Consolations Antoine Malette-Chénier

• Henriette Renie (1875 - 1956): Contemplation:
• 1 Renié: Contemplation 04:54
• Albert Heinrich Zabel (1834 -1910): Fantasia On Themes From The Opera Faust By Charles Gounod, Op. 12:
• 2 Zabel: Fantasia On Themes From The Opera Faust By Charles Gounod, Op. 12 13:56
• Robert Schumann (1810 - 1856): Myrthen, Op. 25:
• 3 Schumann: Myrthen, Op. 25: III. The Walnut Tree (Trans. for Solo Harp by Alphonse Hasselmans) 02:27
• 4 Schumann: Myrthen, Op. 25: VII. The Lotus Flower (Trans. for Solo Harp by Alphonse Hasselmans) 01:43
• Liederkreis, Op. 39:
• 5 Schumann: Liederkreis, Op. 39: I. In A Foreign Land (Trans. for Solo Harp by Alphonse Hasselmans) 02:03
• Charles Schuetze (): In The Garden:
• 6 Schuetze: In The Garden 03:33
• Mikhail Glinka (1804 - 1857): A Farewell to Saint Petersburg:
• 7 Glinka: A Farewell to Saint Petersburg: X. The Lark (Arr. for Solo Harp by Mili Balakirev, Adapted by Antoine Malette-Chénier) 06:13
• Alphonse Jean Hasselmans (1845 - 1912): Rêverie (Esquisse poétique d’après Mignon de Goethe), Op. 26:
• 8 Hasselmans: Rêverie (Esquisse poétique d’après Mignon de Goethe), Op. 26 03:52
• Wilhelm Posse (1852 - 1925): Waltz:
• 9 Posse: Waltz No. 1 In A-Flat Minor 05:54
• 10 Posse: Waltz No. 2 In E-Flat Major 07:20
• Franz Liszt (1811 - 1886): Consolations, S. 172:
• 11 Liszt: Consolations, S. 172: I. Andante con moto (Adapted for Solo Harp by Sylvain Blassel) 01:25
• 12 Liszt: Consolations, S. 172: II. Un poco più mosso (Adapted for Solo Harp by Sylvain Blassel) 03:26
• 13 Liszt: Consolations, S. 172: III. Lento placido (Adapted for Solo Harp by Sylvain Blassel) 04:53
• 14 Liszt: Consolations, S. 172: IV. Quasi adagio (Adapted for Solo Harp by Sylvain Blassel) 02:59
• 15 Liszt: Consolations, S. 172: V. Andantino (Adapted for Solo Harp by Sylvain Blassel) 02:53
• 16 Liszt: Consolations, S. 172: VI. Allegretto sempre cantabile (Adapted for Solo Harp by Sylvain Blassel) 03:24
• Total Runtime 01:10:55

Info zu Consolations

The desire to touch souls and hearts has always been central to harpist Antoine Malette-Chénier‘s artistic practice. This, his first solo disc project, calls on the enormous suggestive power of Romantic music in an intimate recital conducive to communion and the sharing of emotions.

On this album, Malette-Chénier introduces works for harp, both originals and transcriptions, several of which are here recorded for the first time. The pieces on this program are concerned with all that can console and enhance human experience: beauty, nature, love, spirituality, dance, poetry. Sometimes dark, sometimes light, contemplative, or dramatic, they will take the listener on a journey of joy and hope.

Antoine Malette-Chénier, harp

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Booklet für Consolations