Rameau & Handel: Dom Bedos Ensemble ZAÏS

• 1 Concerti per l'organo ed alti stromenti in D Minor, No. 4, HWV 309, Op. 7: I. Adagio & Organo ad libitum 06:39
• 2 Concerti per l'organo ed alti stromenti in D Minor, No. 4, HWV 309, Op. 7: II. Allegro 03:53
• 3 Pièces de clavecin en concerts, Troisième Concert: I. La Lapoplinière 04:04
• 4 Pièces de clavecin en concerts, Troisième Concert: II. La Timide 05:32
• 5 Pièces de clavecin en concerts, Troisième Concert: III. Tambourins I & II 02:35
• 6 Concerti per l'organo ed alti stromenti in F Major, No. 4, HWV 292, Op. 4: I. Improvisation & Allegro 05:52
• 7 Concerti per l'organo ed alti stromenti in F Major, No. 4, HWV 292, Op. 4: II. Andante 05:49
• 8 Concerti per l'organo ed alti stromenti in F Major, No. 4, HWV 292, Op. 4: III. Adagio 01:31
• 9 Concerti per l'organo ed alti stromenti in F Major, No. 4, HWV 292, Op. 4: IV. Allegro 03:29
• 10 Ouverture improvisée 05:24
• 11 Hippolyte et Aricie, Acte III scène I: I. Ritournelle (version de 1742) 01:40
• 12 Pièces de clavecin en concerts, Quatrième Concert: I. La Forqueray 04:02
• 13 Pièces de clavecin en concerts, Quatrième Concert: II. La Cupis 05:49
• 14 Pièces de clavecin en concerts, Quatrième Concert: III. La Marais 02:27
• 15 Concerti per l'organo ed alti stromenti in G Minor, No. 1, HWV 289, Op. 4: I. Larghetto 05:29
• 16 Concerti per l'organo ed alti stromenti in G Minor, No. 1, HWV 289, Op. 4: II. Andante (variations) 03:56
• Total Runtime 01:08:11

Info zu Rameau & Handel: Dom Bedos

Handel‘s concertos for organ and Rameau s concert harpsichord pieces figure among the most original works in the keyboard repertoire of the 18th century. The Dom Bedos organ is one of the rare French instruments from the 18th century equipped with a 32-foot manual organ stop, endowing the grand plein-jeu with an incredible depth. The process of re-working and adapting musical material was a very common practice and some of these harpsichord pieces en concert seem to suit the organ perfectly. Whether it is a reduction of an orchestral work to be played by solo harpsichord, or inversely the development of a work so that it may be played by a larger number of musicians, the 18th century abounds in collections of arrangements of the latest fashionable opera airs. Rameau himself, like Handel, was adept at re-writing and often reused a musical idea under several guises.

Paul Goussot, organ Dom Bedos / Quoirin 1748
Ensemble ZAÏS
Benoît Babel, conductor

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Booklet für Rameau & Handel: Dom Bedos