingham Symphony Orchestra and was appointed Music Director in 1990. He moved to Berlin in 2002 and held the positions of Artistic Director and Chief Conductor of the Berliner Philharmoniker until he stepped down in 2018. Sir Simon became Music Director of the London Symphony Orchestra in September 2017 and spent the 2017-18 season at the helm of both ensembles.

Sir Simon has made over 70 recordings for EMI record label (now Warner Classics) and has received numerous prestigious international awards for his recordings on various labels. Releases on EMI include Stravinsky’s Symphony of Psalms (which received the 2009 Grammy Award for Best Choral Performance) Berlioz's Symphonie fantastique, Ravel’s L'enfant et les sortileges, Tchaikovsky’s Nutcracker Suite, Mahler’s Symphony No. 2 and Stravinsky’s The Rite of Spring. From 2014 Sir Simon continued to build his recording portfolio with the Berliner Philharmoniker’s in-house label, Berliner Philharmoniker Recordings, which led to recordings of the Beethoven, Schumann and Sibelius symphony cycles. Sir Simon’s most recent recordings include Debussy’s Pelléas et Mélisande, Turnage’s Remembering, and Ravel, Dutilleux and Delage on Blue-Ray & DVD with the London Symphony Orchestra’s record label, LSO Live.

Music education is of supreme importance to Sir Simon, and his partnership with the Berliner Philiharmoniker broke new ground with the education programme Zukunft@Bphil, earning him the Comenius Prize, the Schiller Special Prize from the city of Mannheim, the Golden Camera and the Urania Medal. He and the Berliner Philharmoniker were also appointed International UNICEF Ambassadors in 2004 - the first time this honour has been conferred on an artistic ensemble. Sir Simon has also been awarded several prestigious personal honours which include a knighthood in 1994, becoming a member of the Order of Merit from Her Majesty the Queen in 2014 and most recently, was bestowed the Order of Merit in Berlin in 2018. In 2019, Sir Simon was given the Freedom of the City of London.

From 2013, Sir Simon took up residency at Baden-Baden Osterfestspiele performing Die Zauberflöte and a series of concerts with the Berliner Philharmoniker in his first season. Since then the partnership led to performances of Puccini’s Manon Lescaut, Peter Sellars’s ritualization of Bach’s St. John Passion, Strauss’s Der Rosenkavalier, Berlioz’s La damnation de Faust,Wagner’s Tristan und Isolde and most recently, Parsifal in 2018. For Salzburg Osterfestspiele, Rattle has conducted staged productions of Fidelio, Così fan tutte, Peter Grimes, Pelléas et Mélisande, Salome and Carmen, a concert performance of Idomeneo and many contrasting concert programmes. He has also conducted Wagner's Der Ring des Nibelungen with the Berliner Philharmoniker for Festival d'Aix-en-Provence and Salzburg Osterfestspiele and most recently at the Deutsche Oper Berlin and Wiener Staatsoper. Other recent opera productions for Sir Simon include Pelléas et Mélisande and Dialogues des Carmélites for the Royal Opera House; L'Étoile, Aus einem Totenhaus, Káťa Kabanová and La damnation de Faust for the Deutsche Staatsoper Berlin, and Andrew Norman’s A Trip to the Moon at the Barbican Centre, London.

Sir Simon has longstanding relationships with the leading orchestras in London, Europe and the USA; initially working closely with the Los Angeles Philharmonic and Boston Symphony Orchestra, and more recently with The Philadelphia Orchestra. He regularly conducts the Wiener Philharmoniker, with whom he has recorded the complete Beethoven symphonies and piano concertos with Alfred Brendel and is also a Principal Artist of the Orchestra of the Age of Enlightenment and Founding Patron of Birmingham Contemporary Music Group..

Sir Simon Rattle was knighted in 1994 and in the New Year’s Honours of 2014 he received the Order of Merit from Her Majesty the Queen.

Booklet für Bruckner: Symphony No. 4