Janáček: Jenůfa London Symphony Orchestra & Sir Simon Rattle

• Leoš Janáček (1854 - 1928): Jenůfa (Její pastorkyňa), JW I/4, Act I Scene 1:
• 1 Janáček: Jenůfa (Její pastorkyňa), JW I/4, Act I: Scene 1; Prelude 01:52
• 2 Janáček: Jenůfa (Její pastorkyňa), JW I/4, Act I: Scene 1; Už se večer chýlí 10:17
• 3 Janáček: Jenůfa (Její pastorkyňa), JW I/4, Act I: Scene 2; Co to robíš, mládku? 04:55
• 4 Janáček: Jenůfa (Její pastorkyňa), JW I/4, Act I: Scene 3; Co ty, Jenůfo, za mamičkou nevejdeš 00:36
• 5 Janáček: Jenůfa (Její pastorkyňa), JW I/4, Act I: Scene 4; Všeci sa ženija, vojny sa bojija 01:47
• 6 Janáček: Jenůfa (Její pastorkyňa), JW I/4, Act I: Scene 5; Duša moja, Števo, Števuško! 04:04
• 7 Janáček: Jenůfa (Její pastorkyňa), JW I/4, Act I: Scene 5; A tak bychom šli celým životem 09:00
• 8 Janáček: Jenůfa (Její pastorkyňa), JW I/4, Act I: Scene 6; Števo, Števo, já vím, žes to urobil z té radosti dnes 05:53
• 9 Janáček: Jenůfa (Její pastorkyňa), JW I/4, Act I: Scene 7; Jak rázem všecko to Štefkovo vypínání schlíplo 04:47
• Jenůfa (Její pastorkyňa), JW I/4, Act II:
• 10 Janáček: Jenůfa (Její pastorkyňa), JW I/4, Act II: Scene 1; Prelude 01:16
• 11 Janáček: Jenůfa (Její pastorkyňa), JW I/4, Act II: Scene 1; Nechám ještě dveře otevřeny 07:24
• 12 Janáček: Jenůfa (Její pastorkyňa), JW I/4, Act II: Scene 2; Ba, ta tvoje okenička 02:05
• 13 Janáček: Jenůfa (Její pastorkyňa), JW I/4, Act II: Scene 3; Tetko Kostelníčko 09:08
• 14 Janáček: Jenůfa (Její pastorkyňa), JW I/4, Act II: Scene 4; Ale viděl jsem vcházet šohaje 03:26
• 15 Janáček: Jenůfa (Její pastorkyňa), JW I/4, Act II: Scene 5; Co chvíla… co chvíla 04:14
• 16 Janáček: Jenůfa (Její pastorkyňa), JW I/4, Act II: Scene 6; Mamičko, mám těžkou hlavu 09:22
• 17 Janáček: Jenůfa (Její pastorkyňa), JW I/4, Act II: Scene 7; Kdo to je? 06:20
• 18 Janáček: Jenůfa (Její pastorkyňa), JW I/4, Act II: Scene 8; Tot' zrovna jde! 06:50
• Jenůfa (Její pastorkyňa), JW I/4, Act III:
• 19 Janáček: Jenůfa (Její pastorkyňa), JW I/4, Act III: Scene 1; Prelude 01:43
• 20 Janáček: Jenůfa (Její pastorkyňa), JW I/4, Act III: Scene 1; Není ti teskno, Jenůfko? 00:53
• 21 Janáček: Jenůfa (Její pastorkyňa), JW I/4, Act III: Scene 2; Dej Bůh štěstí! 04:29
• 22 Janáček: Jenůfa (Její pastorkyňa), JW I/4, Act III: Scene 3; Vidíš, Laco, já to tušila 03:52
• 23 Janáček: Jenůfa (Její pastorkyňa), JW I/4, Act III: Scene 4; A hen… už jsou tu 02:49
• 24 Janáček: Jenůfa (Její pastorkyňa), JW I/4, Act III: Scene 5; To bylo ňákého prohlížení! 00:18
• 25 Janáček: Jenůfa (Její pastorkyňa), JW I/4, Act III: Scene 6; Pánbůh rač dát dobrý den! 03:24
• 26 Janáček: Jenůfa (Její pastorkyňa), JW I/4, Act III: Scene 7; Co dítě? Co s dítětem tam křičejí? 00:29
• 27 Janáček: Jenůfa (Její pastorkyňa), JW I/4, Act III: Scene 8; Ó, pobĕžte, ó, pobĕžte! 00:44
• 28 Janáček: Jenůfa (Její pastorkyňa), JW I/4, Act III: Scene 9; Števo, to je ti strašné… Svatba pokažena… 00:40
• 29 Janáček: Jenůfa (Její pastorkyňa), JW I/4, Act III: Scene 10; Ha, vidíte, jeho poviják 04:25
• 30 Janáček: Jenůfa (Její pastorkyňa), JW I/4, Act III: Scene 11; Vstaňte, pěstounko moja! 04:20
• 31 Janáček: Jenůfa (Její pastorkyňa), JW I/4, Act III: Scene 12; Odešli. Jdi také! 03:38
• Total Runtime 02:05:00

Info zu Janáček: Jenůfa

Jenůfa ist schwanger, aber sie ist nicht verheiratet. In ihrem abgelegenen Bergdorf bedeutet dies Schande oder sogar den Tod. Der Komponist grübelte viele Jahre lang über die Lage seiner Figuren nach. Die Oper, die er schließlich vollendete, ist eine glühende Vision von menschlichem Leid und Erlösung, die in den Rhythmen des Alltags verwurzelt ist. Jenůfa bringt eine bemerkenswerte Besetzung zusammen, darunter Agneta Eichenholz' herzzerreißende Darstellung einer verletzlichen jungen Frau und Katarina Karnéus' ergreifend kraftvolle Kostelnička. Die dritte in einer Reihe von Janáček-Opern, die vom emeritierten Dirigenten Sir Simon Rattle und dem LSO präsentiert werden, folgt auf die von der Kritik hochgelobte Katya Kabanova, die 2024 herauskommt, und Das schlaue Füchslein, das 2020 erscheint.

