O Vilanella (Remastered) The Consort of Musicke

• Giovanni Pacoloni (1796 - 1867): La gamba
• 1 Pacoloni: La gamba 03:08
• Filippo Azzaiolo (1530 - 1569): Chi passa per sta strada:
• 2 Azzaiolo: Chi passa per sta strada 00:53
• 3 Azzaiolo: Chi passa per sta strada (Arr. Phalèse for 2 Lutes) 00:53
• 4 Azzaiolo: Chi passa per sta strada (Arr. J. Johnson for 2 Volins, Tenor Viol & Bass Viol) 02:36
• Anonymous: Dance Suite:
• 5 Anonymous: Dance Suite: La manfrolina 01:17
• 6 Anonymous: Dance Suite: L'agricola 00:48
• 7 Anonymous: Dance Suite: La traditora 01:00
• 8 Anonymous: Street Songs & Dances: Padoana de tute parti 00:46
• Filippo Azzaiolo: Street Songs & Dances:
• 9 Azzaiolo: Street Songs & Dances: Ti partir cor mio caro 00:43
• Anonymous: Street Songs & Dances: Padoana de tute parti (Reprise):
• 10 Anonymous: Street Songs & Dances: Padoana de tute parti (Reprise) 00:52
• Filippo Azzaiolo: Street Songs & Dances: Street Songs & Dances:
• 11 Azzaiolo: Street Songs & Dances: Gentil Madonna 01:25
• Anonymous: Street Songs & Dances:
• 12 Anonymous: Street Songs & Dances: Padoana gentil Madonna 01:39
• Anonymous: The Bergamasca:
• 13 Anonymous: The Bergamasca: Les buffons 01:02
• 14 Anonymous: The Bergamasca: Mistro Rigo 00:56
• Richard Nicholson (1563 - 1638): The Bergamasca:
• 15 Nicholson: The Bergamasca: The Jewes Dawnce 01:28
• Orlande de Lassus (1532 - 1594): Madonna mia pieta:
• 16 Lassus: Madonna mia pieta 04:40
• 17 Lassus: Madonna mia pieta (Arr. Adriensen for 3 Lutes) 02:08
• Vincenzo Ruffo (1508 - 1587): Fantasias on Popular Tunes:
• 18 Ruffo: Fantasias on Popular Tunes: La danza 03:01
• 19 Ruffo: Fantasias on Popular Tunes: La gamba 01:47
• 20 Ruffo: Fantasias on Popular Tunes: La piva 00:57
• Anonymous: The Passamezzo Antico:
• 21 Anonymous: The Passamezzo Antico: Passamezzo Milanese (Arr. Pacolini for 3 Lutes) 01:45
• Diego Ortiz (1510 - 1570): The Passamezzo Antico:
• 22 Ortiz: The Passamezzo Antico: Recercada 01:35
• Anonymous: The Passamezzo Antico:
• 23 Anonymous: The Passamezzo Antico: Padoana Milanese (Arr. Pacolini for 3 Lutes) 02:00
• Hubert Waelrant (1517 - 1596): O Villanella:
• 24 Waelrant: O Villanella 02:03
• Total Runtime 39:22

Info zu O Vilanella (Remastered)

The Consort of Musicke is an English ensemble devoted to Renaissance-era and Baroque music, particularly from England and Italy. The group has consisted of a varying number of singers and instrumentalists over the years, but often personnel in concert and on recordings has been two sopranos, one alto, two tenors, and one bass, with accompaniment on lute or viols. The Consort has generally been ranked among the most important ensembles in the revival of early English music.

The Consort of Musicke:
John York Skinner, countertenor
Martyn Hill, tenor
John Dudley, tenor
David Thomas, bass
Catherine Mackintosh, treble viol
Eleanor Sloan, rebec, violin
Trevor Jones, tenor viol
Ian Gammie, bass viol
Julian Creme, tenor lute
Michael Hunt, bass lute
Anthony Rooley, bass lute, direction

Digitally remastered

The Consort of Musicke
is a British early-music group, founded in 1969 by lutenist Anthony Rooley, the ensemble's Artistic Director. The Consort of Musicke is mainly known for vocal music and members of the group have included such well-known singers as sopranos Emma Kirkby and Evelyn Tubb, alto Mary Nichols, tenors Paul Agnew, Andrew King and Joseph Cornwell, and bass Simon Grant. However, it has released albums of purely instrumental music, such as works for viol consort.

The Consort has gone through several major phases in its long life, reflecting the range of passions of Anthony Rooley. The line-up of performers has likewise changed over the years, and expands to encompass particular projects. Core singers since 2004; Evelyn Tubb soprano, Lucy Ballard alto, Andrew King tenor, Simon Grant bass.

The group has made more than 120 recordings that reflect the exploration of music of earlier times, though many of the earlier recordings only exist on vinyl. The Consort’s recent CD recordings include the pre-Raphaelite madrigals of Robert Lucas Pearsall, and the motets of the Dutch composer Verrijt, which received enthusiastic responses from the Dutch critics.

Current repertoire includes a theatrical programme of mad songs; an exploration of English Biblical Narratives of the 17th Century; and a programme which weaves the music of John Dowland with that of his contemporaries, reflecting the close-knit musical community of his day.

Dieses Album enthält kein Booklet