Agneta Eichenholz, Sopran (Jenůfa)
Katarina Karneus, Mezzosopran (Kostelnička)
Aleš Briscein, Tenor (Laca)
Nicky Spence, Tenor (Steva)
Jan Martiník, Bass (Starek, der Vorarbeiter/Bürgermeister)
Carole Wilson, Mezzosopran (Großmutter Buryjovka)
Claire Barnett-Jones, Mezzosopran (Barena/Hirtin)
Hanna Hipp, Mezzosopran (Rychtarka)
Londoner Symphonieorchester und Chor
Sir Simon Rattle, Dirigent

Sir Simon Rattle
was born in Liverpool and studied at the Royal Academy of Music in London.

From 1980 to 1998, Sir Simon was Principal Conductor and Artistic Adviser of the City of Birmingham Symphony Orchestra and was appointed Music Director in 1990. He moved to Berlin in 2002 and held the positions of Artistic Director and Chief Conductor of the Berliner Philharmoniker until he stepped down in 2018. Sir Simon became Music Director of the London Symphony Orchestra in September 2017 and spent the 2017-18 season at the helm of both ensembles.

Sir Simon has made over 70 recordings for EMI record label (now Warner Classics) and has received numerous prestigious international awards for his recordings on various labels. Releases on EMI include Stravinsky’s Symphony of Psalms (which received the 2009 Grammy Award for Best Choral Performance) Berlioz's Symphonie fantastique, Ravel’s L'enfant et les sortileges, Tchaikovsky’s Nutcracker Suite, Mahler’s Symphony No. 2 and Stravinsky’s The Rite of Spring. From 2014 Sir Simon continued to build his recording portfolio with the Berliner Philharmoniker’s in-house label, Berliner Philharmoniker Recordings, which led to recordings of the Beethoven, Schumann and Sibelius symphony cycles. Sir Simon’s most recent recordings include Debussy’s Pelléas et Mélisande, Turnage’s Remembering, and Ravel, Dutilleux and Delage on Blue-Ray & DVD with the London Symphony Orchestra’s record label, LSO Live.

Music education is of supreme importance to Sir Simon, and his partnership with the Berliner Philiharmoniker broke new ground with the education programme Zukunft@Bphil, earning him the Comenius Prize, the Schiller Special Prize from the city of Mannheim, the Golden Camera and the Urania Medal. He and the Berliner Philharmoniker were also appointed International UNICEF Ambassadors in 2004 - the first time this honour has been conferred on an artistic ensemble. Sir Simon has also been awarded several prestigious personal honours which include a knighthood in 1994, becoming a member of the Order of Merit from Her Majesty the Queen in 2014 and most recently, was bestowed the Order of Merit in Berlin in 2018. In 2019, Sir Simon was given the Freedom of the City of London.

From 2013, Sir Simon took up residency at Baden-Baden Osterfestspiele performing Die Zauberflöte and a series of concerts with the Berliner Philharmoniker in his first season. Since then the partnership led to performances of Puccini’s Manon Lescaut, Peter Sellars’s ritualization of Bach’s St. John Passion, Strauss’s Der Rosenkavalier, Berlioz’s La damnation de Faust,Wagner’s Tristan und Isolde and most recently, Parsifal in 2018. For Salzburg Osterfestspiele, Rattle has conducted staged productions of Fidelio, Così fan tutte, Peter Grimes, Pelléas et Mélisande, Salome and Carmen, a concert performance of Idomeneo and many contrasting concert programmes. He has also conducted Wagner's Der Ring des Nibelungen with the Berliner Philharmoniker for Festival d'Aix-en-Provence and Salzburg Osterfestspiele and most recently at the Deutsche Oper Berlin and Wiener Staatsoper. Other recent opera productions for Sir Simon include Pelléas et Mélisande and Dialogues des Carmélites for the Royal Opera House; L'Étoile, Aus einem Totenhaus, Káťa Kabanová and La damnation de Faust for the Deutsche Staatsoper Berlin, and Andrew Norman’s A Trip to the Moon at the Barbican Centre, London.

Sir Simon has longstanding relationships with the leading orchestras in London, Europe and the USA; initially working closely with the Los Angeles Philharmonic and Boston Symphony Orchestra, and more recently with The Philadelphia Orchestra. He regularly conducts the Wiener Philharmoniker, with whom he has recorded the complete Beethoven symphonies and piano concertos with Alfred Brendel and is also a Principal Artist of the Orchestra of the Age of Enlightenment and Founding Patron of Birmingham Contemporary Music Group..

Sir Simon Rattle was knighted in 1994 and in the New Year’s Honours of 2014 he received the Order of Merit from Her Majesty the Queen.

Booklet für Janáček: Jenůfa